Time has a wonderful way of showing us what matters ⌚🖤
Adorning @danielwellington’s latest launch— The Iconic Link Ceramic.
It’s lightweight, scratch-resistant and highly durable in colour, which works out because I’m obsessed with this unique colour that will never fade!
You can find this zirconia ceramic beauty at www.danielwellington.com or any official retail stores in Singapore & Malaysia!
#DanielWellington #IconicLinkCeramic #TheLittleBlackWatch #DWinMY
#DWMalaysia
@jn_entertainment #jnartistes
同時也有3部Youtube影片,追蹤數超過13萬的網紅約書亞樂團 Joshua Band,也在其Youtube影片中提到,#歡迎追蹤並且分享我們的音樂 #約書亞樂團 #仰望神兒子 敬拜畫面►台北靈糧堂青年牧區 ● Holywood影視團隊 完整敬拜►https://youtu.be/V2dxjIP9gls 仰望神兒子 / Look to the Son 詞曲 Lyricist & Composer:Matt Cr...
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colour fade out 在 May 媄鏸 Facebook 的最佳貼文
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colour fade out 在 Christopher Doyle 杜可風 Facebook 的最佳解答
我們的電影大多是在一如往常的空間拍攝,狹小的環境讓我們要變法或是即慶創作,用一個更具創意的方式,讓觀眾確切跟主角和他們的處境「親近」。我相信在工作現場處理空間上的挑戰,能讓演員、團隊以至最終面對的觀眾,都能構成一份能量。
日以作夜,顧名思義是把日景當夜景拍攝,最佳的時份莫過於黃昏,日落西山下,「天上的光」映照空間帶出優雅的沉鬱感。若用黑白菲林拍攝,加上紅色濾鏡,藍天會變黑。如現代用彩色菲林拍攝,最好不要拍到天空,而要讓影像曝光不足,再為臉龐補光。到數碼攝影時代,有更多方法甚至DaVinci Resolve已能解決不少難題。
很多時,你不能夠為海面打燈,它會看得出被照明。同一道理在沙漠:你怎能携上幾顆大燈去補光,讓它看起來像月亮映照遼闊沙漠的模樣。當你在北歐夏季時間拍攝,當地日照至晚上11點….在冰島,太陽高懸地平線上,24小時晝夜不息….當你要去一個准予你拍攝的地方拍攝,那為何一定要選擇這地方,若非本來就能有其他選擇?
拍攝「真」夜景,每個人的精力大約到凌晨2點便慢慢減退….你減慢了速度,腦袋也不如日間般靈光….喝一杯咖啡或威士忌或有幫助,大約到凌晨4點倦意的循環漸過,但始終失去了專注和行動力。
對我來說,拍攝《三更之回家》的美感在於採取了實務的選擇,大量以日景作夜景拍攝。故事的主角們像處身「地獄的邊緣」:一個抽象又不明確的地方。他們的世界就只有PMQ這空間,它是在世界外圍的邊緣,所以我認為它值得有屬於自己的觸感、外觀和氛圍。我希望大家永遠不知日夜,就像故事帶出我們無從知道何謂真實與幻象,夢想與夢魘。
Most of our films are made in the space in which they are told. The limitations of small spaces make one adapt, or improvise, and respond to what is there in a more creative way I believe the audience feels literally “closer” to the characters and their predicaments because of this. I am sure that in “solving” the challenges of the working environment, a certain energy is created which engages the actors, the team and ultimately an audience.
Day for Night means what it says: you shoot a night scene during the daylight hours. It works best when around dusk when the sun has gone down but what is called “sky light” gives the space an ethereal moodiness. With black and white film, a red filter would turn a blue sky black. With modern colour film, it’s best to keep the sky out of shot and underexpose the image but try to light up the faces. With new digital technology there is a whole lot even DaVinci Resolve can help you achieve.
In most situations you can’t light the sea. It will look lit. Same thing with the desert: how can you get big lamps far enough out there to make it look like the moon has lit such a vast space. When you shoot in Northern Europe in Summer in most places it’s light till 11 pm … in Iceland the sun is hangs on the horizon for the full 24 hours of a day …. So you make the film the location allows you to make. And anyway why did you choose to make it here or there if the way the place is not the reason you came here in the first place?
When you shoot “ real ” night everyone’s energy starts to fade around 2 am …. You slow down. Your mind doesn't react as fast … a coffee or a whiskey might help, and usually most come out of this cycle around 4 am, but still you lose focus and function.
But for me with Three, Going Home is was as much an aesthetic as practical choice to shoot so much day for night. It seemed to me that the characters were in some kind of LIMBO: an abstract, unspecified place . Their world is that PMQ space itself. It is outside the outside world, so I felt it deserved a feel and look and mood of its own. I hoped we would never really know what time of day or night it is, just as the story suggests that we don't know what is real or imagined, fantasy or nightmare.
影片來源Video:《三更之回家》 “Three, Going Home” (2002)
#前荷里活道已婚警察宿舍 #三更之回家 #陳可辛 #真實與幻象
#PMQ #ThreeGoingHome #FruitChan #realorimagined
colour fade out 在 約書亞樂團 Joshua Band Youtube 的最佳解答
#歡迎追蹤並且分享我們的音樂 #約書亞樂團 #仰望神兒子
敬拜畫面►台北靈糧堂青年牧區 ● Holywood影視團隊
完整敬拜►https://youtu.be/V2dxjIP9gls
仰望神兒子 / Look to the Son
詞曲 Lyricist & Composer:Matt Crocker, Joel Houston, Scott Ligertwood, Reuben Morgan & Marty Sampson
主領 Worship Leader:杜威霖 Bukun Isbabanal
中譯詞 Translator:周巽光 Ewen Chow, James Liew, Victor Xue, Renee Deng, Grace Ho, Katy Chiu, Kenelm Chan & Daniel Chieng
﹥Verse 1
救恩
Salvation
撕裂黑夜的沉寂
Tearing through the dead of night
看見神的國在光速中
See the kingdom burst into colour
迸發出色彩
At the speed of light
自由
Freedom
改變屬靈的空氣
Shaking up the atmosphere
當明光照耀幽暗逝去
As the shadows fade into nothing
就不再環繞
As the day appears
﹥Pre-Chorus
從那高天之上
Beyond the skies above
愛為我們降下
Love reaching out for us
永活永在君王
The Everlasting One
耶穌我神
Jesus our God
﹥Chorus
我仰望神兒子
We look to the Son
注目在救主身上
Set our eyes on our Saviour
看見愛的形象
See the image of love
我永遠要讚美祂
Sing His praises forever
Oh仰望神兒子
Oh we look to the Son
﹥Verse 2
受造物
Creation
神的國就要臨到
Waking up to kingdom come
看天國盼望像
See the hope of heaven
初昇的太陽閃亮
Shining like the rising sun
現在永遠
Now forever
從死亡中得釋放
Lifted up from death to life
愛一無所懼
There’s no fear in love
勝過黑暗祂彰顯真光
And no darkness in His endless light
-
奉獻 Asia for JESUS/ 約書亞樂團事工
https://goo.gl/5AAgQP
聯繫約書亞樂團:
https://www.joshua.com.tw/web/
-
這裡可以找到我們!
YouTube▸https://bit.ly/3hBNTH5
Apple Music▸https://apple.co/3Au41TK
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KKBOX▸https://bit.ly/3dJyCTz
My Music▸https://bit.ly/2UnIVpA
friDay音樂▸https://bit.ly/2UkxJdm
LINE MUSIC▸https://bit.ly/3fyxAeu
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異象工場官方商城▸https://shop.asiaforjesus.net/
約書亞樂團官網▸https://www.joshua.com.tw/
約書亞樂團Facebook▸https://www.facebook.com/joshuaband
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約書亞樂團微博▸https://weibo.com/joshuaband
約書亞樂團微信▸joshuaband
colour fade out 在 約書亞樂團 Joshua Band Youtube 的最佳解答
Written by Matt Crocker, Joel Houston, Scott Ligertwood, Reuben Morgan & Marty Sampson
中譯詞 / Ewen Chow, James Liew, Victor Xue, Renee Deng, Grace Ho, Katy Chiu, Kenelm Chan & Daniel Chieng
© 2016 Hillsong Music Publishing
救恩
Salvation
撕裂黑夜的沉寂
Tearing through the dead of night
看見神的國在光速中
See the kingdom burst into colour
迸發出色彩
At the speed of light
自由
Freedom
改變屬靈的空氣
Shaking up the atmosphere
當明光照耀幽暗逝去
As the shadows fade into nothing
就不再環繞
As the day appears
從那高天之上
Beyond the skies above
愛為我們降下
Love reaching out for us
永活永在君王
The Everlasting One
耶穌我神
Jesus our God
我仰望神兒子
We look to the Son
注目在救主身上
Set our eyes on our Saviour
看見愛的形象
See the image of love
我永遠要讚美祂
Sing His praises forever
Oh仰望神兒子
Oh we look to the Son
受造物
Creation
神的國就要臨到
Waking up to kingdom come
看天國盼望像
See the hope of heaven
初昇的太陽閃亮
Shining like the rising sun
現在永遠
Now forever
從死亡中得釋放
Lifted up from death to life
愛一無所懼
There’s no fear in love
勝過黑暗祂彰顯真光
And no darkness in His endless light
-
奉獻Asia for JESUS/ 約書亞樂團事工
https://goo.gl/VIgDTs
聯系約書亞樂團:
https://goo.gl/1t5XhQ
-
約書亞購物商城:https://www.asiaforjesus.net/shop
約書亞樂團官網:https://www.joshua.com.tw
約書亞樂團臉書:https://www.facebook.com/joshuaband
約書亞樂團微博:https://www.weibo.com/joshuaband
約書亞樂團微信:joshuaband
KKBOX:https://kkbox.fm/Fp0dgA
iTunes:https://goo.gl/VyjwNz
Spotify:https://goo.gl/RF4Z7P
colour fade out 在 Venus Angelic Official Youtube 的最佳貼文
(灬╹ω╹灬) SUBSCRIBBLE FOR MORE VIDEOS! ♥
☆ New videos every Wednesday & Friday at Japan time 9pm!
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With my usual foundation and contacts all done, I use a light brown shimmery eyeshadow stick to colour my eyelids and one third of my lower eye. To make it look natural I fade the colour by blending.
Next I'll grin a bit to make my tearbags more visible so I can shade and highlight them with a pearly pink shadow. Prominent tearbags are great for a dolly baby face look so rarely leave this step out!
The most natural eyeliner colour is without doubt brown. To make use of this rather low key colour I make sure to keep the line close to my lashes and end it fading paralell with my eyelid. Followed by brown mascara, there will be no colour difference thus making the use of makeup barely noticeable. For a rounder eye shape, only cover 1 third of your lashes. With a faint, orange-ish pink I blush from the very outer corner of my eye down to my cheeks and one last time on my browbone. Apply sparingly, but enough to make it look like you've been kissed by crisp autumn wind.
Autumn and winter are suitable for deep red lips, but because I like to keep my look soft I use lip tint insead of lip stick. In harmony with my makeup I tinted my hair light pink, completing autumn's happy colour palette.
By combing my hair until it resembles cotton candy, then braiding it with my these cute disney bear hair ties I've got a quick and comfy hairdo. If time permits I also often add a serum and blow dry my bangs for even more fluff. Not only does this look make me feel warm and snuggly but it also matches to all my favourite autumn clothes. Enjoy autumn and come by again to see me in my new video every wednesday! Boooh bye bye booh!
colour fade out 在 How to change color in fade-in and fade-out on div when ... 的推薦與評價
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