[時事英文] And the winner is...
Chloé Zhao and ‘Nomadland’ Win at 2021 Oscars
趙婷獲奧斯卡最佳導演獎,《遊牧人生》獲最佳影片
Good news is always welcome 🎉🎉🎉
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“Nomadland” was named best picture and Chloé Zhao won best director at Sunday night’s sleepy and surreal 93rd Academy Awards, a stage show broadcast on television about films mostly distributed on the internet.
🎬 sleepy 寂靜的;冷清的 ; 倦睏的,打瞌睡的*
🎬 surreal 離奇的;超現實的;夢幻般的
洛杉磯——週日,在無甚亮點又相當魔幻的第93屆奧斯卡頒獎禮上,《遊牧人生》(Nomadland)獲得最佳影片獎,趙婷拿下最佳導演獎。包括在這場直播舞台秀裡的大部分影片都是在網上發行的。
*sleepy: https://bit.ly/3nlwipv
★★★★★★★★★★★★
In a major upset, Anthony Hopkins was honored as best actor for “The Father,” beating out the late Chadwick Boseman (“Ma Rainey’s Black Bottom”), who was the favorite going into the night. Frances McDormand was named best actress for “Nomadland.”
🎬 a major upset 爆冷門
🎬 the favorite 最被看好的
安東尼·霍普金斯(Anthony Hopkins)憑藉《困在時間裡的父親》(The Father)擊敗了已故的乍得維克·博斯曼([Chadwick Boseman],《藍調天后》[Ma Rainey’s Black Bottom])獲得最佳男主角,後者原本是當晚最被看好的人選。《遊牧人生》的弗朗西絲·麥克多曼德(Frances McDormand)獲得了最佳女主角。
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Daniel Kaluuya was recognized as best supporting actor for playing the Black Panther leader Fred Hampton in “Judas and the Black Messiah.” “Bro, we out here!” Kaluuya shouted in joy before changing gears and crediting Hampton (“what a man, what a man”) and ending with the cri de coeur, “When they played divide and conquer, we say unite and ascend.”
🎬 best supporting actor 最佳配角
🎬 shift/change gear(s) 改變方法 ; 換個方式 ; 改變調子
🎬 play divide and conquer 玩起各個擊破
🎬 unite and ascend 團結和進步 ; ascend 上升 ; 登上
丹尼爾·卡盧亞(Daniel Kaluuya)憑藉在《猶大與黑彌賽亞》(Judas and the Black Messiah)中扮演黑豹黨領袖弗雷德·漢普頓(Fred Hampton)拿下最佳男配角。「兄弟,我們來了!」卡盧亞興高采烈地叫道,隨後他換了語氣,稱讚了漢普頓(「多麼了不起的人啊,多麼了不起」),並以一段有力呼籲結束了發言:「當他們玩起各個擊破那一套,我們就要講團結和進步。」
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The supporting actress award went to Yuh-Jung Youn for playing a comically cantankerous grandmother in “Minari.” She was the first Korean performer to win an acting Oscar, and only the second Asian woman; the first was Miyoshi Umeki, a Japanese-born American actress who was recognized in 1958 for playing a bride who encounters racism in “Sayonara.”
🎬 cantankerous 愛爭吵且抱怨不休的
🎬 encounters racism 遭遇種族歧視
在《米納裡》(Minari)中飾演了一位滑稽而古怪的祖母的尹汝貞(Yuh-Jung Youn)拿下最佳女配角。她是首位獲得奧斯卡表演獎的韓國演員,也是第二位獲得此獎的亞裔女性;第一位是日裔美籍女演員梅木三吉,1958年,她憑藉在《櫻花戀》(Sayonara)中扮演遭遇種族歧視的新娘獲得此獎。
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Zhao won best director for “Nomadland,” a bittersweet meditation on grief and the damaged American dream. Zhao, who is Chinese, became only the second woman, and the first woman of color, to win the award. (Kathryn Bigelow was celebrated in 2010 for directing “The Hurt Locker.”)
🎬 bittersweet 苦中有樂的
🎬 woman of color 有色人種女性
趙婷憑藉《遊牧人生》拿下最佳導演獎,該片是對悲傷和破滅的美國夢的一次苦樂參半的沉思。作為華人的趙婷成為第二位獲得該獎的女性,也是第一位獲獎的有色人種女性。(2010年,執導《拆彈部隊》[The Hurt Locker]的凱瑟琳·畢格羅[Kathryn Bigelow]獲得此獎。)
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“I’ve been thinking a lot lately of how I keep going when things get hard,” she said in her acceptance speech, referring to a Chinese poem she used to read with her father that began with the phrase “People at birth are entirely good.”
🎬 acceptance speech 獲獎致辭/演講
「近來我常在思考,是什麼支撐我在困境中堅持下來,」她在獲獎致辭中說,她引用了與父親一起讀過的中國詩歌,其開頭就是「人之初,性本善」。
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文章來自《紐約時報》: https://nyti.ms/3xpCYaU
圖片出處: https://bit.ly/3gM8klQ
電影相關詞彙: https://bit.ly/3gIuRA6
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
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還是討厭下雨天☔️
Stop raining pliiiiiz😢
#在哪裡拍照都要鬼臉一下
最近看到很多同輩的人們進入職涯的下一個階段,為他們開心之餘也默默在心裡羨慕;面對不知何時解封的疫情和看似沒有進度的這年,偶爾仍懷疑自己是否做了錯誤的選擇。
但回過頭想,好像應該要更相信當初選擇捨棄安逸之路的自己;畢竟我就是那種愛挑最難的關卡搞得生活雞飛狗跳,又常常不小心破關跌破大家眼鏡的人嘛!要相信吸引力法則,相信自己😤
Seeing many old classmates entering the next stage of their lives is definitely something bittersweet for me. While being happy for those new residents-in-house, I couldn’t help but feel a bit hopeless about the never-ending pandemic and the invisible progress I’ve made throughout this year (if there has been any).
Reflecting on the past, I know I was lucky enough to be that person who always made it in the end despite being written off by people around when choosing the hardest and most atypical path. Guess all I gotta do is to believe in destiny and believe in the girl who chose to abandon the bed of roses, isn’t it?
Hsuan Wu
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久違了。
給大家帶來個好消息,我們於去年年底製作的短片《還記得的樣子》將赴香港參與今年度的 Fresh Wave International Short Film Festival 香港鮮浪潮短片展,可喜可賀!香港的朋友記得手刀買票哦~
We're glad to announce that one of our short film production "Memory" has been selected at this year's Hong Kong Fresh Wave Short Film Festival, hope our friends in Hong Kong can support this film in the cinema!
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🎬《還記得的樣子》Memory (2020) | 13 min
監製:張作驥
導演:謝惠菁
編劇:謝惠菁
攝影:簡強
演員:楊麗音、方亭、孫秉森、林郁璋
二十年前火車經過的時候,韶光就此停駐。火車往往連結人的記憶與時間,我們不能回到過去,但電影可以。謝惠菁新人執導、張作驥電影工作室製作《還記得的樣子》,充滿了張作驥一直處理的主題:魔幻的時間與記憶。姊姊芳婷患上阿茲海默症,還記得的家庭的樣子,便是一張全家福。全家福內獨欠一人,又見張作驥作品內常有的餐桌對話場面,芳婷問母親為何相片中的人變老;此時那個不在場的兄長,歸來到餐桌旁坐下——就像張作驥的經典《黑暗之光》一樣。
When the train passed by twenty years ago, time remained. Trains are always connected with memories and time. Memory, directed by Hsieh Hui-jing and produced by Chang Tso-chi Film Studio, inherits several themes in Chang’s work. Here memory takes the form of a magic realist space where Fong Ting, who suffers from Alzheimer's disease, is curious about a family photo. She cannot figure out what her brother looks like. Where is her brother? The absent one in the family haunts everyone..In a dining scene frequently featured in Chang’s works, when Fong Ting asks her mother why her brother has become older in the photo, her brother is just returning home bringing with him bittersweet memories. Just like the ending scene of Chang’s classic Darkness and Light.
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鮮浪潮官網介紹:http://www.freshwave.hk/?a=doc&id=2145
#還記得的樣子 #memory #謝惠菁 #張作驥 #楊麗音 #方亭 #林郁璋 #孫秉森 #鮮浪潮短片展 #freshwaveHK #shortfilm
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