對於阿富汗我十分陌生,但對於一樣來自電影工作者的呼喊,我願意為他們發聲。
轉自 Weichen Chou
來自阿富汗女導演薩赫熱·卡里米Sahraa Karimi 的親筆信
A Letter From An Afghan Film Maker to Save Afghanistan from Taliban(The original English text is below)
致世界範圍內所有電影團體和熱愛電影的人們!我叫薩赫熱 · 卡里米Sahraa Karimi,是一名電影導演,目前是 「阿富汗電影」的總導演,這是於 1968 年成立的唯一一家國有電影公司。
我懷著一顆破碎的心給您寫下這封信,並且深深地希望您能夠與我一起保護我的可愛的同胞們,尤其是電影製作者們,不會遭受塔利班的侵害。在過去的數週時間裡,塔利班已經攫取了許多省份的控制權。他們屠殺我們的百姓,他們綁架許多孩子,他們將女孩賣給男人們當作童養媳,他們殺了一名婦女因為她的服飾穿著,他們測量一名婦女的眼睛(筆者猜測此處是指塔利班對穿著罩袍的女性進行測量,除了眼睛的其他身體部位不能暴露,以此判定女性穿著是否合規),他們折磨和殺害一位我們鍾愛的喜劇演員,他們謀殺一位我們的史詩學家,他們是扼殺政府中主管文化與媒體的一把手,他們一直在暗殺與政府有關聯的人,他們在大庭廣眾之下絞死我們的人,他們已經迫使成千上萬的家庭流離失所。
這些家庭從被塔利班佔領的省份逃離之後,目前居住在喀布爾(阿富汗首都)的難民營裡,他們處於不衛生的環境裡面。在難民營裡時有搶劫行為,同時出現嬰兒沒有牛奶喝而天折的情況。這是一場人道主義危機,然而世界對此嗓若寒蟬。我們已經習慣了這種沉默,然而我們清楚這不公平。我們知道,政府拋棄我們的人民的決定是錯誤的,倉促撤軍是對我們人民的背叛,是對阿富汗人為西方贏得冷戰時我們所做的一切的背叛。彼時我們的人民被遺忘,導致了塔利班的黑暗統治,而此刻,在我們國家中特別是年輕一代在隨後的 20 年裡取得巨大成就之後,一切都可能在這種拋棄中再次化為烏有。我們急需你的聲音。
媒體、政府和世界人道主義組織都在保持沉默,彷彿他們與塔利班的「和平協議」是合法的。這從來都不是合法的。塔利班認識到政府給了他們重新掌權上台的信心。在整個談判過程中,塔利班一直在殘忍地對待我們的百姓。我作為一名電影製作者,我在我的國家所努力創作的一切都將毀於一旦。假若塔利班上台,他們將嚴禁所有藝術。我和其他電影製作者們可能成為他們暗殺名單中的下一個人選。他們將會剝奪婦女的權利,我們將會被推到家庭的陰影之中,我們的聲音、我們的表達將被彈壓製到沉默之中。當塔利班掌權的時候,學校將不再會有女孩子。而此時,阿富汗有 900 多萬的女孩在上學。難以想像的是在剛剛陷入塔利班手中的赫拉特省,它是阿富汗第三大城市,在當地大學裡面有將近 50 %的女學生。全世界幾乎不知道這些難以置信的事實。就在這幾週之內,塔利班摧毀了多所學校,目前有 200 萬的女孩被迫輟學。
我不了解這個世界。我不明白這種沉默。我會留在阿富汗並為我的國家而戰鬥,但是我一個人獨木難支。我需要像你這樣的支持者。請幫助我們,讓這個世界關註一下發生在我們身上的遭遇。請幫助我們,告訴你們國家最重要的媒體此時此刻阿富汗的現狀。在阿富汗之外發出我們的聲音。
如果塔利班佔領喀布爾,我們可能無法上網,也無法進使用任何通訊工具。請讓你們的電影製作者和藝術家們支持我們,發出我們的聲音。這場戰爭不是內戰,這是一場傀儡戰爭,這是一場強加的戰爭,這是美國與塔利班靖和的結果。請盡可能多地在你的媒體上分享這一事實,並請在您的社交媒體上為我們寫些東西。世界不應該對我們置之不理。我們需要你們的支持,需要你們代表阿富汗的婦女、兒童、藝術家和電影製作者發聲。這種支持是我們目前最需要的幫助。
請幫助我們讓這個世界不要拋棄阿富汗。請在塔利班佔領喀布爾之前幫助我們。我們的時間所剩不多,也許幾天。十分感謝。我非常感激您純潔的心。
致上問候
薩赫熱 · 卡里米砂巴
原文:
To All the Film Communities in The World and Who Loves Film and Cinema!
My name is Sahraa Karimi, a film director and the current general director of Afghan Film, the only stated-owned film company established in 1968.
I write to you with a broken heart and a deep hope that you can join me in protecting my beautiful people, especially filmmakers from the Taliban. In the last few weeks, the Taliban have gained control of so many provinces. They have massacred our people, they kidnapped many children, they sold girls as child brides to their men, they murdered a woman for her attire, they gauged the eyes of a woman, they tortured and murdered one of our beloved comedians, they murdered one of our historian poets, they murdered the head of culture and media for the government, they have been assassinating people affiliated with the government, they hung some of our men publicly, they have displaced hundreds of thousands of families. The families are in camps in Kabul after fleeing these provinces, and they are in unsanitary condition. There is looting in the camps and babies dying because they don’t have milk. It is a humanitarian crisis, and yet the world is silent.
We have grown accustomed to this silence, yet we know it is not fair. We know that this decision to abandon our people is wrong, that this hasty troop withdrawal is a betrayal of our people and all that we did when Afghans won the Cold War for the west. Our people were forgotten then, leading up to the Taliban’s dark rule, and now, after twenty years of immense gains for our country and especially our younger generations, all could be lost again in this abandonment.
We need your voice. The media, governments, and the world humanitarian organizations are conveniently silent as if this “Peace deal” with the Taliban was ever legitimate. It was never legitimate. Recognizing them gave them the confidence to come back to power. The
Taliban have been brutalizing our people throughout the entire process of the talks. Everything that I have worked so hard to build as a filmmaker in my country is at risk of falling. If the Taliban take over they will ban all art. I and other filmmakers could be next on their hit list. They will strip women’s rights, we will be pushed into the shadows of our homes and our voices, our expression will be stifled into silence. When the Taliban were in power, zero girls were in school. Since then there are over 9 million Afghan girls in school. This is incredible Herat, the third-largest city which just fell to the Taliban had nearly 50% women in its university. These are incredible gains that the world hardly knows about. Just in these few weeks, the Taliban have destroyed many schools and 2 million girls are forced now out of school again.
I do not understand this world. I do not understand this silence. I will stay and fight for my country, but I cannot do it alone. I need allies like you. Please help us get this world to care about what is happening to us. Please help us by informing your countries’ most important media what is going on here in Afghanistan. Be our voices outside Afghanistan. If the Taliban take over Kabul, we may not have access to the internet or any communication tool at all. Please engage your filmmakers, artists to support us to be our voice.
This war is not a civil war, this is a proxy war, this is an imposed war and it is the result of the US deal with the Taliban. Please as much as you can share this fact with your media and write about us on your social media.
The world should not turn its back on us. We need your support and your voice on behalf of Afghan women, children, artists, and filmmakers. This support would be the greatest help we need right now.
Please help us get this world to not abandon Afghanistan. Please help us before the Taliban take over Kabul. We have such little time, maybe days. Thank you so much. I appreciate your pure true heart so dearly.
With regard,
Sahraa Karimi
原始內容來源
https://mobile.twitter.com/sahraakarimi/status/1426161540818997250?fbclid=IwAR1ziip3P_pumPv1n6US82MxCNpe31RVStY0XELFxCeZa8xPJLdUtJ1fOAE
照片來自
Babak Taghvaee - Μπάπακ Τακβαίε - بابک تقوایی
同時也有4部Youtube影片,追蹤數超過16萬的網紅C CHANNEL Art&Study DIY Crafts Handmade,也在其Youtube影片中提到,Tie dye is in! DIY Tie Dye Book タイダイが今っぽい♡ちっちゃなちっちゃな豆本 【What You Need】 Tie-dye dye ・ Half a paper ・ Watercolor paint ・water ・paper cup Miniature bo...
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Black Panther 導演悼念 Chadwick Bosemen 極度真摯的一封信。極度令人感動。What a great man. Calm, assured, always studying. Just like me.
Before sharing my thoughts on the passing of the great Chadwick Boseman, I first offer my condolences to his family who meant so very much to him. To his wife, Simone, especially.
I inherited Marvel and the Russo Brothers' casting choice of T'Challa. It is something that I will forever be grateful for. The first time I saw Chad's performance as T'Challa, it was in an unfinished cut of Captain America: Civil War. I was deciding whether or not directing Black Panther was the right choice for me. I'll never forget, sitting in an editorial suite on the Disney Lot and watching his scenes. His first with Scarlett Johansson as Black Widow, then, with the South African cinema titan, John Kani as T'Challa's father, King T'Chaka. It was at that moment I knew I wanted to make this movie. After Scarlett's character leaves them, Chad and John began conversing in a language I had never heard before. It sounded familiar, full of the same clicks and smacks that young black children would make in the States. The same clicks that we would often be chided for being disrespectful or improper. But, it had a musicality to it that felt ancient, powerful, and African.
In my meeting after watching the film, I asked Nate Moore, one of the producers of the film, about the language. "Did you guys make it up?" Nate replied, "That's Xhosa, John Kani's native language. He and Chad decided to do the scene like that on set, and we rolled with it." I thought to myself, "He just learned lines in another language, that day?" I couldn't conceive how difficult that must have been, and even though I hadn't met Chad, I was already in awe of his capacity as actor.
I learned later that there was much conversation over how T'Challa would sound in the film. The decision to have Xhosa be the official language of Wakanda was solidified by Chad, a native of South Carolina, because he was able to learn his lines in Xhosa, there on the spot. He also advocated for his character to speak with an African accent, so that he could present T'Challa to audiences as an African king, whose dialect had not been conquered by the West.
I finally met Chad in person in early 2016, once I signed onto the film. He snuck past journalists that were congregated for a press junket I was doing for "Creed," and met with me in the green room. We talked about our lives, my time playing football in college, and his time at Howard studying to be a director, about our collective vision for T'Challa and Wakanda. We spoke about the irony of how his former Howard classmate Ta-Nehisi Coates was writing T'Challa's current arc with Marvel Comics. And how Chad knew Howard student Prince Jones, who's murder by a police officer inspired Coates' memoir Between The World and Me.
I noticed then that Chad was an anomaly. He was calm. Assured. Constantly studying. But also kind, comforting, had the warmest laugh in the world, and eyes that seen much beyond his years, but could still sparkle like a child seeing something for the first time.
That was the first of many conversations. He was a special person. We would often speak about heritage and what it means to be African. When preparing for the film, he would ponder every decision, every choice, not just for how it would reflect on himself, but how those choices could reverberate. "They not ready for this, what we are doing…" "This is Star Wars, this is Lord of the Rings, but for us… and bigger!" He would say this to me while we were struggling to finish a dramatic scene, stretching into double overtime. Or while he was covered in body paint, doing his own stunts. Or crashing into frigid water, and foam landing pads. I would nod and smile, but I didn't believe him. I had no idea if the film would work. I wasn't sure I knew what I was doing. But I look back and realize that Chad knew something we all didn't. He was playing the long game. All while putting in the work. And work he did.
He would come to auditions for supporting roles, which is not common for lead actors in big budget movies. He was there for several M'Baku auditions. In Winston Duke's, he turned a chemistry read into a wrestling match. Winston broke his bracelet. In Letitia Wright's audition for Shuri, she pierced his royal poise with her signature humour, and would bring about a smile to T'Challa's face that was 100% Chad.
While filming the movie, we would meet at the office or at my rental home in Atlanta, to discuss lines and different ways to add depth to each scene. We talked costumes, military practices. He said to me "Wakandans have to dance during the coronations. If they just stand there with spears, what separates them from Romans?" In early drafts of the script. Eric Killmonger's character would ask T'Challa to be buried in Wakanda. Chad challenged that and asked, "What if Killmonger asked to be buried somewhere else?"
Chad deeply valued his privacy, and I wasn't privy to the details of his illness. After his family released their statement, I realised that he was living with his illness the entire time I knew him. Because he was a caretaker, a leader, and a man of faith, dignity and pride, he shielded his collaborators from his suffering. He lived a beautiful life. And he made great art. Day after day, year after year. That was who he was. He was an epic firework display. I will tell stories about being there for some of the brilliant sparks 'till the end of my days. What an incredible mark he's left for us.
I haven't grieved a loss this acute before. I spent the last year preparing, imagining and writing words for him to say, that we weren't destined to see. It leaves me broken knowing that I won't be able to watch another close-up of him in the monitor again or walk up to him and ask for another take.
It hurts more to know that we can't have another conversation, or Facetime, or text message exchange. He would send vegetarian recipes and eating regimens for my family and me to follow during the pandemic. He would check in on me and my loved ones, even as he dealt with the scourge of cancer.
In African cultures, we often refer to loved ones that have passed on as ancestors. Sometimes you are genetically related. Sometimes you are not. I had the privilege of directing scenes of Chad's character, T'Challa, communicating with the ancestors of Wakanda. We were in Atlanta, in an abandoned warehouse, with bluescreens, and massive movie lights, but Chad's performance made it feel real. I think it was because from the time that I met him, the ancestors spoke through him.
It's no secret to me now how he was able to skilfully portray some of our most notable ones. I had no doubt that he would live on and continue to bless us with more. But it is with a heavy heart and a sense of deep gratitude to have ever been in his presence, that I have to reckon with the fact that Chad is an ancestor now. And I know that he will watch over us, until we meet again.
heart text art 在 SU YANG , 蘇婭 Facebook 的最佳貼文
今天是2020年的7月7號
我一定要在這一天分享
上帝用77這個數字
帶領我的神奇故事⋯
特別在我七七49歲的這一年
上帝真的帶領我進入了我想都沒有想到的奇妙旅程⋯
在人生下半場 開啟了藝術創作音樂旅程 無論我的身心靈 都在一個全新季節中⋯
在我那一個開朗熱情的性格下,其實很難想像我的生命歷程,一直都在困難挫折當中,甚至有一大段時間是在黑暗低谷裡⋯這也就是為什麼如果有機會在對的時間、時機,我真的很願意敞開自己來分享的原因,這也解釋了我為什麼總是活力十足到處趴趴走辦活動演唱的原因 ⋯,因為走過的必留下美麗的足跡⋯⋯🌹❤️
所有困難黑暗都成了我生命的養分
⋯我很樂意分享以及祝福出去⋯
因為我就是一個被上帝白白祝福,
在生命過程中經歷很多天使幫助的人~我也要這樣白白的給出去~🌹❤️🌹❤️
我曾經有一年,在一個14年的關口裡過不去 ,在那一次幾乎心痛決裂崩潰的禱告裡 ,上帝跟我說不是14年 ~是兩個七年,上帝說我是過了兩個得勝七年 ,但在我眼中我「總是」看自己失敗 !但在上帝的眼中,祂卻對我說,你是加倍的得勝了⋯你是美好的⋯
(我們總是用很負面的眼光看自己⋯)
在那一次的禱告 裡,祂跟我說祂將會用77這個數字帶領我 ,祂說:耐心跟留意 你會知道明白⋯
後來我真的經歷了這一個77的旅程~
華人總是對4這個數字敏感
但在聖經希伯來原文裡
數字也是有力量有意義的
7代表劍 代表得勝
我感謝上帝讓我經歷這個加倍的得勝、加倍的美好、加倍的能力、加倍的祝福!
最重要的是 上帝轉換了我的意念
跟我的眼光 就是從他的眼光裡看我自己⋯祂造我就是那樣美麗獨特,我透過藝術創作進入深層的自我對話 ,才明白了解「愛自己、認識了解自己」是一件多重要的事⋯如果我不能愛我自己如何能夠把愛給出去!同時也要愛一個人的獨特性,也才能欣賞別人與你不同的地方!真正的愛是彼此成全!在愛裡沒有恐懼!是自由而彼此建造成全!彩虹的美麗不就是七個顏色在一起才美麗嗎?每個顏色那麼不同卻融合的那麼美麗!
重要的是那一個意念,!
每一次黑暗裡 每一次在困難裡 我總是想起上帝說的77
我就安靜下來 問上帝這一次帶領我經歷這一個困難要學習跟經歷的是什麼⋯不再抱怨困難跟挫折
而是學著如何安靜自己的心
面對和學習去解決⋯甚至是更多的經歷上帝的奇妙!
在這個屬於我跟上帝很私密77數字的這一天
我想要Po上12年前我在以色列跟著我心絃律服事的照片
在那一個奇妙的時空間
我是如何那樣啟示進到與祂的親密同在裡⋯
主啊我不會忘記那一天
你在哭牆對我說的話⋯
I love you...
🌹❤️🌹❤️🕊🕊🕊
但願我的餘生 就像大衛的詩一樣
在祂的榮美裡面 天天領受祂活水泉源的愛 永不枯竭的愛、盼望和信心成為祂愛的出口⋯
🌹❤️🌹❤️🌺🌿🌱🌸💐🕊🕊🕊
(詩篇 27:4) 有一件事,我曾求耶和華,我仍要尋求:就是一生一世住在耶和華的殿中,瞻仰他的榮美,在他的殿裡求問。
(Psalms 27:4) One thing have I desired of the LORD, that will I seek after; that I may dwell in the house of the LORD all the days of my life, to behold the beauty of the LORD, and to enquire in his temple.🌿🌿🌱🌱🌱🌿🌱🌿
️
All the difficulties, darkness has become the nutrients of my life.
... I'm happy to share and bless out...Because I am the one who is blessed in vain by God,People who have experienced a lot of angel help in the course of their life~I want to give it in vain as well ~ 🌹❤️🌹❤️
I had a year, I couldn't get through at a 14-year gate, and in that almost heart-breaking prayer, God told me that it wasn't 14 years — it was two, seven years, and God said I was double Victory , but in my eyes I “always” see myself fail!But in the eyes of God, He said to me, You are doubled blessed You are double good...
(We always look at ourselves in a very negative way...)
In that prayer, He told me that He would lead me with the number of 77. He said: Patience and attention ...you will know...Then I really went through this 77 journey ~ The Chinese are always sensitive to the number 4.But in the Hebrew text of the Bible
Numbers have power and meaning.
7 stands for the sword ,for victory .
I thank God for letting me experience this double victory, double beauty, double power, double blessings!
And most importantly, God changed my mind...
My vision is to see myself from his eyes... He made me so beautiful and unique. Through art, I enter into a deep self-dialogue to understand that “love yourself, knowing yourself” is What an important thing!!“if I can't love myself, how can I give love out!At the same time love the uniqueness of one person, but also to appreciate others different places from you!True love is to make each other!There is no fear in love!Be free and build each other into full!Isn't the beauty of the rainbow just like the seven colors together?Each color is so different but blended so beautiful!
The important thing is that idea,!
Every time in darkness, every time in difficulty, I always think of what God says.
I quietly asked God this time to lead me through this difficulty, to learn and experience... not to complain about difficulties and frustrations.
It's learning how to keep your heart be still..and Face and learn to solve problem ..even more experience the wonders of God!
On this day that belongs to me and God privately , 77 numbers.
I want Post pictures of my service in Israel 12 years ago with my heart rhythm.
In that wonderful time space
How did I revelation into being with Him?
Lord, I will not forget that day.
What you said to me on the wall...
I love you...❤️
heart text art 在 C CHANNEL Art&Study DIY Crafts Handmade Youtube 的最佳貼文
Tie dye is in! DIY Tie Dye Book
タイダイが今っぽい♡ちっちゃなちっちゃな豆本
【What You Need】
Tie-dye dye
・ Half a paper
・ Watercolor paint
・water
・paper cup
Miniature book
・ 15-20 sheets of text paper (100 x 35 mm)
・ Two colored paper (100 x 35mm)
・ Cover paper (130 × 50mm)
・ Cover for cover (54 × 37mm)
・ Back cover paper (5 × 37mm)
・ String for bookmarks (thin ribbon is acceptable) 65mm
・tape
・bond
・ Brush
・clip
[Steps]
① Dye the cover with tie dye.
1. Fold half a paper cut in half. Fold both sides in half outward.
2. Fold the outsides into a triangle and zigzag inwards to make a small triangle.
3. Add water and paint in a paper cup and make 3 dark colored water cups.
4. Place the corners of the half paper folded in a triangle on the colored water.
5. Gently spread the paper and let it dry completely.
6. Cut so that it covers the paper size. Cut the corners so that they fit into the frame.
② Make the inside of the book
1. Apply a thin layer of bond to the edge of the dyed cover and place the paper on top. Fold it over and paste it.
2. Fold the main body paper in half and paste the folded paper on the first and last pages.
3. Clip the part without the bond with a clip and dry it.
4. Affix the strap to the back of the book with tape.
5. Completed by applying a thin bond at the border between the cover and the cover sheet and pasting the text sheet.
この夏のトレンド、タイダイをDIY!
その工程は意外に簡単。
今回は豆本にアレンジしてみました。
【材料】
タイダイ染め
・半紙
・水彩絵の具
・水
・紙コップ
豆本
・本文用紙(100×35mm)15〜20枚
・見返し用色紙(100×35mm)2枚
・表紙用紙(130×50mm)
・表紙用厚紙(54×37mm)
・背表紙用紙(5×37mm)
・しおり用の紐(細めのリボンでも可)約65mm
・テープ
・ボンド
・筆
・クリップ
【作り方】
①タイダイ染めで表紙を染める。
1. 1/4に切った半紙を、半分に折る。両側をそれぞれ外側に半分に折る。
2. 三角形にジグザグに蛇腹折りする。
3. 紙コップに水と絵の具を入れ、濃いめの色水を3つ作る。
4. 三角形に折った半紙の角を色水にそれぞれつける。
5. 半紙をそっと広げ、完全に乾かす。
6. 表紙用紙の大きさに切る。角は見返しの大きさに合わせて額縁になるように切っておく。
②豆本の本体をつくる
1. 染めた表紙の縁に薄めたボンドを塗り、見返し用紙を上に乗せる。見返しを折って貼り付ける。
2. 本文用紙を半分に折って重ね、最初と最後のページに同じく折った見返し用紙を貼り付ける。
3. ボンドが付いてない部分をクリップでとめて、乾かす。
4. 本誌の背の部分に栞用の紐をテープで貼り付ける。
5. 表紙の見返しと見返し用紙の境に薄めたボンドを塗り、本文用紙を貼り付けて完成。
heart text art 在 Janet Lee Youtube 的精選貼文
Spotify: https://open.spotify.com/album/7CPbPa...
iTunes: https://itunes.apple.com/my/album/res...
Janet Lee on FB: https://www.facebook.com/JanetLeeMusic/
Directed and written by Tan Choo Harn
Produced by Mogu Production
Art Direction by Sook Fong
Production Assistant Jaynell Ling
Additional Text by Wong Horng Yih
Janet's Gown by Celest Thoi
Janet’s Hair & Makeup by Denise Khan
Cast' Hair & Makeup by Tay Sze Min
Behind The Scenes Photographers by Fang Chyi & PC Foo
Featuring (in order of appearance)
Ballerinas from Jean Gan Academy Of Ballet & Music School
Summer Gan
Tay Cher Siang
Mok Chee Kit
KJ Wong
Suhaili Michelin (https://www.facebook.com/Suhailidance...)
Phoebe Chan
Chew Biyi Jill
Emily Tan Wan Qi
Cheryl Soh
Chelsia Ng (https://www.facebook.com/Chelsia/?fre...)
Nell Ng
PM Wang (https://www.facebook.com/fb.pmwang/?f...)
Featuring singing voice of Katrina Badrul
====================================
When the birds stop their singing
Where do they go?
After the sun lays its head to rest
When will my song start to play?
What will it say?
How will it end?
I long to know…
How my song would dance along to my life?
Would I know how to sing?
Would my song take its flight?
Would I know?
I long to know
Everything there is to sing
Could I sing every song?
Till the night turns to dawn
Would it last? Would it stay? Could I see how I’d fly?
I cannot wait till the music starts to play
Now that I’ve written my song
It’s here to stay
With all the love I’ve met over the years
Now that I’ve learned how to sing
And how to love
I’ll take you with me
Into the sky
To dance along with all the dreams that we’ve lived (we live)
I’ll show you how to sing
Every step of the way I’ll be there
Holding my breath
Turning your fears into love
We could sail past the stars
Till the night turns to dawn
How we’ll fly! Oh so high! To eternity!
The music will play on and on for you and me
When will my song start to play?
Lyrics by Janet Lee
Music & Arrangement by Tay Cher Siang
Orchestral Arrangement by Euywein Yong
Produced by Janet Lee, Tay Cher Siang & Song-fan Seah
Recorded by ALEX LS TAN/ STARMOUNT STUDIO (http://starmountstudio.com/)
Mastered by WOODY PORNPITAKSUK/ WESTSIDE MASTERING (http://www.westsidemastering.com/)
Guitar: Ihzwan Omar
Saxophone: Julian Chan
Piano: Tay Cher Siang
Bass: AJ Popshuvit
Drums: KJ Wong
Gratitude and Thank You:
Jean Gan Academy Of Ballet & Music School
Aurora School of Dance
Fantasia Music Studio
Damansara Performing Arts Centre
Simple Life Yoga
Mogu Production
Starmount Studios
Tommy Le Baker
Celest Thoi
Summer Gan
Suhaili Michelin
Piao Ming Wang
Jaynell Ling
Chang Fang Chi
PC Foo
Wong Horng Yih
heart text art 在 Janet Lee Youtube 的精選貼文
Janet Lee's first music video [Into The Sky], from her debut album "Restless Heart" - first teaser clip. Featuring Katrina Badrul.
Spotify: https://open.spotify.com/album/7CPbPa8KXccHcgcilLpkNu
iTunes https://itunes.apple.com/my/album/restless-heart/id978626715
Janet Lee on FB: https://www.facebook.com/JanetLeeMusic/
Directed and written by Tan Choo Harn
Art Direction by Sook Fong
Produced by Mogu Production
Production Assistant Jaynell Ling
Additional Text by Wong Horng Yih
Hair & Makeup by Denise Khan
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