我Bobby Sham的作品
這家就是我常常在節目提的白田邨姚成記, 已經結業了。
啲嘢真係好好食! 蕃茄炒蛋、海鮮湯、蒸魚...
餓
《300家》攝影家系列之十二- 沈嘉豪 + 急急子
300 Families – Photographer series (12) – Bobby Sham + Amber Au
甚強 Fortissimo
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(沈嘉豪)
逢星期日上午開著收音機都會聽到主持人急急子的節目「Urban Touch」,內容都是介紹香港的一些小事業/店舖,有賣香料的、凸板印刷、做胎毛筆、木器(佛具)製造、粥麵店、招牌製作、繪畫傳統banner、麵飽西餅店、音響喇叭維修、改衫店、賣綉花鞋、農耕……等。由於這些經營者很多都是家庭經營方式,我很好奇這些家庭的成員之間是怎樣合作的?他們怎樣繼承祖先的事業然後又再傳下去呢?
終於我邀請了急急子加入了這個攝影項目,並由她介紹那些經營者參加這個拍攝計劃。
拍攝其實是一種認知過程,胎毛筆是甚麼?為甚麼大女兒早上在外面替孩子剪頭髮後下午又到店裏幫忙?哈哈,原來胎毛筆是用孩子(顧客)的頭髮做的!很明顯大女兒是參與最多的,由此我想著自己的拍攝方向是應該有重點人物的,那是將來的繼承者嗎?那麼後來的粥麵店又如何?一個八十多歲阿婆帶著兩個五六十歲的兒子經營的小店因為重建而將要結業,這幀家庭照一下子便成為了歴史照片了,阿婆就是重點人物。如是者每幀家庭照都有一、兩個重點人物,他們背後都有著不同的故事,認真投入就是他們的共通點。
(急急子)
拍攝的時候,很擔心會拍得不好、技巧不佳,因為我覺得這些「家庭照」很重要。我們拍攝的對象,除了人物,店舖也是重要的一份子,他們和它曾共渡許多時光,我很榮幸可以為他們留下合照。感受尤深是拍攝白田邨的姚成記,因為在拍攝不久後,店舖便要結束了,相片會成為姚氏回憶的憑據。我把相片沖印給婆婆後,她很高興,還把店舖的桌子、水牌、碗碟、石磨送給我!我深深感受到相片的力量和做攝影師的好處!^_^
(Bobby Sham)
Every Sunday morning I listen to Amber Au’s radio programme Urban Touch which is about all different small shops and businesses in Hong Kong: those selling spices, printing with letterpress, making baby-hair pens, creating wooden Buddhist utensils, cooking congee, making signposts, painting traditional banners, baking breads and cakes, fixing hi-fis and stereos, altering clothes, sewing shoes, farming, etc. Most of them operate on a family basis. I am very curious how do family members cooperate with each other? How do they inherit the trades from their forefathers and pass them on?
Eventually I invited Amber to join this photography project, and let her introduce the operators of these shops and businesses to join us.
Shooting is a process of learning. What are baby-hair pens? Why does the eldest daughter work as a barber in the morning and help the family business in the afternoon? Ha! Those baby-hair pens are made of her customers’ (the kids’) hairs! Obviously this eldest daughter is much more involved in the business. I therefore think there should be a person of focus in my photographs in this project. Will he/she become the successor of this shop?
For the congee restaurant, how will it carry on? The shop is run by an eight-year-old lady and her two sons, who are in their 50s or 60s. It will be closed down soon because of redevelopment. The family portrait I took suddenly became a historical photograph, and the old lady is the person in focus. So every single family portrait has one or two persons in focus. Each has his or her own story, but all are serious about what they are doing.
(Amber Au)
I always worried that I lacked the skills to take a good pictures when I did the shooting, because I thought these “family portraits” meant so much. Our subject included the shop as well as the people therein, as they have spent so much time with each other. I felt honoured to take pictures of them together. Shooting “Yiu Shing Kee” in Pak Tin Estate was most memorable to me as the shop had to close down soon afterwards. The photo I took became the Yiu family’s keepsake which embodied their memories. I gave the photograph to the old Mrs. Yiu after developing. She was so excited that she even gave me the shop’s tables, menu boards, bowls, plates and a small stone mill! I deeply felt the power of photographs and the perks of being a photographer!
沈嘉豪
沈嘉豪 (波針) ,香港摄影藝術家,並從事藝術行政及教育工作多年。曾任香港牛棚藝術村管理委員會副主席 (2003)、香港錄影太奇副主席 (2003-5)。曾為香港城市大學創意媒體學院藝術碩士課程兼任講師(2013),現為香港攝影文化協會秘書,並是香港國際攝影節發起人之一。
他於1987年於香港理工大學設計系取得平面設計(多媒體) 學士。曾於香港舉辦過三次個人攝影展覽:《波針系列──針孔攝影展》(1995)、《波針系列2.0--菠蘿油》 (1998) 及《北京的灰藍色》 (2008),亦曾於北京798藝術區舉行《釋放》 (2010)個人攝影展覽。過去二十年多次參與國際及本地的大型攝影展,多幅大型攝影作品被香港文化博物館收藏。
急急子
急急子,商業電台叱咤903 DJ,主持《集雜志》及《Urban Touch》。第一天開咪,獲得占奴賜名急急子,從此工作速度、生活步伐,照舊好慢。每星期落區考察香港有人味地方,每日研習趣美生活,大氣中深呼吸一口氣。我剛剛完成藝術文學碩士課程,多多指教!
Bobby Sham
Bobby Sham (Bobpin) is a Hong Kong photo artist. He also involved in photo arts administration and education areas. He was the vice-chairman of HK Cattle Depot Artist Village (2003), the vice-chairman of directors board of HK Videotage (2003-5). Now he is an MFA class part-time lecturer in the School of Creative Media, City University of Hong Kong; the secretary of the Hong Kong Photographic Culture Association, the initiators of the Hong Kong International Photo Festival.
He obtained his BA degree in Graphic Design (Audio-visual) from the School of Design, Hong Kong Polytechnic in 1987. He had three solo photo exhibitions in Hong Kong: Bob-Pin Series - A Pin-Hole Photography Show (1995); Bob-Pin Series 2.0 - Vague Memories (1998) and Greyish Blue in Beijing (2008), and joined many interntional and Hong Kong group exhibitions during the past twenty years. Rcent work “Wei” was shown in Love The Future Art and Poetry Exhibition (June 2011), an art and poetry exhibition; solo exhibition Set Free was held in Beijing 798 Art Zone, China (2010). Few huge pieces photo works have been collected by the Hong Kong Heritage Museum.
Amber Au
Amber Au is a DJ at Commercial Radio Hong Kong, hosting the programmes Zine and Urban Touch. On her very first day of work, her colleagues, popular DJs Jim and Donald, conferred to her the name “Quickie”, but she has remained slow in work and life still. Week after week she investigates places that have a human touch in Hong Kong, and studies what are interesting and beautiful in life. Hopefully we can all take a deep breath in the air. I just completed my MA degree in fine arts – nice meeting you!
www.hkipf.org.hk/300
「when is photograph become art」的推薦目錄:
- 關於when is photograph become art 在 急急Touch Facebook 的最讚貼文
- 關於when is photograph become art 在 CM Leung Facebook 的最讚貼文
- 關於when is photograph become art 在 When does a photograph become digital art? - YouTube 的評價
- 關於when is photograph become art 在 When Photography Becomes Art - YouTube 的評價
- 關於when is photograph become art 在 When does "photography" become "digital art"? 的評價
when is photograph become art 在 CM Leung Facebook 的最讚貼文
Member of the Month – Rocco Ancora @ X Sight
Member of the Month – Rocco Ancora @ X Sight
( www.xsight.com.au )
MORE PHOTO AND INTERVIEW : www.wppa.com.hk
Member of the Month – Nick Ghionis @ X Sight ( www.xsight.com.au)
1. You have become the Creative Director of XSiGHT since 2010, what you have to do under this title? Is it a very busy position as you are responsible for all the XSiGHT in Australia and over the world?
My role as creative director was to implement efficient workflows & unique post-production techniques to give the quality that XSiGHT is renowned for. With my knowledge & expertise in post-production & fine art printing together with Nick & Sharifa we have introduced a new range of fine art products that have once again propelled XSiGHT to the forefront of the Australian wedding industry. My role is exclusive to XSiGHT Melbourne.
2. What is your target or aim when you made the decision to take this role? Have you participated in polishing the marketing plan of XSiGHT since your joined into them?
When I took on the role of creative director, I became a piece of a jigsaw puzzle that forms XSIGHT. I am part of a team that can only be described as the best in the business. We all have our strengths and the key is to concentrate on what you’re good at.
3. How you come to the idea of XMENTORS with Nick Ghionis? Any specific marketing plan of it?
The idea of the XMENTORS came about when I joined the XSIGHT family. My passion for the art of photography and post-production was matched by Nick and Sharifa’s amazing business and marketing strengths. We decided that by each of us teaching our strengths we would have an amazing product to deliver our seminar attendees. It is all about taking your photography beyond just pretty pictures.
4. How do you keep a balancing role in Creative Director, Photographer and also Speakers? How you manage your work and time especially you are one of the most sought after speakers in the world in these years?
Having a great team to support me, allows me to balance all of the things that I do. Each person has specific roles to help the business run smoothly but most important is client liaison, especially when we are away doing XMENTORS seminars.
5. Any advise or suggestions to photographers who just entered the industry and thinking about to set up their own business; and also to those photographers who are already running their own company?
As photographers we consider ourselves artists first and business people last. We have to realize that we are sales people as well and a business plan needs to be put in order to succeed. You have to make informed decisions and grow your business and profit margin. Too many up and coming photographers fail because they don’t value their work or indeed their time.
6. When you have started your career as a photographer?
“I went to school to study architecture and somehow ended up doing Photography. I never actually completed my photography course. I was fortunate enough to be given the opportunity to do a traineeship with a very large wedding and portrait studio in Melbourne. At the time the studio was shooting over 300 weddings a year with 6 full time photographers.”
7. What reasons made you have such decision (to be a photographer)?
Just fell in love with the idea of capturing moments that can never be repeated and interpreting how I see the world through my camera.
A moment that can never be repeated but can be cherished for a lifetime by the viewer.
9. Do you remember what was your first set of equipment as a professional photographer? How’s their performance? Good?
When I first started to shoot weddings, it was almost 20 years ago, there was no digital. My first camera was a haselblad 503cx medium format film camera. The image quality of medium format film was amazing. As a photographer you really needed to know your craft in order to come back with great results.
The flash system i used on location was a Metz 45. It was used in manual mode…no TTL and of course a flash meter.
10. When was the 1st time you had your very first shot? In what circumstances? Was it an amazing one? Then immediate fell in love with “shooting”?
It was a portrait of my father that I shot on black and white film which I processed and hand printed myself. It was very early in my photographic career, but it made me realize just how much control i had in the image making process from capture to print.
11. After determined to be a professional photographer, what was your plan? Like setting up a company?
I worked for a studio for several years before I ventured out and set up my own studio. I felt that in order to succeed I not only needed to be a good Photographer and also have good business sense. I learned a lot by being part of such a large successful studio
12. Do you have any secret method to make your “perfect shot” if everything at the moment is just like a mess? (Like place is dirty, not enough lighting, a small room crowded with people, kids and dogs are running around, couple is getting angry and even yelling & etc.)
You really need to be malleable with your personality and take control of any situation. Having great communication skills is a very important tool.
Before we even consider taking a photograph we need to be in control of our subjects and effectively communicate our intentions to the couple. I never turn up to a wedding without first building some form of relationship with the client. This happens well before the wedding and it is very important that they understand also what is expected from them as a couple.
The main ingredients for me are as follows:
Your heart, your mind, and your eyes. You need to feel with your heart the emotion pre visualize how you can covey that mood with your mind and finally use your eyes to arrange the elements that create the image.
13. What do you think is the most important element in photo shooting?
The most important element in photography is LIGHT. You need to master the use of Natural and artificial light. By doing so, you have the confidence to create anywhere anytime. The other important tool is understanding focal lengths of your lenses. This not only helps you to control perspective but also it teaches you how to control messy and un interesting backgrounds.
14. Which place or country you like the most as you have traveled to so many places for shooting? And why? (Could be in terms of people there, scene, food & etc)
The most amazing place for me is New York city. There is so much to shoot there… the people are great and the vibe is just awesome. Having said that you can take amazing images anywhere. As a wedding and portrait photographer it is more about the subject rather than the idea of easily being seduced by the location.
15. When and what is the most impressive moment for all the years as a professional photographer?
Winning my first “Australian Wedding photographer of the year” award back in 2004. At the time I felt that I had really achieved my ultimate goal and was afraid of losing my inspiration now that i had achieved such an accolade. I pushed myself further and further from that point on and won it again for a record Four times. This has never been done before in Australia by any photographer.
16. Have you ever met any difficulty that made you very frustrated and even thinking to give up as a photographer?
I can’t imagine being anything else but a photographer and I would like to think that I will be photographing in some shape or form till the day I die. Haven encountered any obstacle that was ever too big to be overcome by the passion that i have for what I do.
17. When and what is your milestone in your career life as a photographer?
Being named as one of the top 10 Wedding photographers is the world by American Photo magazine. This truly has been a great honor.
18. Do you have any mentor?
“Early in my career, the amazing Yervant was my teacher and mentor. These days, I still find his work very inspirational, but there are many others in the industry whose work I admire, it’s just too difficult to narrow down to one name. Having said that it’s great to share Ideas with my business partner and amazing artist Nick Ghionis.
19. Which is your best shot? And why? (Would be great if you could show us)
I love this shot of the bride walking down the stairs and this beautiful moment presented itself. The parents were hugging with joy in the right hand corner of the frame unseen to the bride. On the walls of the house there were photographs hanging of moments that had already been documented in that family history. I named this image “as time goes by”, and was awarded the Grand award and WPPI for wedding Photojournalism.
20. If, you haven’t chosen to be a professional photographer, what do you think you will become? An accountant? An architect? A chef?
I was studying Architectural design before I became a photographer so I would probably say “Architect”
21. Any advice or suggestion could be given to photographers, especially for those fresh photographers?
Value your work and your time. Get plenty of experience before going out on your own.
22. What is your plan in the coming 5 years?
Recently I launched a new company “CAPTURE TO PRINT” which specialized in post-production of images and fine art printing. I still love shooting but post-production and fine art printing is also a passion and love to offer my skills as a master printmaker to bring other photographers vision to life.
23. What is your motto as a professional photographer?
Photography is a journey in the life of the photographer not a destination.
24. What is your motto in your life?
It is only by giving that you shall receive.
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