關於 one little finger two little finger ，我們在網路上蒐集到這些相關的討論、資訊與評價

A letter from John Mayer - PRS ROXY PINK Silver Sky & Last Train Home Lesson
https://youtu.be/KC8h3StMM6w

To my surprise after the first Roxy Pink guitar demo video I found this note from John Mayer in the bottom of the soft case. I'm showing it to you now because many accuse that it is set up. John is always so sweet and very thoughtful! He really surprised me with this guitar! Would you like to hear the PRS Silver Sky Roxy Pink guitar with an amp?
Hope you guys enjoy my Roxy Pink Silver Sky demo & a mini lesson on Last Train Home. Now you can learn how to play chord progression and guitar solo like John Mayer.

PRS Sliver Sky Roxy Pink
Two-Rock TF Signature combo w/ Eminence TF-1250
1979 Fender Princeton Reverb
Lehel Little Dual
Providence Cables E205TF
Ibanez TS-10
Klon Centaur #16
Vemuram Jan Ray for TF
One Control Prussian Blue Reverb

Introduction (00:00)
John Mayer's letter (00:55)
Last Train Home Lesson : CHORDS (01:55)
About Jimmy Kimmel LIVE performance (03:18)
E Major Pentatonic & E Minor Pentatonic (03:55)
John's first phrase - E Major Pentatonic (04:38)
JM's Sound Making for OVERDRIVE tone (05:00)
Ibanez TS-10 (05:15)
JM's tasty dynamic fills with finger picking (06:16)
Klon Centaur #16 (07:08)
Vemuram Jan Ray for TF (07:57)
Back to Ibanez TS-10 (09:25)
Slide into E Minor Pentatonic (09:48)
Raking into 1st string & slide into 2nd string (10:54)
Back to Klon Centaure #16 (11:04)
One Control Prussian Blue Reverb (11:18)
Phrasing idea over (imagining chords) (12:07)
What if I press Jan Ray & Klon together? (13:39)
Providence Cable E205TF (14:40)
Clean Tone (15:20)
The front pickup tone (15:27)
The Middle pickup tone (15:45)
The Rear pickup tone (15:58)
The Middle & the Rear Mix (16:23)
The Middle & the Front Mix (16:53)
JM Solo Mixing Major & Minor Pentatonic (17:15)
JM Ending Solo Phrase (18:32)
Gospel Feeling Phrase (19:18)
Review Main Chord Progression TRIADS (19:35)
Ending - Exciting about Sob Rock this Friday (20:50)

I have a special affinity to design of the 60’s. This was the era of modernism, minimal design with an eye towards the future. 60’s sports cars expressed this with smooth rolling sexy feminine curves. The sense of speed was created by a designer’s hand rather than calculated from a computer. Modern sports cars represent speed with harsh lines and angles intersected with ducts and bits of aero highlight technology but very little romance. That’s why I was pleasantly surprised when Ferrari rolled out the all new Roma. A massive departure from their cars of recent past and even their current lineup, Ferrari brought sexy back to their line up and I was excited to get my hands on one.
As I walk around this example in an electric Blue Corsa, everything about this design gets me excited. The overhanging shark nose with a very modern and minimal grill is clean and sharp. The lack of vents or ducts allows the fenders to swoop you up and around it’s narrowed waist leading to more curved haunches that culminate with it’s glorious big, round, squat and firm booty. The purity of this design reminds me of the legendary GTO of the 60’s but also a little bit of the Daytona of the 70’s as well. Either way, the history and lineage of the brand is definitely present in this design.
The interior is characterized by a “dual cockpit design” giving equal space to both driver and passenger. A touch screen display on the passenger side instantly makes the passenger a co driver as they have audio and climate controls as well as driver info like RPM and speed. The dash is made up of a curved 16’ HD screen and can be personalized in various configurations. The steering wheel is all new, with touch controls including the start/stop function. While it is a technological feat, I’m old so I prefer physical buttons that go click. There were a couple times an errant finger had me calling people I had rather not talk to. There are two rear seats in the back that I was able to shoehorn my 7 year old daughter into for a family drive. Overall the interior is a very comfortable yet minimal space in black leather and Alcantara putting the focus on the road in front of you, where it should.

Farewell. Ida – Ida Haendel 192?-2020

So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.

First, the playing: a film about her was aptly entitled: ‘I AM the Violin.’ And she was! The violin was her life; she mastered it, devoted so much of her existence to it, cared so much about it. Every performance was an event, which she took absolutely seriously, giving each concert her all. She spoke through her violin, proved herself through it, lived within the music she made. She was a marvel, an icon; each note she played was the result of total conviction – and as a consequence was totally convincing. She had been groomed from the beginning to be a star – and a star she was.

But she was also an adorable person. I had heard of her, of course, from my childhood onwards – hadn’t everybody? But I didn’t meet her until - I think - 2000, when I attended a memorable recital she gave at the Wigmore Hall (apparently her debut there!), concluding with a magisterial performance of Enescu’s 3rd sonata. I’d heard, to my delight, that she’d heard me somewhere, and had liked it, so I dared to go backstage afterwards. Having enthused about her playing, I rather uncertainly told her that I was Steven. She looked at me disbelievingly. ‘You’re NOT’ she announced, in her wonderful deep voice. I assured her that I certainly had been last time I looked in the mirror. She accepted this, and proposed that we play the Brahms Double together. It was such an honour; but alas, I just couldn’t do the dates she suggested.

I came across her shortly thereafter, however, at the Verbier Festival. I’d seen that she was giving masterclasses there, so when I saw her, I asked how they were going. She looked at me severely. ‘Steven,’ she boomed, wagging her finger. ‘I don’t teach.’ I was puzzled; she was, after all, advertised as the teacher of the violin class. ‘So you like teaching?’ I said, provoking her. The finger wagged again. ‘Steven,’ she repeated with equal seriousness, ‘I don’t teach.’ ‘So how’s the teaching going?’ I asked. Her finger was on its way in my direction, and she’d started to say my name in the same tone of voice – when suddenly her face broke into a big smile. ‘Oh – so you’re a tease,’ she said. After that, we got on famously. My other main memory of that Verbier encounter was of her examining something – I couldn’t see what - in the hotel lobby, and then calling me over. It turned out that the object in her hands was an album of recent photos of her. ‘Look, Steven,’ she commanded urgently. ‘Don’t I look gorgeous?’

Later, we took her to dinner near her flat in London. Tottering through the streets in her high heels, she suddenly came to a stop in front of a (closed) clothes shop, where either a pair of gold shoes or a gold dress (I can’t remember which) had caught her eye. It was impossible to budge her, late though we were for the restaurant. ‘Wouldn’t I look wonderful in that?’ she asked us challengingly. We agreed that she would. ‘I’m coming back here tomorrow morning,’ she assured us. She spoke that night about her appearance. ‘You think I dress like this just to go out?’ she asked. ‘No! Catch me at breakfast – I’ll look just the same.’ Her pride in her appearance was never-changing. Perhaps in someone else it could have been too much – but with Ida, it was wonderful, admirable; life-affirming, in fact, like her pride in her playing.

It is funny that already I’ve seen two obituaries giving her age five years apart. She’d certainly have preferred the younger estimate… It was impossible to get the truth out of her. I remember asking another glorious violinist-character, Lorand Fenyves, whether he knew Ida. ‘Oh yes, of course!’ he replied. ‘I knew her when I was 16 and she was 15.’ He paused. ‘And now I’m 80 and’ his eyes twinkled, ‘she’s 55!’

Although we never got to play the Brahms Double together, we did perform the Beethoven Triple concerto with Martha Argerich and the Rotterdam Philharmonic under the then little-known Yannick Nezet-Seguin in (I think) 2006. Now THAT was an experience – to put it rather mildly… Playing with those two way-larger-than-life ladies was something not to be forgotten; the two adored each other, and it was great fun to witness their interaction. Ida had only played the piece once before, as I remember; but she played it with utter conviction. And Martha was – well, Martha. And Yannick kept the whole thing together, somehow. So – it was special…

It was supposed to happen again, in Miami (where Ida lived); but alas, it didn’t. Still, I kept in touch with Ida and on one memorable occasion got to interview her at the Wigmore Hall (there’s a recording of that occasion on Youtube). She also came down to Prussia Cove once for three days, her visit culminating in a breathtaking account of the Bach Chaconne (she sported an almost equally breathtaking dress to match!) at the Hall for Cornwall. We also played and taught/didn’t teach together in 2010 at the Summit Music Festival, just outside New York. That was another unforgettable experience. At the concert that concluded the festival, Ida played virtuoso pieces with the orchestra that would have been impressive in someone thirty years younger – even younger – than she was. But equally Ida-ish was the post-concert experience. For some reason, it got very late, and it was well after midnight when we were taken in search of food. Not surprisingly, there were few options in the countryside at that time of night; but eventually we found a 24-hour diner. We went in and occupied a table. Looking around at the bikers and other rather unpredictable-looking types, I was a tad nervous; not Ida. I fortified myself with a margarita; she had tea. At one point, the conversation turned to Schumann, and his 2nd violin sonata (which at that time I didn’t know very well). I asked a question about it. ‘You want to hear how it goes?’ Ida demanded to know. She strode over to her violin-case, pulled out the violin, and to the astonishment (and then, luckily the delight) of the assembled company, began to play it. A photo taken at the time (below) shows me a little less than comfortable – and her absolutely in her element.

Oh, Ida. By the last time I spoke to her – too long ago, but not that long ago – I’d heard that she’d become very forgetful, so wasn’t quite sure whether to call her or not. But I dialled anyway, and the phone was answered. ‘Hello, Ida?” ‘Who is it?’ ‘It’s Steven – Steven Isserlis.” Silence – then the phone went dead. Oh dear. I tried again. This time I was able to hold her attention long enough to remind her who I was. We started to talk, and as the conversation progressed, she evidently remembered more and more about our friendship. It was true that she repeated herself a lot; but still – she was very much Ida, the same wonderful voice, the same love of life.

And now she’s gone. Farewell, Ida the legend; we humanoids will miss you – but thank you, thank you for giving us so much. Everything, in fact.

【モラトリアムコレクション 第2弾！】

「恋する事務員」
“Office girl in love”

　texture : クリア(グミーグルーミックス)
飾り : ハサミチャームとハートビーズ
香り : ラフランス
サイズ : 200ml
　価格 : 1500円

BASEショップやインスタグラムのURLはこちらから → https://linktr.ee/mochiyoslime

このスライムは６月６日日曜日の２１時からの「モラトリアムコレクション」で、BASEにて販売します！ 詳細は概要欄や今後公開される動画でご確認ください♪

0:00 〜 OP

0:30 〜 アイキャッチ
eye catching

0:31 〜 本編開始　(with BGM)
the beginning of the main part

1:13 〜 触り始め　(end of BGM)
begin to touch

2:06 〜 容器から出す　
take out of a container

2:11 〜 片手で触る　
touch with one hand

2:30 〜 両手でガッツリ遊ぶ　
play with both hands

6:41 〜 あたたたたたたいむ
mochiyo beam

6:45 〜 もこもこテクスチャーで遊ぶ
play with a fluffy texture

7:07 〜 もこもこにして容器に還元　
fluff up and return to the container

7:09 〜 もこもこばちばち　
fluffy & nice bubble pops

7:35〜 もこもこばちばち　おすすめ！
fluffy & nice bubble pops

【日本語 Japanese】
事務作業に使うハサミと、恋する純情ハートも飾ります。

大人も青春できるんだと信じて青にしました。
ライトアップするとロマンチックに演出できます。

こちらは以前紹介したグミグルーを使ったパテ風スライムです。
グミグルーをメインにしてお気に入りのグルーを少しブレンドしました。

容器の中でつつくのが楽しいムニムニスライムです。
パテ風なので手離れ良好で、片手で遊びやすいです。
大きくてウェットなバブル音が鳴ってくれます。
ムニムニだけどタッピングも結構楽しいテクスチャーです。

美しいクリアスライムは、海みたいな色です。

真面目な事務員の女の子が純粋な恋をしてたら可愛いですよね。

……ってことだけを考えて作ったスライムです笑
昨日の動画はあんなに尖っていたのに、今日はオフィスラブに夢見てて情緒が迷子気味ですが、それでこそモラトリアム期の若者だと自分でゆうてます()

このスライムは空気が入ると冷えピタに見えてきます。
恋のお熱にすかさず冷えピタ！っつってね()

机にしっかり張り付くし、伸びも良好です。
空気を含むともちもちになってきます。
もちもちなのにこの子もすごくもこもこになるので、是非動画の最後の方までご覧ください！
概要欄にのせたチャプターも是非ご利用ください！

社会の歯車と同様に派手派手にしたくてホロを沢山入れたので、ホロが一粒か二粒くらい手に残る可能性があります。
そう、私の右手の人差し指みたいに……

アタタタタタタタァァッッ！！

もこもこ第一段階がきました。
この後すぐ、さらにもっこもこになります。

二倍以上に膨らんでくれました。
細かいバブル音やシュワシュワも楽しめます。

香りはほんのり甘いラフランスの香りです。


【英語 English】
Scissors used for office work.
Decorate a pure heart in love.

I made it blue because I believed that adults could also be young.
You can create a romantic effect by lighting it up.

This is a putty-style slime using gummy glue.
I used Gummy Glue as the main and blended a little of my favorite glue.

This is chewy slime, which is fun to pork in the container.
Easy to peel off from your hand and easy to play with one hand.
It makes a loud and wet bubble sound.
It's chewy, but it's a fun texture for tapping.

The color of beautiful clear slime is like the ocean.

It would be cute if a diligent office girl is falling pure love.

I made this slime just thinking about that lol
The theme of yesterday's video was so sharp,but today I'm dreaming about office love and I'm lost in emotions.
I think that is the youth of the Moratorium period.

This slime looks cooling gel sheet when it contains air.
Cooling gel sheet for the heat of love!

It sticks well to the desk and stretches well.
It becomes chewy with air.
Even though it's chewy, it's also very fluffy, so please watch this video until the end!
Please use the chapters listed in description!

I put in a lot of holograms to make it flashy, so, one or two holograms may remain in your hand.
Yes, like the index finger of my right hand ...

Hissatsu! Mochiyo Beam!!!!

This is the first stage of fluffy.
Immediately after this, it will become even more fluffy.

It swelled more than twice.
You can also enjoy fine bubble sounds and sizzle sounds.

The scent is a sweet La France scent.

〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜

サブチャンネル【もちよの研究室】はコチラ！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.youtube.com/channel/UCWmSQDBSNQTX6kpFm6lYLnw

Instagram, twitter, BASE shop, メルカリはこちら！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://linktr.ee/mochiyoslimestore

スライムの提供についてはコチラ！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ4ODU4NzU3MDI2MzA3?igshid=1hr3jy34zfnpo&story_media_id=2286885986591781571

イヤフォンやヘッドフォンをして聴いて頂くとよりいい音で楽しめるかとおもいますので、是非に😎

また、画面右上のチョンチョンチョンのとこから画質を1080pに設定して動画を見ていただけると、高画質でお楽しみ頂けます💪💪

どうもこんびんは！
もちよすらいむです🧜🏻‍♀️

有名なスライマーさんのスライムのレビューや、自分で作ったスライムの動画などのASMRを中心に、いろいろなジャンルの動画を上げていきたいと思います！

太古の動画や、short ver.の動画、編集実況などは全てインスタグラムのアカウントの方にあります。インスタライブでスライムを触ったりもします。

興味を持ってくだされば、是非インスタアカウントのもチェックして頂きたいです☺️
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.instagram.com/mochiyoslime


＊大学に通いつつ資格試験の勉強もしている学生の身ですので、更新が突然途絶える可能性があります🙇‍♀️

＊慢性鼻炎でして、呼吸音が入ってしまうことがあります🤦‍♀️
また、机に爪がコツンと当たる音が入ってしまうことがあります。苦手な方は、ご視聴非推奨です🙇‍♀️

＊自室にて、マイクを使って撮影してます！ですが、多少は「サーー」というホワイトノイズが入っています。また、稀ですが実家ぐらしなので家族の出す生活音が入ってしまう可能性があります。そういったものが苦手な方にも、ご視聴非推奨です🙇‍♀️

＊動画を見てくださりありがとうございます💕そしてこの概要を最後まで読んでくださりありがとうございます💕

是非チャンネル登録をして、これからももちよの動画をお楽しみください💁‍♀️

〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜

#もちよすらいむ #mochiyoslime #べらちゃんのslimeしばき部屋 #slime #asmr #asmrsounds #asmrslime #スライム #音フェチ #音フェチ動画 #音フェチスライム #clayslime #slayslime #butterslime #cloudcream #thickslime #thickie #thickieslime #fluffyslime #clearslime #slusheeslime #slushieslime #fishbowlslime #crunchyslime #slimejapan #スライムジャパン #sakuraslime #さくらスライム #aisu屋さん #tiaslime #slimeogproof #ogslimeproof #aobaslime #awesomeslimeproof #awesomeslime #slimefantasies #slimefantasiesproof
#rodemslime #rodemslimeproof #mooncottonslime #slimebyktmproof

Allen Iverson had every reason to feel good after his performance kept Philadelphia close to the division lead.

Surely the mood changed when the Sixers All-Star found out he was injured.

Iverson outperformed Kobe Bryant, scoring 36 points and leading a decisive third-quarter run in the 76ers' 108-91 win over the Los Angeles Lakers on Tuesday night.

Iverson helped pull the Sixers (31-33) to four games of Boston for first place in the Atlantic Division.

"It made me feel good," Iverson said. "Any win makes me feel good."

Iverson, though, chipped a bone in his left thumb sometime in the second half and will be fitted for a cast. He is day-to-day. The Sixers said Iverson will be re-evaluated Friday when they play again at Cleveland.

Iverson left the arena before the injury was announced.

The Sixers certainly need the league's leading scorer if they're going to make any kind of run at the Celtics.

"We would like to have that (winning) streak right now," said Iverson, before he knew the X-ray results.

Andre Iguodala scored 15 points for the Sixers, adding a few more spectacular dunks, including an alley-oop where he came crashing down on Jumaine Jones. Kyle Korver had 14.

Bryant -- who came in trailing Iverson by nearly two points in the league scoring race -- led the Lakers with 20 points, but had little help. The Lakers (32-31) fell out of the eighth and final spot in the Western Conference.

Bryant made five of nine shots in the first quarter, but went 1-for-6 the rest of the game.

"We've got to get more people involved," Bryant said. "They were doubling me and the shots weren't falling."

Iguodala had plenty to do with that. The Sixers rookie kept a hand in Bryant's face most of the game and aggressively contested his shots. Iguodala said he watched plenty of tape to prepare for one of his toughest assignments.

"I knew if I kept my hands up and kept nagging him a little bit that I could make him take a tougher shot," Iguodala said.

Bryant scored 16 points in the first quarter and Iverson had 14 as the two seemed poised for a one-on-one showdown between All-Stars. But Bryant slowed down, thanks largely to the sticky defense by Iguodala, while Iverson kept driving and crashing.

Iverson scored 14 points during a 26-9 run in the third quarter by doing what he does best -- drive the lane, look for the layup and get to the line. When he couldn't do that, Iverson would dribble around the perimeter until he found an open look.

He took six of Philadelphia's 16 shots in the third (making three) and went 7-for-7 from the line. Overall, Iverson went 14-for-15 from the line and 10-for-22 from the floor.

On one fallaway layup from the right side, Iverson was fouled by Chucky Atkins. Atkins bitterly complained and was hit with two quick technicals and ejected from the game.

Korver sank the two free throws for a 66-50 lead. Rodney Rogers hit a 3-pointer near the end of the third, giving Philadelphia a 28-point lead.

Chris Webber again was a non-factor for the Sixers. He scored Philly's first two baskets of the game, sat out 5 minutes of the second quarter and missed his last six shots for five points.

Webber remained baffled as to why he has looked little like the five-time All-Star he was in Sacramento. Of course, watching Iverson take a bulk of the shots and not having coach Jim O'Brien call plays for Webber might have something do with his struggles.

"I don't want to put my finger on it," Webber said. "It's not because it's late in the season. I didn't become this player in one day."

Game notes

Bryant, who went to nearby Lower Merion High School, needed about 30 tickets. Among those invited were players on this year's Merion team and his former coach, Gregg Downer. Lower Merion plays in the Class AAAA state semifinals Wednesday night. Bryant said he loved playing in Philadelphia, even though he's always booed. "If I played here, they'd love it with the Philly attitude I have," he said. "But I enjoy coming here because of that." ... The Sixers are 17-10 when Iverson scores 30 or more points

On any other night, Allen Iverson would have begged to go back in the game. On Monday, he was begging for extra rest.

Playing with flu-like symptoms, Iverson scored all 24 of his points in the first half and then happily sat out the fourth quarter as the Philadelphia 76ers defeated the New Orleans Hornets 103-91.

"I didn't feel good at shootaround," said Iverson, who told coach Maurice Cheeks he was ailing as he prepared to go back in for the fourth period. "He just told me to come back, and fortunately everything worked out fine."

Iverson, the NBA's second-leading scorer at 32.5 points per game, shot 8-of-22 from the field and 7-of-10 from the free-throw line. He also had nine assists as the Sixers (7-5) snapped a two-game skid. It was the first time this season that Iverson failed to score at least 25 points.

"I didn't feel good at all," he said. "I was dizzy out there for virtually the whole game. Once I stopped playing at halftime and came back in, I just never felt right. I think I'm coming down with something. I want to get home and take some medication and see how I feel in the morning."

Iverson was one of six Sixers to score in double figures. John Salmons scored 19 points, Andre Iguodala added 15 points and Chris Webber and Steven Hunter each had a double-double. Webber had 15 points and 10 rebounds, and Hunter had 10 points and 12 rebounds. Kyle Korver scored 10.

"I knew Allen wasn't feeling well and that I had to pick it up some," Salmons said. "He was encouraging us the whole fourth quarter to keep it up. It's a good feeling to play so well with Allen getting some rest."

The Sixers have been sporadic on defense this season, giving up an average of 106 points, 28th in the league entering the game. But their defense was much better from the start as they held the Hornets to 42 percent shooting in the first half en route to a 65-47 lead.

"We were more aggressive in our defense and the fact that we played more zone than we normally have," Cheeks said. "We were active in our zone, we were talking in our zone and we played a little more full-court defense."

David West scored 20 points, J.R. Smith added 17 and Speedy Claxton had 15 for the Hornets (4-6), who won their previous two games. The Hornets didn't win their fourth game until Jan. 11 last season.

"We were happy with two straight wins and that was satisfying enough for us instead of trying to come in here and get one against a very good basketball team," coach Byron Scott said.

The Sixers extended their lead to 83-63 after the third quarter and were never seriously threatened by the Hornets, who shot 5-of-21 from the field in that quarter and 31-of-78 (40 percent) for the game.

The Sixers also outrebounded the Hornets 50-38.

"They just got going," West said. "You can't let guys like that get comfortable."

Game notes

Sixers center Samuel Dalembert, who has missed every game this season with a right quad strain, said he expects to join the team soon after Thanksgiving. ... Attendance has started to dwindle a bit for the Sixers. They drew 12,452 against the Hornets, slightly more than the 12,211 that showed up for their Nov. 12 game against Toronto, which was their smallest crowd since the 1998-99 season. "We've got to earn them back," Cheeks said.

Category
Sports

Comments • 9
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Convisis
Convisis5 years ago
Old school Birdman looks like Kelly Olynyk
4
Leon Gustama
Leon Gustama5 years ago
"Hey, Watch A.I" Lol he passed the ball an they still worried about him scoring
2
Rei
Rei5 years ago
There`s no reason to play much in the 2nd half when you drop 24 points, 7 assists, and 3 rebounds in the 1st half and your team is up by double figures. Iverson still impressive even with flu-like symptoms
1
PhillyChris3
PhillyChris35 years ago
Sweet finger roll over the young birdman
1
mj3
mj35 years ago
nice upload, especially after you just showed that chris paul interview on AI
REY
REY4 years ago
How many pts AI scored this game? He had 22 before the half ?
youngguru2000
youngguru20004 years ago
I wish you had most of these Highlights in true HD tho!
badlikeme79
badlikeme795 years ago
Testing.
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