#Editorial AppleDailyHK|"A government that was not elected, that underestimates public opinion, and does not speak the human language will often expose its ugly face when it does not get its way with its lies. In the recent anti-epidemic measures, the most frequently used word is “mandatory”: mandatory testing, mandatory quarantine, mandatory isolation, mandatory installation of the LeaveHomeSafe app…and of course to follow eventually will be mandatory vaccination, mandatory DNA testing, mandatory facial recognition, mandatory participation in the social credit system, mandatory patriotism towards the country and the party. When you don’t speak the human language, next is not doing the human deeds!"
Read more: https://bit.ly/38f9GB1
"一個非民選、輕民意、不講人話的政府,在自欺欺人難以得逞時,必然露出猙獰面目,近日防疫抗疫措施中最常見的字眼就是「強制」,強制檢測、強制隔離、強制檢疫、強制安裝「安心出行」程式,往後就是強制注射疫苗、強制檢測DNA、強制提供人臉識別、強制加入社會信用系統、強制愛國愛黨。不講人話之後,就是不幹人事!"
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同時也有9部Youtube影片,追蹤數超過21萬的網紅好機車,也在其Youtube影片中提到,這個弟弟是童軍社的吧!超有潛力的學生繞舌歌手!!【文大嘻研社Cypher-【草山菇蟹】】 連結:https://youtu.be/zwKf_2UJswg 若侵犯版權或需要我們下架,煩請來信告知~ :D 評分: Lit $: 4.0分 好的FLOW跟態度,很喜歡雙語的文字遊戲,以及過度發音的部分,很...
「facial word」的推薦目錄:
- 關於facial word 在 Apple Daily - English Edition Facebook 的精選貼文
- 關於facial word 在 CheckCheckCin Facebook 的最讚貼文
- 關於facial word 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
- 關於facial word 在 好機車 Youtube 的精選貼文
- 關於facial word 在 Coromo Sara. ASMR Youtube 的最佳解答
- 關於facial word 在 與芬尼學英語 Finnie's Language Arts Youtube 的最讚貼文
- 關於facial word 在 Learn English Vocabulary - Parts of the Face in English 的評價
- 關於facial word 在 Making a facial expression involving both eyes looking ... 的評價
facial word 在 CheckCheckCin Facebook 的最讚貼文
【美白不求人】學習古代護膚智慧
⭐️白色藥材多具美白功效
⭐️美白面膜宜晚上敷避免接觸光源
#星期六放輕身心
DIY美白祛斑面膜💆🏻♀️
藥材中有不少以「白」為名的藥材皆有美白功效,著名宮廷美容配方就有「七白粉」,由七種白字頭的藥材磨成幼細粉末製作而成,包括白芷、白芍、白芨、白茯苓、白蘞、白朮及白僵蠶,這些藥材都有美白嫩膚、淡化色斑、改善皮膚暗啞的功效。想自製美白面膜可以從中取經,選取其中的藥材,配搭乳酪、牛奶、蜜糖或蛋白,調勻成糊狀作面膜厚敷使用。上述藥材於藥材舖有售,購買時可向店方要求磨成粉,製作面膜時取用適當份量即可。謹記要購買沒有硫磺防腐劑的藥材。
DIY美白去印面膜
功效:美白去印、淡斑去黃。
材料:白茯苓粉1茶匙、白芷粉1茶匙、薏米粉1茶匙、原味乳酪適量
做法:將材料混合,洗臉後直接塗在臉上,10分鐘後用水清洗便可。
注意:宜先在耳後或手腕進行敏感測試
留言或按讚👍🏻支持一下我們吧!❤️ 歡迎 Follow 我們獲得更多養生資訊。
Try to make your own skin whitening facial mask
Many Chinese medicines carry the word “white” in their names, and they do have skin-whitening properties. The famous imperial beauty formula contains “seven types of white powder”, which refers to the Chinese name for these herbs all happen to start with word ‘white’,
namely radix angelicae formosanae, white peony root, the tuber of hyacinth bletilla, poria etc., when they are all grinded into a powder.
These Chinese medicines contain skin-whitening properties, can tackle dark spot problems and rejuvenate dull skin. To prepare your own skin-whitening facial mask, consider using the ingredients mentioned above, mix them with cheese, milk, honey or egg white, and turn them into a paste so you can apply onto your face. These ingredients can be found in Chinese medicine stores, you can request the shopkeeper to grind them into powder form. Use an appropriate amount of the ingredients when preparing the DIY masks. Also, you should only buy Chinese herbs which have not been preserved with sulphur.
DIY whitening mask
Effects: whitens skin and lightens marks, lightens freckle and improves yellowish complexion.
Ingredients: 1 teaspoon poria powder, 1 teaspoon radix angelicae formosanae powder, 1 teaspoon coix seed powder, plain yogurt
Preparation: mix all ingredients and apply onto face after cleansing. Rinse with water after 10 minutes.
Note: Please test for allergic reaction on wrist or behind the ears prior to applying onto face
Comment below or like 👍🏻 this post to support us. ❤️ Follow us for more healthy living tips.
#男 #女 #雀斑
facial word 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
🎹鋼琴的大千世界/名家名言:「為何稱我為大師?主人在這裡(指著鋼琴),我只是他的奴才。」
— 李斯特著名的弟子,德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)
Why, there is the master (pointing to the piano), I am only the slave.”
— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.
📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾,演奏李斯特的第十號匈牙利狂想曲:
https://youtu.be/e12YwuHiQtY
📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/
———————————————————————1905-1906 鋼琴名家萊森奧爾(Alfred Reisenauer)在美國進行數月的巡迴演出,並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版,隔年他在德國巡迴演出期間於下榻的飯店房間內過世。
📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.
▪️With Liszt
“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.
▪️Liszt’s Pedagogical Methods
“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”
Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:(見譜例圖四)
Chopin’s next thought was, no doubt:(見譜例圖五)
But with his unerring good taste and sense of symmetry he writes it so:(見譜例圖六)
Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:(見譜例圖七)
The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.
“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”
▪️A Unique Attitude.
Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”
▪️The Future of Pianoforte Music.
An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.
Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”
As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.
▪️American Musical Taste.
Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.
▪️Concert Conditions in America.
“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”
facial word 在 好機車 Youtube 的精選貼文
這個弟弟是童軍社的吧!超有潛力的學生繞舌歌手!!【文大嘻研社Cypher-【草山菇蟹】】
連結:https://youtu.be/zwKf_2UJswg
若侵犯版權或需要我們下架,煩請來信告知~ :D
評分:
Lit $: 4.0分
好的FLOW跟態度,很喜歡雙語的文字遊戲,以及過度發音的部分,很好很自然的手勢,聲音有時聽起來太單調,在傳達梗的時候用變化很好,少了強一點的台風
Nice flow and cadence. Really like the bilingual word play and the over-enunciation element. Good, natural hand gestures. Voice sounds a bit monotonous at times. Good use more dynamics when delivering punchlines. Missing a strong stage presence
Wangest: 3.5分
給台語繞舌肯定,聲音起伏跟態度很好,還有臉部表情表演很棒,肢體動作有一點僵硬,肩膀要放鬆,出現時間太少,很難全部評論完整,
Props for rapping in Taiwanese. Good vocal inflections and cadence. Also animated facial expressions were nice. Physicality seemed a bit stiff. Loosen up shoulders. Very little screen time so hard to full judge abilities.
NGB Deli: 4.5分
鏡頭前很自然,幾乎都有在做眼神接觸,手勢很棒,還有Phrase變化很棒,整體而言, 很好的表現,但需要再一點POP (秀出來?! 就是要再POP! 屌一點 )*不負責翻譯XD
Very natural in front of the camera. Almost always maintains eye contact. Great hand emoting. Also great phrasing change-ups. Overall: Great presence but needs a little more POP.
LALA: 3.5分
台風很棒,繞舌風格很酷跟精準,但眼睛無法說服人
Great stage presence. Rap style sounds cold and surgical. Her eyes don’t sell the image
Hot Baylor: 3.5分
不錯的表情演出跟台度,但自動調音太多,還有聲音跟繞舌風格不太搭配影片的調調
Decent Emoting and attitude. But the autoune is too much. Also his voice/rapping style doesn’t seem to fit the flavor of the video
Mango Pan : 2.0分
很好的繞舌技巧,但在鏡頭前看起來不太自在,以及沒有很好的台風
Pretty good rap skill. But doesn’t seem comfortable in front of camera so no stage presence.
Aaron: 1.5 分
繞舌的聲音聽起來太ㄍㄧㄥ了,快嘴繞舌很酷,但不能你只有快嘴
Rap voice sounds try hard. Fast rap is cool but cant be all you have
Hubble West: 4.5分
每一個部分都很到位,變化、好的FLOW、台風,就是少了風格
Everything on Point. Dynamic, good flow. Stage presence. Missing the style.
發音訓練:https://youtu.be/8sQoYa8TptI
加入會員:
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facial word 在 Coromo Sara. ASMR Youtube 的最佳解答
こんにちは! Hello!
This video is a long version of the 5 minute ASMR video I posted last time✨
【Previous video】
○ASMR ADDICTIVE TRIGGERS in 5 MINUTES / 夢中になる5分間:https://youtu.be/cYbzRo78rls
【Related video】
○ASMR 100 TRIGGERS IN 3 MINUTES / 3分で眠る100トリガー:https://youtu.be/EeVIv-cux-M
Thanks to Trainer Rhyme for creating the time stamp😊
⭐Timestamps :
00:00 - Hand Sounds
01:13 - Egg Slime
02:51 - Colourful Handscrubs
05:59 - Powder Puff
08:02 - Silicone Cup
13:21 - Glass Case
16:35 - Hand Mop + TkTk(Trigger Word)
17:47 - Lip Gloss
20:04 - Facial Mask(Case)
24:01 - Giant White Ball [I just don't know what it's called (・へ・)]
26:15 - Konjac Sponge
29:07 - Ruby Ameba
30:05 - Brown Cork
31:47 - Bath Sponge
34:24 - Hair Curlers
36:47 - Makeup Brush + TkTk(Trigger Word)
38:13 - Squeeze Ball
39:28 - Whipping Netball
40:17 - Beaded Cushion
40:48 - Wrap
42:27 - Dehumidifying Sheet
45:16 - Foaming Whip Container
46:27 - Foaming Whip
Thank you for watching :)
I hope you have nice dreams🌙
Coromo Sara.
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facial word 在 與芬尼學英語 Finnie's Language Arts Youtube 的最讚貼文
Dumb Ways to Die is the theme song of the public service announcement campaign released by Metro Trains in Melbourne, Victoria, Australia to promote railway safety. Both the song and the campaign went viral briefly in November 2012 and received worldwide acclaim for its effectiveness, endearing and engaging quality. The song and campaign have grown so well-loved that the characters continue to be recognisable and have come to be featured in a video and mobile games including Dumb Ways to Die, Dumb Ways to Die 2: The Games, and Dumb Ways to Die 3: World Tour.
This video contains the parody I've created for the song Dumb Ways to Die, cover on Dumb Ways to Die, Dumb Ways to Die parody, Dumb Ways to Die cover. My cover and parody have been inspired by the recent global health emergency, global health crisis caused by the rise of coronavirus, the spread of coronavirus in 2019, the spread of coronavirus (also called the Wuhan virus) in 2020 that is said to have originated from Wuhan, China.
Dumb Ways to Die was written by John Mescall with music by Ollie McGill from The Cat Empire, who also produced it. It was performed by Emily Lubitz, the lead vocalist of Tinpan Orange, with McGill providing backing vocals. The band on the recording consists of Gavin Pearce on Bass, Danny Farrugia on drums and Brett Wood on guitar. It was released on iTunes, attributed to the artist "Tangerine Kitty" (a reference to Tinpan Orange and The Cat Empire). I do not own any legal right to the song, I am simply covering it for entertainment and education purposes.
In this song, you’ll learn some useful tips on how to maintain good personal hygiene and avoid contracting the coronavirus / wuhan virus.
Dumb Ways to Die (笨笨的死法 或 蠢蠢的死法)是一首2012年由澳洲都市鐵路推出的一首廣告歌,在2012年這首歌一炮而紅,網民瘋狂分享這段影片,因為歌曲好聽,動畫也非常可愛。這首笨笨的死法的改歌是我受最近武漢肺炎時間啟發而創作的,推出除了希望幫助我的學生透過歌詞學習英文外,也能提高公眾的衛生意識,同心抗疫。
Lyrics 歌詞:
Cover up that toilet seat 把廁所蓋起來
Pour water in the bathroom drain 把水倒進廁所去水渠
Wear facial masks when you go out 出外時戴口罩
Change to a different one the second time around 第二次戴就要換個新的
Coronavirus 冠狀病毒
Don’t catch the coronavirus 別染上冠狀病毒
Coronavirus 冠狀病毒
Don’t catch the coronavirus 別染上冠狀病毒
Rub your two hands with alcohol 用酒精搓手
Stay at home n watch videos 留在家看影片
Keep your household sparkling clean 保持家居清潔
Don’t hang around in any overcrowded place 不要在人多擠逼處流連
Coronavirus 冠狀病毒
Don’t catch the coronavirus 別染上冠狀病毒
Coronavirus 冠狀病毒
Don’t catch the Coronavirus 別染上冠狀病毒
Take a walk in the hospital 到醫院走一轉
Share a lift with a feverish man 和發燒的人乘同一架電梯
Take your face mask off in public space 在公眾地方除口罩
Use a steamed mask as if it's just unboxed 把蒸過的口罩當成全新的使用
If you’ve done them all 如果你都做過以上的每一件事
You might as well catch the virus 你很可能會染上冠狀病毒
Coronavirus 冠狀病毒
Don’t catch the coronavirus 別染上冠狀病毒
Get plenty of good sleep 要有充足睡眠
Stay updated with the news on Internet 在網上留意最新消息
Stuff yourself with vitamin C 多吃維他命C
I wonder if the vaccine’d work? 我在想,那疫苗有效嗎?
Coronavirus 冠狀病毒
Don’t catch the coronavirus 別染上冠狀病毒
Coronavirus 冠狀病毒
Don’t catch the coronavirus 別染上冠狀病毒
Stop the high-speed train from Wuhan, China 別讓中國武漢的高鐵列車進來
Stop the flood of tourists from coming in 別讓旅客擁進來
Never Eat beavers, porcupine, and wild bats 不要吃河狸,刺蝟和野蝙蝠
Wash your two hands with soap for 20 seconds 洗手洗足二十秒
Wash them after you go to the loo 去完廁所後要洗手
They may not rhyme, but they quite possibly 這些方法也許不押韻,但它們很可能可以⋯⋯
Will help you stay alive 幫助你生存下去
Will help you stay alive 幫助你生存下去
Stay healthy and alive 幫助你健康生存下去
So many ways, so many ways to stay alive 有很多方法,有很多方法生存下去
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