#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有4部Youtube影片,追蹤數超過37萬的網紅Ray Mak,也在其Youtube影片中提到,Back in the days, around the time when YouTube was founded, before most of you were born, I used to Vlog a lot. I was a little ahead of my time becaus...
「cultural color」的推薦目錄:
cultural color 在 Miss Rainbow Facebook 的最佳貼文
「麥」擱來啊!Wheat field in Taiwan.🌾🌾🌾
🏠位置:台中市大雅區秀山路17-21號
📆展期:建議每年3月初前往,固定3月底收割
🔼About:一語雙關,但我說真的。麥田大多已收割,剩下最後的一片禁止進入,只能在路邊拍拍囉!
Every beginning of March is Daya Wheat Cultural Festival since 2004, and the wheat will be harvested on the end of March. If you want to enjoy the golden nature color of it, you only have less than a month to visit it. I came too late. Most of them are harvested and the only one field are entrance prohibited. Please come early next March!🌈
#missrainbow #大雅小麥文化節 #大雅小麥田
cultural color 在 蘇匯宇 Su Hui-Yu Facebook 的最讚貼文
《女性的復仇》最新專訪,刊登於藝術電影平台 MUBI。文章中也呈現了一些開拍前的分鏡手稿。
An interview/review by #MattTurner now on MUBI.
“In his recent “reshooting” series, Taiwanese artist-filmmaker Su Hui-yu takes forgotten or forbidden artifacts from Taiwanese’s cultural collective consciousness and brings them vividly back into the present, re-staging and reworking elements of the source materials into elaborate, expressive new scenarios that involve careful, considered choreography of both the camera and performers, bright, bold color and costuming, and no shortage of sexual or violent imagery. The result is something like a speculative remake, not so much a re-imaging but more a reimagining: a new work that bears ghost-traces of the original, related to it but unshackled from its limitations.”
https://mubi.com/notebook/posts/an-interview-with-su-hui-yu-ghost-traces-of-the-original-in-the-woman-s-revenge
cultural color 在 Ray Mak Youtube 的精選貼文
Back in the days, around the time when YouTube was founded, before most of you were born, I used to Vlog a lot. I was a little ahead of my time because video sharing platforms were premature back then. I Vlogged so that I can remember my experiences back then. You'll get to know me better if you actually spend the time to watch this. If you do have the patience.
Episode 10 - Winter 2005
This was my first snow in USA. I've seen snow before in China, Japan and a few other countries. It was amazing. My school is located very far from big cities, our water is crystal clear, so is our snow. My good friend, Paris, made me a Malaysian instant noodle called Maggi Curry, and it made me cry. Having such comfort food in a faraway land in the snow, was heavenly.
I've friends all around the world, different races, different religion, different skin color, different languages, and I was also a part of this organization called ICE (International Cultural Experience). From here, we've learnt to respect each other's skin color, religion, language, race (very different from the toxic YouTube comment section today, where keyboard losers without profile pictures are sending hate hiding themselves from their own miserable lives, don't you agree?)
If you've got friends from another race, religion, culture, skin color, cherish them. Consider it a huge blessing. There are many things you guys can learn from each other. Learn to be a little less toxic and make this world a better place.
I spoke a few languages in this video, be sure to turn on captions.
Year : 2005
Location : Amherst, Massachusetts
Fan-Made Intro by BashCone
https://www.youtube.com/channel/UCLYCxC8fugNPo4KXsX2lVqg
(Make me a nice short intro using the same audio and I'll feature you next)
This is my one remaining way to promote small channels as I've maxed out my Sub Counts trying to help out small YouTube channels (And getting hate at the same time)
?SHEET MUSIC & Mp3 ▸ http://www.makhonkit.com
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?Full Song List ▸ http://www.redefiningpiano.com
Talk to me :
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#Vlog #Winter #USA
cultural color 在 National Palace Museum國立故宮博物院 Youtube 的精選貼文
〈龍藏經〉浮影幻化互動沉浸式裝置內容取材自國立故宮博物院收藏的〈內府泥金寫本藏文龍藏經〉,為清康熙年間完成的藏傳佛教經典,於宗教及藝術領域上都是難得一見的巨作,故以此為構想規畫為一互動場域。
本裝置設計成透過感測民眾的參與人數多寡,啟動互動機制,展開循序漸進的三段變化體驗過程:從金色粒子的凝聚,至經文、八吉祥的飛揚,再到諸聖尊顯像。以蒲團意象的座椅增強打坐沉澱心境的效果:民眾坐下後,地面會慢慢浮現出經文、八吉祥的動畫,且隨著停滯時間漸久,地面的動畫範圍便逐步擴展。 更設置平板互動區,以擴增實境的手法,讓民眾猶如得到〈龍藏經〉的吉祥祝福,包含六字大明咒翻譯解密與白描尊像彩色幻化兩種形式。
不論國籍、年齡大小,任何人皆可透過科技藝術與文物的結合,深度沉浸在〈龍藏經〉的華美風采中而獲得心靈的感動。
Tibetan Dragon Sutra illusionistic immersive interactive installation is an interactive apparatus inspired by the ancient manuscript. Through the combination of science, art, and cultural relics, viewers can immerse themselves in the wondrous beauty of the Tibetan Dragon Sutra and submerge themselves within the intense spiritual energy emitted. The interactive device features material from the Tibetan Dragon Sutra: Imperial manuscript copy in gold ink housed within the collections of the National Palace Museum.
It is a collection of Tibetan Buddhist manuscripts completed during the reign of Emperor Kangxi. Due to their exquisite craftsmanship, grandeur, and solemnity, the manuscripts are a rare masterpiece in the fields of art and religion. The device is designed to initiate an interactive mechanism through sensing the number of people present. The experience encompasses a three-stage process that is gradually unveiled. Beginning with the amassing and swirling of flecks of golden light, people will then see flying scriptures and the eight auspicious symbols floating around them, followed by images of holy Buddhist figures.
The theater is also equipped with seating similar to the zafu used by Buddhist monks to enhance the meditative and calming effect. After viewers take their seats, the ground surrounding them will begin radiating scriptures and the eight auspicious symbols of Buddhist rituals. Further into the display, the scope of the animations on the floor will gradually expand. Through augmented reality, viewers will feel as if they have received the blessings of the Tibetan Dragon Sutra as they read and comprehend the translation of the six-syllabled Sanskrit mantra while being surrounded by animations of Buddhist statues transforming from black and white into images of vibrant color.
Regardless of nationality or age, visitors can all experience the feast of the senses brought to them by the Tibetan Dragon Sutra.
cultural color 在 Kento Bento Youtube 的最佳解答
Get ‘Asiany’ Merch at our new merch store!: https://standard.tv/kentobento
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★ Why Asians Are 'Cuter' (Scientific Breakdown): https://youtu.be/QPrP3Y4SO_E
★ Has McDonald's Conquered Asia?: https://youtu.be/pgHiRsk2UjY
★ Where Are The Asian Borders?: https://youtu.be/vPupwlZlNMY
★ 'Asian Eyes' Are More Common Than You Think: https://youtu.be/WxTnVWgOGLc
★ How Would You Escape North Korea? (The 7 Choices): https://youtu.be/6A0ZOkMDLw0
★ What Kind of 'Asian Eyes' Do You Have? (Test Yourself): https://youtu.be/wsNaBwrL9hg
★ 10 REASONS Why Asians Don't Get FAT: https://youtu.be/xIqJR6xfMro
★ The Asian Accent Test | Can You Tell Asian Accents Apart?: https://youtu.be/xiWmdWXYle8
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WHY ASIANS ARE YELLOW-SKINNED
Some people find yellow an offensive or racist term to describe Asians for various reasons.
"Asians are not actually yellow!"
"Hey, Asians aren’t cowards!"
"There is no ONE Asian colour!"
"Did you know Yellow or Yellow Peril is rooted in historical irrational racist perceptions, that the West had for the East?"
"Labels divide people. We need fewer labels, not more!"
And then there’s the other viewpoint, that 'Yellow' isn’t offensive:
"Why is calling someone white or black not racist, but then when you call them yellow, all of a sudden..."
"Yellow just describes ones' appearance, like calling someone skinny, short, tall, dark-haired…"
"...but Asians actually have a yellow hue to them!"
"Cmon, Asians even call themselves yellow!"
Actually that last one is interesting. Do Asians themselves find Yellow offensive?
Well understandably there are South East Asians, Indians, Afghans, Iraqis who find it offensive because they are far from yellow. But I think, in saying yellow, most people are referring to East Asians anyway.
So do EAST Asians find Yellow offensive?
Recently Apple angered many Asian people by their creation of yellow-shaded emojis, part of their attempt at racial emoji diversity - and many Asians took to Twitter to voice their concerns.
But, hey wait, I’ve heard Asians refer to themselves as Yellow too.
"Yellow Power!"
"Everyone’s got yellow fever!"
"Check out the yellow bullet! (Liu Xiang, Gold Medalist)
"...one of China’s legendary cultural heroes, The Yellow Emperor."
Okay, so the jury is still out on just how offensive it is; but who do we blame for all of this?
Some think it’s to do with the fact that Asian civilisation first developed around the Yellow River in China.
But after doing some research, I found this guy, Johann Friedrich Blumenbach (1752-1840) - a German naturalist, physiologist and anthropologist who was the first to explore the study of mankind as an aspect of natural history.
He came up with the five color typology for humans - the white race (Caucasians), the black race (sub-Saharan Africans), the brown race (Pacific Islanders), the red race (American Indians) and of course, the yellow race (East Asians).
And ever since then, the idea of Asians as yellow has been ingrained in our heads. Look no further than the Power Rangers. Specifically, the yellow power ranger.
Going back to the original question - Why are Asians yellow? (or yellowish)
The answer, is genetic. But more specifically, Asians have more carotene pigments in their skin, and carotene imparts a yellowish coloration.
Also Asians have a low body mass index (BMI) but higher body fat percentage; and much of this fat lies just under their skin. Fat tends to be yellowish in nature, so Asian skin often looks yellowish.
In comparison, Caucasians have less carotene and a much thinner layer of fat under their skin; so they’re less yellowy and more white.
At the end of the day, personally, I don’t really take much offence to being referred to as yellow. But then again, I do make videos on youtube about sensitive racial matters, so I do have to have thick skin (under which there is a layer of yellow fat).
Whatever color we are, it doesn’t really matter. We’re all the same. We are all interchangeable.
Especially when it comes to The Simpsons, the show where white people are yellow, and yellow people are white.
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