關於 clinical manifestation ，我們在網路上蒐集到這些相關的討論、資訊與評價

This Saturday 16:30
12/9 Dec.9th Live with 黑狼/黃大旺 for 姚瑞中 #巨神連線 Opening Party at TKG+
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【 TKG+｜藝術家新聞 Artist News｜姚瑞中 Yao Jui-chung 】

姚瑞中《巨神連線》新書發表會

藝術家姚瑞中全新攝影系列作品，日前集結成書，名為《巨神連線》。此系列自2016年開拍，歷經一年半密集拍攝全台230餘座廟宇、墓園、公園及樂園，記錄漢人用自我形象所投射而形塑出來的神偶世界；祂們有些被毀棄，大部份還存在。透過這些欲望投射物，進而了解地理空間上的特殊政治性關係。姚瑞中跳開敘事，將具體的人之形象隱藏到畫面後方，避免拍攝活動、祭典或是有人物的場景；只專注於信徒們膜拜的「巨大欲力投射」，也就是神明之具體形象。風格偏向類型學景觀式攝影而非民俗攝影，拍攝的是常態樣貌而非特殊個案。作品中沒有人物、迴避事件、遠離災難，採取客觀冷靜且抽離的姿態，拍攝對象也非宗教建築、民俗活動或信仰儀式，而是展現超越前述內容的「欲力具體化」。這系列新作以黑白理性色調呈現，探究人、宗教、信仰之間盤根錯節的關係。
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#YaoJuiChung
"Incarnation" Book Launch

Incarnation, the latest creative effort of multidisciplinary artist Yao Jui-chung, is a book comprising photographs of gigantic sculptures of Buddhist deities and folklore icons, taken over an 18-month period between 2016 and 2017 at over 230 locations around Taiwan, including temples, cemeteries, parks, and amusement parks. The book is a cold-eyed documentation of the fantastical world of gods and icons, some dilapidated, others cared-for, conjured by the Han people through their solipsistic projection of the self. These objects of desire highlight the interrelationship between geographical locations and sociocultural politics. The artist evades narrative by intentionally leaving out people in each frame, shunning religious gatherings or festivities. Instead, he focuses on the physical embodiment of the gods — a projection of the devotees’ fervent desire. Adopting a typological approach, he captures not the local folk culture, but the landscape that cradles the staggering sculptures; not peculiar cases but mundane existence. Devoid of humans, events, or disasters, this body of work explores the manifestation of human wants in a clinical approach that eschews religious architecture, folk activities, or worship ceremonies. In a dispassionate, monotone palette, this new photography series scrutinizes the inextricable connections between man, religion, and faith.
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#耿畫廊 TKG+
http://www.tinakenggallery.com 台北市內湖區瑞光路548巷15號1樓

活動頁面：https://www.facebook.com/events/327197284355701

https://instagram.com/p/BcSKF0bHQ37/

12/9 Dec.9th Live with 黑狼/黃大旺
姚瑞中 新書發表會 #巨神連線 Opening Party at TKG+

【 TKG+｜藝術家新聞 Artist News｜姚瑞中 Yao Jui-chung 】

姚瑞中《巨神連線》新書發表會

藝術家姚瑞中全新攝影系列作品，日前集結成書，名為《巨神連線》。此系列自2016年開拍，歷經一年半密集拍攝全台230餘座廟宇、墓園、公園及樂園，記錄漢人用自我形象所投射而形塑出來的神偶世界；祂們有些被毀棄，大部份還存在。透過這些欲望投射物，進而了解地理空間上的特殊政治性關係。姚瑞中跳開敘事，將具體的人之形象隱藏到畫面後方，避免拍攝活動、祭典或是有人物的場景；只專注於信徒們膜拜的「巨大欲力投射」，也就是神明之具體形象。風格偏向類型學景觀式攝影而非民俗攝影，拍攝的是常態樣貌而非特殊個案。作品中沒有人物、迴避事件、遠離災難，採取客觀冷靜且抽離的姿態，拍攝對象也非宗教建築、民俗活動或信仰儀式，而是展現超越前述內容的「欲力具體化」。這系列新作以黑白理性色調呈現，探究人、宗教、信仰之間盤根錯節的關係。
.
#YaoJuiChung
"Incarnation" Book Launch

Incarnation, the latest creative effort of multidisciplinary artist Yao Jui-chung, is a book comprising photographs of gigantic sculptures of Buddhist deities and folklore icons, taken over an 18-month period between 2016 and 2017 at over 230 locations around Taiwan, including temples, cemeteries, parks, and amusement parks. The book is a cold-eyed documentation of the fantastical world of gods and icons, some dilapidated, others cared-for, conjured by the Han people through their solipsistic projection of the self. These objects of desire highlight the interrelationship between geographical locations and sociocultural politics. The artist evades narrative by intentionally leaving out people in each frame, shunning religious gatherings or festivities. Instead, he focuses on the physical embodiment of the gods — a projection of the devotees’ fervent desire. Adopting a typological approach, he captures not the local folk culture, but the landscape that cradles the staggering sculptures; not peculiar cases but mundane existence. Devoid of humans, events, or disasters, this body of work explores the manifestation of human wants in a clinical approach that eschews religious architecture, folk activities, or worship ceremonies. In a dispassionate, monotone palette, this new photography series scrutinizes the inextricable connections between man, religion, and faith.
.
.
#耿畫廊 TKG+
http://www.tinakenggallery.com
台北市內湖區瑞光路548巷15號1樓