關於 political sensitivity ，我們在網路上蒐集到這些相關的討論、資訊與評價

An employee of a publicly funded office for lawyers has been “severely condemned” for a lack of political sensitivity after he displayed protest posters on the premises, which drew attacks from the pro-Beijing camp.

Read more: https://bit.ly/2YgVIsx

沙田裁判法院當值律師辦事處曾張貼文宣及「香港人加油」標語，藍絲群組及建制派人士群起批鬥。當值律師服務回覆表示，涉事同事已受嚴厲譴責。
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📌📍《5月35日》「庚子版」 眾籌活動
集結力量 網上演出 六四前夕 全球直播
"May 35th" Gengzi Edition - Crowd Funding
Join Forces for Global Live Online Performance on the night before June 4th.

🔇🔇「以現在的社會狀況，我們的政治氣候，我擔心這個戲未必有機會再上演﹗」導演陳曙曦說。
🔊🔊"With the forecast of the political climate now, I am very worried that this play will not be any chance to put on stage again" said Chan Chu-hei, the director.

🚨🕯️我們希望集結公民力量，
令全球所有人都可以在「六四」免費網上觀賞《5月35日》，
讓這個故事遍地開花，
讓更多人了解真相、追求公義。
🚨🕯️We target to join the force of citizen
to let us share this Online LIVE theatre production
“May 35th”globally, make this story worldwide,
and let the truth speak for itself, justice be sought after.

‼️➡️眾籌支持方法 Way of Crowdfunding：

1) 請即登入網上平台：https://goget.fund/2Wz5kO9
（暫不能用PayPal 戶口，請用"Visa/ Master" 捐款
Please DO NOT use PayPal Account, but click the icon "Visa / Master")

2) 支票捐款- 抬頭寫「六四舞台」，郵寄到
九龍旺角彌敦道618號好望角大廈8字樓（六四舞台）
By Cheque - Please make the cheque payable to "Stage 64", and mail to 8/F, Good Hope Building, 618 Nathan Road, KLN. (Stage 64)

************************************************
2019年六月，是「六四」的三十周年，六四舞台邀請了著名編劇莊梅岩創作《5月35日》。首演5場及加開的6場門票均全部售罄，一致好評，更獲本屆舞台劇獎六大提名，包括最佳劇本！經歷了大半年的社會運動，面對過暴政與暴力，「六四」對香港人多了另一重意義，在謊言與假新聞氾濫的社會，《5月35日》為悼念亦為警世！

🧐🧐為了蒐集資料，編劇莊梅岩曾到訪內地訪問當年「難屬」，亦因此被神秘人「探訪」和「關注」，令她質疑香港的創作自由可能已經岌岌可危。

🤐🤐眼下的暴政和警暴，「廿三條立法」如箭在弦，六四舞台在香港再有生存的空間嗎？

🤬🤬當網絡上充斥假新聞，官方又不斷篡改歷史事件，究竟「六四屠城」和「反送中運動」在不久的將來會變成什麼樣的故事呢？

我們不知道答案，但只要有機會，我們仍然要演下去﹗因此當社會運動仍在激烈抗爭之際，六四舞台就馬上籌組了《5月35日》（庚子版）。

📆根據中國歷法，2020年是庚子年；翻開中國歷史，庚子年往往是浩劫之年。香港經歷多個月的社會運動，「六四」對步入庚子年的香港人有何意義？六四舞台今年誠邀著名導演陳曙曦，連同全新班底，重新創作《5月35日》 的「庚子版」。

😷😷鑑於疫情持續，政府下令關閉全港劇院，令原訂5月在香港藝術中心的舞台演出被迫取消，劇團為堅守信念，破天荒決定把這個震撼人心的六四故事以網上直播形式，於2020年六四前夕向全球人士同步免費播放（粵語演出，附中英文字幕），並於6月4日全日24小時在網上分享。其錄像版本亦將會製作成電影影片，把演出搬上大銀幕，讓更多人了解真相、追求公義。🖐️🖐️🖐️🖐️🖐️

June 2019 marked the 30th anniversary of the “June Fourth Incident”. Local art group Stage 64 joined hands with renowned playwright Candace Chong Mui-ngam to create May 35th. The first 5 premieres as well as the 6 additional shows were all sold out with great acclaims, followed by 6 nominations in the subsequent Hong Kong Drama Awards, including Best Script!

The social movement in the past 6 months has made Hong Kongers no strangers to tyranny and brutality, and has transcended the meaning of "June Fourth" within us. Especially when we are living in a world full of lies and fake news, the play "May 35th" is for mourning and also a warning!

🧐🧐Candance Chong Mui-ngam has visited the Mainland for screenplay research. There she met up with some interviewees, whose family members were June Fourth Massacre victims. It turned out some mysterious figures paid her a "visit" in return with "unexpected concern". She couldn't help but worrying: Is the creative freedom deprived even in Hong Kong?

🤐🤐Witnessing the escalating brutality against protestors, the eagerness of enacting Basic Law Article 23, how much longer can a play like "May 35th" be staged in Hong Kong?

🤬🤬Worse still are the tremendous fake news on the Internet and the tampering with history. Can you imagine how "June Fourth Incident" and "Anti-Extradition Bill Protest" will be interpreted in the near future?

We have no clue, but! As long as we have this opportunity to express, we will go on. Even when the protest across the city was still intense, Stage 64 started to plan for another "May 35th" , the Gengzi Edition.

📆In the Lunar calender, 2020 is called the year of the Gengzi. Historically speaking, the year of the Gengzi were always catastrophic. After months of social unrest, Stage 64 invited prominent director Chan Chu-hei, to re-create "May 35th" into Gengzi Edition with new cast and crew.

😷😷Then comes the Coronavirus pandemic and the compulsory closure of theatres by the Government. That left us no choice but to cancel the "May 35th" performance, which was originally scheduled to stage at Arts Centre in May. But what if we adhere to our beliefs? Here comes the bold decision-\-\to live stream this astonishing show, globally and for free on the night before June 4th, 2020 (Presented in Cantonese, with Chinese and English subtitles). The live version will then be shared online throughout the day on June 4th. What’s more? The performance will be filmed separately and released in cinemas. Let the truth speak for itself, justice be sought after. 🖐️🖐️🖐️🖐️✋

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

💰籌款目標💰
35萬，但50萬能讓我們做得更多
Crowding Funding Goal
HK$350,000, but we can go further if we get HK$500,000.

🆘製作一齣舞台劇的基本成本相當高，一般要靠數千張數百元的門票收入才能維持收支平衡。在疫情下失去劇院，沒有門票收入，加上題材敏感，《5月35日》要獲得商業贊助機會是「零」。因此，我們只能靠公民發揮力量，解囊相助，協助我們把舞台劇作全球網上直播及製成影片，把故事帶到更遠。

🆘A stage production costs a lot. Generally we need to sell several thousands of tickets to break-even. Considering the circumstances of coronavirus pandemic, we can no longer perform in theatres and therefore no income from box office. In addition, due to the sensitivity of the theme / topic, in spite of our best endeavours, it is impossible for May 35th (Gengzi Edition) to receive any commercial sponsorship. What we need now is everyone exert their power and generosity, elevating May 35th (Gengzi Edition) to online streaming platform and even to cinemas, bringing the story to the rest of the world.

YEAH！我的一系列innerchild雕塑作品被選為法國Circle Quarterly Art Review Magazine 的featured artist！！

而呢一系列作品也將會在明年，日本展出！
感恩！！
也大大感謝大家的支持呢：）

Circle Quarterly Art Review Magazine - Issue 4 - Fall 2019

An Examination of Current Trends & Official Practices in Visual Art

Published by CFA Press

Presenting a wide range of media and an even broader variety of styles, we investigate the diversity of practices and perspectives in contemporary art. Although at first glance, juxtaposed works can appear radically different, we have found that a bold, recurring element across all the artists’ approaches, is a kind of 6th sense, an intense sensitivity to observation and detail. Reading the artist’s statement it becomes evident that the drive behind their work is about noticing, whether that refers to an aesthetic observation, a social, political, intellectual or emotional observation.

In this issue we have included a selection of 107 visual artists from Austria, Bulgaria, Canada, China, Finland, France, Germany, Hong Kong, Israel, Italy, Japan, Latvia, Mexico, Norway, Norway, South Korea, Spain, Sweden, Syria, The Netherlands, the UK, the USA, Uzbekistan, Vietnam.

A note from the curator:

“I always urge the viewers to spend time with each artwork, examining the technique, examining the material, circling the edges of the piece, following the visual lines toward the point of emphasis and taking that extra slow moment to feel; to be confronted with. For me, the point is not understanding or evaluating something, but simply listening to what each work might speak to you. And if you like what the work is telling you, go ahead, take it home with you!”

Flip through the pages of the magazine to discover currents trends and original practices in visual art.

Featured Artists

GARY AAGAARD ∙ ILONA ABOU-ZOLOF ∙ EMIKO AIDA ∙ HOUDA BAKKALI ∙ PAMELA BECKER ∙ IRENE BELKNAP ∙ ANDREW BINDER ∙ R. GEOFFREY BLACKBURN ∙ THORSTEN BOEHM ART ∙ KORNELIA BOJE ∙ GIORGIO BORMIDA ∙ IOANA BOROS ∙ ADRIAN BRADBURY ∙ JESSICA BURKE (J.B.) ∙ HAIMENG CAO ∙ CLARACARAT ∙ JOJO COMMANDAROS ∙ LARRY CORBETT ∙ BARBARA CRIMELLA ∙ ELEONORA D'ERME ∙ KRISTOFER DAN-BERGMAN ∙ DAVID DEJOUS ∙ JOCELYNE DESCHAMPS-KUS (JIDEKA) ∙ PAUL DETTWILER ∙ GLORIA DI MODICA ∙ DONELLI J. DIMARIA ∙ CARLA J FISHER ∙ SUSAN FITZSIMMONS ∙ FONG FAI ∙ INEZ FROEHLICH ∙ CARIN GERARD ∙ MICHAEL IAN GOULDING ∙ EDMUND IAN GRANT ∙ AUDUN GRIMSTAD ∙ MATIKA HALLEDAY ∙ HOWARD HARRIS ∙ RONNA S. HARRIS ∙ LYNETTE K. HENDERSON ∙ IBRAHIM JALAL ∙ HYUN JUNG JI ∙ MICHAEL JICHA ∙ JERRY JORDAN ∙ JØRAN JUVELI MARSTRANDER/JUVELI FOTO & DESIGN ∙ KOMILBEK KABILOV ∙ RONALD KATZ ∙ SHUNSUKE KAWASAKI ∙ BARRY S. KORNACKI ∙ BEA LAST ∙ ERIK LAURAEUS ∙ GABRIELL ∙ GAETANNE LAVOIE ∙ DEBORA LEVY ∙ JINGFENG LI ∙ ANSON LIAW ∙ SUSAN LIZOTTE ∙ MONICA LONCOLA ∙ TAGE LUNDIN ∙ DITA LŪSE ∙ HUI MA ∙ ANN JAMES MASSEY ∙ CLAUDIA MAYER-MALLENAU / CMM ∙ KAREN NAIM ∙ JOHN NEWCOMB ∙ MIUMILKOEOE ∙ FRANCIS O TOOLE ∙ LEON OKS ∙ WAYNE PAIGE ∙ TSELET SHAVIT PARNAS ∙ IRENE PÉREZ ∙ NEELA PUSHPARAJ ∙ ERA - ELVIRA RAJEK ∙ ROLAND REINERT ∙ OTO RIMELE ∙ JOE M. RUIZ ∙ STEFAN SCHIFT ∙ GRETA SCHNALL ∙ SANDVIA ∙ CORRINA SEPHORA ∙ LAILA SHARMEEN ∙ MERJA SIMBERG ∙ LILIANA STAFFORD ∙ LUANA STEBULE ∙ BERND STEINERT ∙ VICTOR STEVEN ROSENBERG ∙ KEIKO SUGITA ∙ TIMKA SZŐKE ∙ REGINE TEMMEL ∙ JAN TEUNISSEN ∙ WILLIAM H. THIELEN ∙ MARGERY THOMAS-MUELLER ∙ SILVIJA TREICE ∙ SCOTT TROXEL ∙ MARION TUBIANA ∙ POL TURGEON ∙ JENNY VAN GIMST ∙ CONSTANCE VEPSTAS ∙ MAYSUM ∙ SINCLAIR WEBSTER ∙ LAURA WEINDORF ∙ NAOMI WHITE ∙ HOLLY WILMETH ∙ MICHAEL HARRIS WILSON ∙ MIKOŁAJ WŁODARCZYK ∙ TRACI WRIGHT MARTIN ∙ WENDY YEO ∙ YEON GYUHYE ∙ SHU YU

To inquire about purchasing a featured work or working with the artist, please contact info@circle-arts.com

https://el2.convertkit-mail.com/c/r8uw95zlg8hohm34nxi2/kkhmh6her5vn90/aHR0cHM6Ly9jaXJjbGUtYXJ0cy5jb20vY2lyY2xlX3F1YXJ0ZXJseV80Lw==