關於 hungry days one piece ，我們在網路上蒐集到這些相關的討論、資訊與評價

Suami dapat gaji bersih RM3,000.00 terus buat internet banking bayar:
- Bil air RN30.00.
- Duit rumah RM700.00.
- Duit kereta RM700.00.
- Bil telefon suami dan isteri RM200.00....
Continue ReadingHusband gets a clean salary of RM3, 000.00 straight to make internet banking pay:
- Water Bill RN30. 00.
- House money RM700. 00.
- Car money RM700. 00.
- Husband and wife phone bill RM200. 00.
- Electric bill RM170. 00.
- Kapcai motor installment RM150. 00.
- Children's Tuition Fee RM150. 00.
- Change RN150. 00 money broke a ringgit to spend children's school for a month.
Total amount spent RM2, 250.00.

Then the balance of pay RM750. 00 went back home and invited the wife from work, immediately greeted by the wife and one question,
' Today is brother's salary day, right? Let's go buy some kitchen stuff. It's done a lot while bringing the kids to eat outside tonight! Because I can't cook today.. After all, the kids are cutikan tomorrow? '.

Husband who nods weak has to agree for his child and wife.

Got home and greeted with the youngest child..
' Dad.. Teacher said it's Monday, Teacher wants RM20. 00 to buy new sports clothes.."

Spontaneous wife interrupted..
'Asking for dad.. Dad just got a salary..'

In the meantime, the eldest child interrupts..
' Dad.. Even sister wants RM30. 00 money this Monday.. To buy Reference Book.. It's near to check it out.. '

The husband continues to release RM50. 00 for the youngest child and eldest child. Only RM700. 00 left (Only the first day of receiving the salary..!!!).

After Maghrib, the children leave to the shop to eat and spend kitchen items. Before that the husband stopped by to fill the car oil RM50. 00 (Salary balance RM650. 00) directly to the restaurant and eat the children with a meal bill of RM50. 00 (Salary balance RM600. 00).

After that I went straight to spend kitchen items with RM250. 00 (Salary balance RM350. 00) to buy dry items and RM50. 00 (Salary balance RM300. 00) to buy wet goods.

After everything is done, go home to the family to the house with the husband only left the salary that just got this morning by RM300. 00 only.

So the husband sleeps with his eyes that are naughty thinking about the rest of the money (Only RM300. 00 left from the amount of clean salary of RM3, 000.00) in just a few hours of salary just now.

The next day, Saturday morning, the wife asks the husband to buy roti canai for breakfast. Husband also went to buy with RM5. 00 capital and newspaper RM1. 50 (Salary balance RM293. 50).

While the evening, the wife and the children ask their husband for a walk at the Jalan TAR Night Market in conjunction with Saturday night. The husband also follows the dilemma to take care of the wife and children's heart. Had to add more car oil as much as RM30. 00 (Salary balance RM263. 50).

As soon as we arrive at Jalan TAR, the wife is willing to have a Bawal headscarf worth RM15. 00 asking to be bought. Husband also spends money (salary balance RM248. 50).

Then when there's a little forward, the children's clothes part sees the children's sleep dress worth RM15. 00 per piece. Even the wife says..
Brother.. Even these kids are shabby. Buy him a new one. Cheap.. RM15 per piece.. '

Husband also released RM30. 00 for children's clothes (Salary balance RM218. 50).

Then straight back to the car to go home together. But on the way home, the kids were thirsty and hungry, asked to stop by the restaurant for dinner. The father's poor child, stop by at Tomyam's restaurant and eat by paying RM30. 00 more. The total amount left after 48 hours of salary is RM218. 50.

Tomorrow is Sunday. The wife asked me to go to the shop early in the morning to buy coconut milk and some anchovies to cook nasi lemak as breakfast. Husband has a capital of RM7. 00 and RM1. 50 for newspapers. Only RM210. 00. left

At night, give the wife RM150. 00 to treat her food at the office on the basis of living to her beloved wife!!!

So the husband's Monday morning begins with a capital of salary left on Friday yesterday as much as RM60. 00 to fill the motor oil and eat at the office, and count the days to the next 25th / 26th, whether it's until or or or or or not no??

A week after that, the wife asked to go back to the village to visit her parents in the village. Husband said it with a sad face...
'... No capital. Only RM60. Only RM60 left to make a living capital until the end of the month... '

Then the wife answered with cynical..
'.. If you ask me to go back to my hometown, I don't have money.. If you ask me to go back to my hometown, I will say I don't have money.. Isn't it just a week of salary left 60 ringgit left? No money anymore.. Do you keep other women..?"

My husband is confused.. Confused..!! Blurred..!! Want to be answered, become a war.. Want to tell the truth later, blamed again, said we bring it up just because we spend the RM15. 00 headscarf...

That's the reality of life of a husband who is patient to carry out his trust and responsibility.

p / s: To those who are still single, are you ready to face this kind of situation?

** The Future Is Bought By The Present.Translated

【水世界】的前製設定與現場劇照

WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD

The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.

Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.

This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.

The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.

Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.

Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,

“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.

He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.

As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.

Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.

The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.

The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.

The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.

Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,

“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”

The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.

During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.

They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.

Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.

The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.

Shooting out on the open sea presented a series of logistical problem as Reynolds describes,

“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.

And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.

Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.

And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”

The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.

Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.

During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.

The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!

Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.

sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.

There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.

This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.

Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.

In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.

Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.

Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.

Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.

As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,

“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.

And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.

Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.

And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,

“Well, it didn’t suck.”

It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.

During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.

As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.

The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,

“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.

When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,

“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.

Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,

“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”

Written by John Abbitt | Follow John on twitter @UKFilmNerd

If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
If you want more deep dives visit
https://www.facebook.com/groups/crewstories/?ref=share

กลับมาอีกครั้งกับ CM สุดเท่จากนิชชินที่ทำร่วมกับ One piece
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ด้วยธีมกีฬาสีโรงเรียน "HUNGRY DAYS"
ไปดูกันได้ที่ : https://www.youtube.com/watch?v=hzQ1fZzpGMA

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カップヌードルCM「HUNGRY DAYS ワンピース 頂上騎馬戦 篇」30秒
https://youtu.be/hzQ1fZzpGMA

【ワンピース971話ネタバレ注意】高温の油で人間を茹でる時の温度は何度!? 釜茹での刑で光月おでんが体感した温度を徹底解明【ONE PIECE考察】https://youtu.be/tgYeWr8d5UY

【ワンピース968話ネタバレ注意】ルフィの正体はジョイボーイ!? 古代兵器同様数百年に一度生まれている!? シャンクスが麦わら帽子を託した理由【ONE PIECE考察】https://youtu.be/hCyOcMPocDg

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【モンスターズジョンTVとは】
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【ジャンプ読むなら週刊少年ジャンプ最新号定期購読がオススメ！ワンピース最新話などを0時から読める&鬼滅の刃最新話がカラーで読めるのも電子版だけ！】
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★神回動画まとめ★
(ワンピースとは？ONE PIECE最終回に迫る考察：ワンピースの正体・LAUGH TALE(ラフテル)笑い話・空白の100年・古代兵器プルトン,ポセイドン,ウラヌスなど)
【ワンピース最新話ネタバレ注意!考察】神回①ワンピースの正体判明!? ひとつなぎの大秘宝と書く意味！古代兵器の正しい使い道！イムのパンゲア城に空白の100年の伏線【ONE PIECE考察】https://www.youtube.com/watch?v=toKL97cRe3o

【ワンピース最新話ネタバレ注意!考察】神回② ロジャーの「おれ達は早すぎたんだ」の意味！ロジャーが自主した本当の理由と目的！古代兵器ウラヌスの正体と在処【ONE PIECE考察】https://www.youtube.com/watch?v=vFG8gM0bYvo

【ワンピース最新話ネタバレ注意!考察】神回③ロジャーが待ってる男はルフィの理由！ルフィは古代兵器を実質4個持つ!? ルフィがワンピースを手に入れる人物に一番近いワケ【ONE PIECE考察】https://www.youtube.com/watch?v=Rzsekh4TwDM

【ワンピース最新話ネタバレ注意!考察】神回④ロジャーとルフィの夢の内容！ルフィの夢の果ては映画STAMPEDEの◯◯で暗示されてた!? LAUGH TALE(笑い話)と呼んだ理由【ONE PIECE考察】https://www.youtube.com/watch?v=4ixEpgys-IE

【ワンピース最新話ネタバレ注意!考察】神回⑤ジョイボーイの正体は魔人!? ワンピースの正体と超関係アリ!?イムが持つ巨大な麦わら帽子, ジョイボーイ謝罪の意味【ONE PIECE考察】https://www.youtube.com/watch?v=FH4KtC87Y3s

#ワンピース #ONEPIECE #ワンピース考察 #ONEPIECE考察 #ワンピースネタバレ #ワンピース伏線 #ワンピース考察外国人 #ワンピース最新話 #ワンピース972 #ワンピース972話 #ONEPIECE972 #OnePieceReaction #ReactionVideo #海外の反応

★おすすめ動画一覧 ★
【鬼滅の刃】最新版！鬼殺隊 柱 最強キャラランキング！ 鬼殺隊 柱 強さランキングTOP9【きめつのやいば Demon Slayer : Kimetsu No Yaiba】https://www.youtube.com/watch?v=Cr5ixVAB2v4
【鬼滅の刃】最新版！鬼滅の刃 鬼 強さランキングTOP10 鬼 最強キャラは!? 強さ議論 (十二鬼月 上弦等)【きめつのやいば】https://www.youtube.com/watch?v=RJLKaB7dvN8
【鬼滅の刃】最新版！鬼滅の刃 鬼殺隊 強さランキングTOP10 鬼殺隊メンバー 最強キャラは!? 柱, 炭治郎達 強さ議論【きめつのやいば】https://www.youtube.com/watch?v=q7qAlmiE4WE&t=9s
【鬼滅の刃】鬼殺隊 柱 腕相撲強さランキング！炭治郎の強さは!? 【きめつのやいば】https://www.youtube.com/watch?v=suLS0iyVgo0&t=22s
【鬼滅の刃】鬼滅の刃キャラ 身長まとめ！鬼殺隊 柱の身長& 炭治郎, 善逸, 伊之助, 禰豆子, 不死川玄弥, 栗花落カナヲの身長比較【きめつのやいば】https://www.youtube.com/watch?v=bjkq-u_Exw0
【鬼滅の刃】鬼殺隊 炎柱 煉獄杏寿郎の強さ・呼吸・刀・階級・技まとめ(型紹介)！煉獄さんの好物も紹介！甘露寺蜜璃との関係は【Demon Slayer: Kimetsu No Yaiba】https://www.youtube.com/watch?v=4dafBabsPEI&t=2s

【ワンピース最新話ネタバレ注意!考察】最新話で黒ひげケルベロス説濃厚に!! 黒ひげの正体がケルベロスの悪魔の実の能力者である伏線まとめ！エースが言った人の倍の人生の意味【ONE PIECE考察】https://www.youtube.com/watch?v=36zHPaebelY
【ワンピース最新話ネタバレ注意!考察】シャンクスはロックスの息子!? ガープがロジャーからエースを預かった理由はシャンクスにある!?伏線解明【ONE PIECE考察】https://www.youtube.com/watch?v=nCTGYzNOs6w
【ワンピース】ワンピース懸賞金ランキングTOP10 最新版！ 四皇懸賞金, 海賊王ゴールDロジャー懸賞金, 白ひげ懸賞金, シャンクス懸賞金, ビッグマム懸賞金, 黒ひげ懸賞金,カイドウ懸賞金【ONE PIECE最新話】https://www.youtube.com/watch?v=ny27sWVszPM
【ワンピース最新話ネタバレ注意】公式情報！ロックス海賊団メンバーまとめ最新版！ロックス船長 ロックス・D・ジーベックの仲間に四皇が◯人も!?【ONE PIECE考察】https://www.youtube.com/watch?v=5t3wokLJf_I
【ワンピース考察】シャンクス2人説：ラスボスはもう1人のシャンクス!? トキトキの実の能力で左目の傷が無い・腕がある2人目のシャンクス誕生！伏線はビブルカード…シャンクスVSルフィ&シャンクスVS赤髪 【ONE PIECE考察】https://www.youtube.com/watch?v=LNe6vD_DMkM&t=56s
【ワンピース考察】ワンピース最終回が5年後の2024年は間違い!?「ワンピースあと5年で終わる」尾田栄一郎先生のフィッシャーズさんへの言葉の本当の意味がヤバすぎた!? ワンピース未回収伏線多数…ワンピース最終話まであと5年の真意【ONE PIECE考察】https://www.youtube.com/watch?v=0vfeSYlUR0o
【ワンピース】悪魔の実の能力 覚醒者6選！既に覚醒しているキャラクター一覧 最新版【ONE PIECE : Awakened Devil Fruit Users】https://www.youtube.com/watch?v=Zy-LX19-VAo

（©）集英社/尾田栄一郎

【メンバーになる】https://www.youtube.com/channel/UC3nxalfo0dZ79qv8zXO6e-A/join

日清カップヌードル「HUNGRY DAYS アオハルかよ。」テレビCMソングであるBUMP OF CHICKEN「記念撮影」を弾き語りました。

ご本家MVはこちら↓
https://youtu.be/tlH1YhJk-oQ

他のBUMP OF CHICKENカバーはこちら↓
Aurora
https://youtu.be/5nithhuW_F8
ロストマン
https://youtu.be/hqPtnvK3C6k
話がしたいよ
https://youtu.be/loJNWRJ2uBA

チャンネル登録して頂ければ幸いです↓
https://www.youtube.com/c/oyasmy?sub_confirmation=1

Twitter https://twitter.com/oyasmy1
instagram https://www.instagram.com/oyasmy1

カップヌードルCM「HUNGRY DAYS ワンピース ナミ 篇」30秒 https://www.youtube.com/watch?v=U0_tqUkmsYA
【カップヌードルワンピースCMナミ編 隠れキャラまとめ】ワンピース カップヌードルCM第2弾はワンピース ナミの青春。女子高生のナミが現代で高校生活を送っている ワンピースの学園パラレル・ワールド。モンキー・D・ルフィ、ロロノア・ゾロ、ウソップ、ナミ、ヴィンスモーク・サンジ、トニートニー・チョッパー、ニコ・ロビン、フランキー、ブルックという麦わらの一味以外にも隠れキャラ登場！！

カップヌードルCM「HUNGRY DAYS ワンピース ゾロ 篇」30秒https://www.youtube.com/watch?v=QZFvnrrgeHc


【ワンピースネタバレ注意!ONE PIECE(ワンピース)考察毎日! 】ぜひ高評価&チャンネル登録よろしくお願いします！【※ワンピース最新話ネタバレ含む】ワンピースの伏線考察・ワンピース最新話考察、懸賞金・悪魔の実などワンピースのランキング、ワンピースまとめもやってます！ヒロアカ考察・約ネバ考察・ブラクロ考察・アニソン歌ってみたもUP♪

MONSTERsJOHN海賊団メンバーは名前の後にドクロの絵文字を！
【プレゼント企画開催→ジョンのTwitter】https://twitter.com/john__6969

【ジャンプ＋で週刊少年ジャンプ最新号定期購読！】https://shonenjumpplus.com
【ONE PIECE トレジャークルーズ(トレクル)】https://www.bandaigames.channel.or.jp/list/one_main/tc/
【ONE PIECE サウザンドストーム(サウスト)】https://onepiece-ts.bn-ent.net
【ONE PIECEバウンティラッシュ】https://opbr.bn-ent.net
【ONE PIECE WORLD SEEKER(ワンピース ワールド シーカー)】https://opws.bn-ent.net

ワンピース考察系YouTuber！ワンピース考察外国人ことモンスターズジョンTVのジョンです☆
チャンネル登録＆SNSフォローよろしくお願い致します♪
【モンスターズジョンTV】https://www.youtube.com/user/john69110

【ゲームチャンネル】https://www.youtube.com/c/MONSTERsJOHNGAMES

【Instagram】https://www.instagram.com/monstersjohntv

【Facebook】https://www.facebook.com/MONSTERsJOHNTV/

【企業様へ】仕事のご依頼はこちらまで
johndayo1119@gmail.com

【BGM】🎵Alan Walker - Spectre [NCS Release]
https://www.youtube.com/watch?v=AOeY-nDp7hI

🎵エンディング：Royalty Free Anime Music
https://www.youtube.com/watch?v=yBDczYuw9Xs
Music Source : Marco Tornatore (Piano Cover) :https://goo.gl/Brk6BE

#ワンピース #ONEPIECE #ワンピース考察 #窪之内英策 #BUMPOFCHICKEN #バンプ #アオハルかよ #HUNGRYDAYS #ONEPIECE考察 #ワンピースネタバレ #ワンピース考察外国人 #ワンピース最新話


💀ワンピース考察外国人のおすすめ動画一覧💀
【ワンピース】ラスボスはもう1人のシャンクス！トキトキの実の能力で左目の傷が無い・腕がある2人目のシャンクス誕生！伏線はビブルカード…シャンクスVSルフィ&シャンクスVS赤髪 https://www.youtube.com/watch?v=LNe6vD_DMkM&t=56s

【ワンピース】ロックス海賊団メンバーがヤバすぎる!!超大物海賊団の正体【ONE PIECE Rocks Pirates】https://www.youtube.com/watch?v=QTR4RxgUA7s&t=15s

【ワンピース】悪魔の実1つを2人で食べるとどうなるか検証してみた結果が描かれていた！2人とも能力者になれる？なれない？悪魔の実をシェアすると…【ONE PIECE】https://www.youtube.com/watch?v=k4fAykx-ruU

【ワンピース】ラッキー・ルウ トキトキの実の能力者説を解明！描かれていた衝撃の伏線と証拠…赤髪海賊団ラッキー・ルウの能力や強さ・技・正体・悪魔の実がヤバイ！【ONE PIECE】https://www.youtube.com/watch?v=A1tZFCSfv3E&t=175s

【ワンピース】四皇シャンクス2人説確定の証拠と伏線が描かれていた！五老星と会った左目の傷がない天竜人シャンクスはトキトキの実の影響で出来た双子、二人目のシャンクス！驚愕の根拠【ONE PIECE考察】https://www.youtube.com/watch?v=wDoO_laVQUE&t=313s

【ワンピース】赤髪海賊団の海賊旗をバルトロメオが燃やしたのは正解だった！燃やした旗は左目の傷がない二人目のシャンクスの海賊旗であった証拠と伏線が判明【ONE PIECE考察】https://www.youtube.com/watch?v=9lrJsPjLu1I&t=531s

【ワンピース】トキトキの実の能力は赤髪のシャンクスが現在所有している！瞬間移動・タイムスリップでカイドウの所から頂上戦争に高速移動していた【ONE PIECE最新話】https://www.youtube.com/watch?v=qHPWpuRO8JY&t=12s

【ワンピース】シャンクスの本名が判明していた!? ロックス・D・シャンクスに似たSHANKS LE ROUXを徹底解明！シャンクスの手配書の懸賞金やフルネームは？https://www.youtube.com/watch?v=Tw1mKBe5O1U&t=38s

【ワンピース】左目の傷がない2人目のシャンクスが新作映画スタンピードの特報に登場していた!? シャンクス2人説(双子説)の証拠が公式で描かれたのか解明【ONE PIECE 新作映画 STAMPEDE 考察】https://www.youtube.com/watch?v=GQMBWW_j79s

【ワンピース】シャンクスがキッドの腕を奪った!?キッドの左腕を移植し左腕がある最強シャンクスに！キッドとシャンクスは兄弟!?赤髪海賊団 シャンクス悪者説解明【ONE PIECE考察】https://www.youtube.com/watch?v=FbJD4g-pLWw

【ワンピース】ベン・ベックマンの能力が判明!? 強さ・正体がヤバイ！黄猿がベン・ベックマンを恐れた理由【ONE PIECE : Benn Beckman's ability】https://www.youtube.com/watch?v=Frr7DCsCc-Y&t=447s

【ワンピース】ベン・ベックマンの悪魔の実の能力が判明!? ベックマンはマントに悪魔の実を食べさせた!? 赤髪海賊団メンバーは最強の覇気集団&武器に悪魔の実を食べさせる【ONE PIECE考察】https://www.youtube.com/watch?v=hm5a2LsUVEI&t=404s

【ワンピース】ルフィ覚醒！ギア5と「覇王化」!! ゴムゴムの実の覚醒【ONE PIECE】https://www.youtube.com/watch?v=fdsaE17LlfU&t=169s

【ワンピース】悪魔の実の能力 覚醒者6選！既に覚醒しているキャラクター一覧 2018最新版【ONE PIECE : Awakened Devil Fruit Users】https://www.youtube.com/watch?v=Zy-LX19-VAo

【ワンピース】「最終回まで残り20%」尾田先生発言の本当の意味：麦わらの一味がラフテルに到着・ワンピースを手に入れた後の展開がヤバイ【One Piece Final Episode】https://www.youtube.com/watch?v=DQ_MEXokACM&t=22s

【ワンピース】エース生存説！シャンクスの能力がエース復活を可能にする！エースは現在〇〇〇にいる！https://www.youtube.com/watch?v=3Nnh_PzBUrc&t=217s

【ワンピース】黒ひげケルベロス説はこれで確定!!ドクQとの共同作業により悪魔の実をまだまだ食べられる説！白ひげのグラグラの実を奪った方法も徹底解明【ONE PIECE】https://www.youtube.com/watch?v=ULNSD9gxxwk

【ワンピース】ワノ国でルフィ2個目の悪魔の実を食べる!? ルフィが黒ひげの様に悪魔の実を2つ食べられる理由！ソルソルの実も奪った黒ひげVSあの人物の実を食べたルフィ
https://www.youtube.com/watch?v=tYNEMSwGlM4