今早為Asian Medical Students Association Hong Kong (AMSAHK)的新一屆執行委員會就職典禮作致詞分享嘉賓,題目為「疫情中的健康不公平」。
感謝他們的熱情款待以及為整段致詞拍了影片。以下我附上致詞的英文原稿:
It's been my honor to be invited to give the closing remarks for the Inauguration Ceremony for the incoming executive committee of the Asian Medical Students' Association Hong Kong (AMSAHK) this morning. A video has been taken for the remarks I made regarding health inequalities during the COVID-19 pandemic (big thanks to the student who withstood the soreness of her arm for holding the camera up for 15 minutes straight), and here's the transcript of the main body of the speech that goes with this video:
//The coronavirus disease 2019 (COVID-19) pandemic, caused by the SARS-CoV-2 virus, continues to be rampant around the world since early 2020, resulting in more than 55 million cases and 1.3 million deaths worldwide as of today. (So no! It’s not a hoax for those conspiracy theorists out there!) A higher rate of incidence and deaths, as well as worse health-related quality of life have been widely observed in the socially disadvantaged groups, including people of lower socioeconomic position, older persons, migrants, ethnic minority and communities of color, etc. While epidemiologists and scientists around the world are dedicated in gathering scientific evidence on the specific causes and determinants of the health inequalities observed in different countries and regions, we can apply the Social Determinants of Health Conceptual Framework developed by the World Health Organization team led by the eminent Prof Sir Michael Marmot, world’s leading social epidemiologist, to understand and delineate these social determinants of health inequalities related to the COVID-19 pandemic.
According to this framework, social determinants of health can be largely categorized into two types – 1) the lower stream, intermediary determinants, and 2) the upper stream, structural and macro-environmental determinants. For the COVID-19 pandemic, we realized that the lower stream factors may include material circumstances, such as people’s living and working conditions. For instance, the nature of the occupations of these people of lower socioeconomic position tends to require them to travel outside to work, i.e., they cannot work from home, which is a luxury for people who can afford to do it. This lack of choice in the location of occupation may expose them to greater risk of infection through more transportation and interactions with strangers. We have also seen infection clusters among crowded places like elderly homes, public housing estates, and boarding houses for foreign domestic helpers. Moreover, these socially disadvantaged people tend to have lower financial and social capital – it can be observed that they were more likely to be deprived of personal protective equipment like face masks and hand sanitizers, especially during the earlier days of the pandemic. On the other hand, the upper stream, structural determinants of health may include policies related to public health, education, macroeconomics, social protection and welfare, as well as our governance… and last, but not least, our culture and values. If the socioeconomic and political contexts are not favorable to the socially disadvantaged, their health and well-being will be disproportionately affected by the pandemic. Therefore, if we, as a society, espouse to address and reduce the problem of health inequalities, social determinants of health cannot be overlooked in devising and designing any public health-related strategies, measures and policies.
Although a higher rate of incidence and deaths have been widely observed in the socially disadvantaged groups, especially in countries with severe COVID-19 outbreaks, this phenomenon seems to be less discussed and less covered by media in Hong Kong, where the disease incidence is relatively low when compared with other countries around the world. Before the resurgence of local cases in early July, local spread of COVID-19 was sporadic and most cases were imported. In the earlier days of the pandemic, most cases were primarily imported by travelers and return-students studying overseas, leading to a minor surge between mid-March and mid-April of 874 new cases. Most of these cases during Spring were people who could afford to travel and study abroad, and thus tended to be more well-off. Therefore, some would say the expected social gradient in health impact did not seem to exist in Hong Kong, but may I remind you that, it is only the case when we focus on COVID-19-specific incidence and mortality alone. But can we really deduce from this that COVID-19-related health inequality does not exist in Hong Kong? According to the Social Determinants of Health Framework mentioned earlier, the obvious answer is “No, of course not.” And here’s why…
In addition to the direct disease burden, the COVID-19 outbreak and its associated containment measures (such as economic lockdown, mandatory social distancing, and change of work arrangements) could have unequal wider socioeconomic impacts on the general population, especially in regions with pervasive existing social inequalities. Given the limited resources and capacity of the socioeconomically disadvantaged to respond to emergency and adverse events, their general health and well-being are likely to be unduly and inordinately affected by the abrupt changes in their daily economic and social conditions, like job loss and insecurity, brought about by the COVID-19 outbreak and the corresponding containment and mitigation measures of which the main purpose was supposedly disease prevention and health protection at the first place. As such, focusing only on COVID-19 incidence or mortality as the outcomes of concern to address health inequalities may leave out important aspects of life that contributes significantly to people’s health. Recently, my research team and I collaborated with Sir Michael Marmot in a Hong Kong study, and found that the poor people in Hong Kong fared worse in every aspects of life than their richer counterparts in terms of economic activity, personal protective equipment, personal hygiene practice, as well as well-being and health after the COVID-19 outbreak. We also found that part of the observed health inequality can be attributed to the pandemic and its related containment measures via people’s concerns over their own and their families’ livelihood and economic activity. In other words, health inequalities were contributed by the pandemic even in a city where incidence is relatively low through other social determinants of health that directly concerned the livelihood and economic activity of the people. So in this study, we confirmed that focusing only on the incident and death cases as the outcomes of concern to address health inequalities is like a story half-told, and would severely truncate and distort the reality.
Truth be told, health inequality does not only appear after the pandemic outbreak of COVID-19, it is a pre-existing condition in countries and regions around the world, including Hong Kong. My research over the years have consistently shown that people in lower socioeconomic position tend to have worse physical and mental health status. Nevertheless, precisely because health inequality is nothing new, there are always voices in our society trying to dismiss the problem, arguing that it is only natural to have wealth inequality in any capitalistic society. However, in reckoning with health inequalities, we need to go beyond just figuring out the disparities or differences in health status between the poor and the rich, and we need to raise an ethically relevant question: are these inequalities, disparities and differences remediable? Can they be fixed? Can we do something about them? If they are remediable, and we can do something about them but we haven’t, then we’d say these inequalities are ultimately unjust and unfair. In other words, a society that prides itself in pursuing justice must, and I say must, strive to address and reduce these unfair health inequalities. Borrowing the words from famed sociologist Judith Butler, “the virus alone does not discriminate,” but “social and economic inequality will make sure that it does.” With COVID-19, we learn that it is not only the individuals who are sick, but our society. And it’s time we do something about it.
Thank you very much!//
Please join me in congratulating the incoming executive committee of AMSAHK and giving them the best wishes for their future endeavor!
Roger Chung, PhD
Assistant Professor, CUHK JC School of Public Health and Primary Care, @CUHK Medicine, The Chinese University of Hong Kong 香港中文大學 - CUHK
Associate Director, CUHK Institute of Health Equity
同時也有1部Youtube影片,追蹤數超過6萬的網紅KARMAN,也在其Youtube影片中提到,Super easy method to get korean gradient lips with 2 or less products! You can get it with even 1 lipstick, no fingers required! 中文字幕請開CC選擇繁體中文. v v...
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color gradient中文 在 IVORYHOdesign 艾佛里嬉波 Facebook 的最佳貼文
網路開售 !
里奧花園 為 Riso Garden 經由 google 直翻,未貼近原始讀音的轉換湊巧的給予撲朔的中文命名,同時也象徴Risograph的參數轉換,不可完全預料的視覺呈現。
本書十種墨色印製組成,以花的姿態展現孔版印刷技術。墨色各在白紙、飽和色紙張、深色紙張上附著呈現出不同的顯色效果,彼此交疊混合展現出新的色彩。並以漸層、襯線體、無襯線體、粗細線、向量圖以及點陣圖經由孔版印刷機的參數轉換表現為基礎,設計出不同視覺。
與 艾印 / 精緻印刷所 互相協作推廣,選用台灣紙廠將其來源透明化,宗旨在於提供給選擇孔版印刷的創作者運用上更不受限,除書中所選用的紙張外更歡迎其他的嘗試並親自操作孔版印刷機。
The “Riso Garden” is composed with ten varieties of ink-colored prints to demonstrate the Risograph technique in a floral design.The ink colors are printed on white paper, saturated color paper, and dark paper to exhibit different development effects of the pigmentation and overlapping each other to reveal new colors simultaneously. Different visuals can be designed based on the parameter conversion performance of Gradient layer, Serif, Sans-serif, Thick/Thin lines, Vector format, and Bitmap format via Risograph .
1 采憶 描圖紙 112g ╱ 由數字構成紋理,以描圖紙印刷與第二頁疊合,顯示九種墨色的透明度
2 長瑩 英國新百代紙 純白 01 120g blazing yellow / poppy red / magenta lacquer / forest green / purple iris / reflex blue / gold / black / silver ╱ 九種墨色漸變堆疊,在白紙上提供最基礎的顏色搭配依據
3 巨圓 大地之戀 dd100zh 中灰 blazing yellow / poppy red / magenta lacquer / neon pink / forest green / purple iris / reflex blue / gold / black / silver ╱ 全墨色以及透明度展現
4 聯美 高級馬卡龍 f5024 176g gold / black / silver ╱ 5 巨圓 再生彩意 cy270kq 孔雀藍 neon pink / silver ╱ 孔版印刷本帶有別於一般印刷術的鮮明網點,在此兩頁,將其特性以人為後製呈現出更為強烈的網點。
6 恆成 高白象牙 150g neon pink / forest green / gold / silver ╱ 7 巨圓 再生彩意 cy270lh 御亮黄 neon pink / forest green / silver ╱ 8 長瑩 英國新百代紙 珊瑚藍 40 120g reflex blue / gold / silver ╱ 9 采憶 美國 雅古紙 104g blazing yellow / purple iris / silver ╱ 10 巨圓 晶鑽彩烙 cn100hh 黄褐 magenta lacquer / reflex blue / silver ╱ 11 巨圓 晶鑽彩烙 cn200ht 碳黑 purple iris / gold / silver ╱ 不規則網點能經由機器選擇轉換,更能展現滑順的顏色漸變效果
12 巨圓 古典綑彩 yc125py 飄銀 poppy red / reflex blue / silver ╱ 13 聯美 高級馬卡龍 f5018 176g blazing yellow / reflex blue / silver ╱ 14 聯美 馬諦斯紙 f6116 100g poppy red / forest green / black / silver ╱ 15 恆成 細紋紙 150g blazing yellow / magenta lacquer / neon pink ╱ 16 聯美 高級馬卡龍 f5011 176g poppy red / purple iris ╱ 17 采憶 元素 110A 116g magenta lacquer / forest green / silver ╱ 孔版印刷較為廣泛使用的規則網點展現
如需購買或了解更多請參閱留言區網址
color gradient中文 在 IVORYHOdesign 艾佛里嬉波 Facebook 的最佳貼文
里奧花園 | 書籍設計
Book Design
_
里奧花園 為 Riso Garden 經由 google 直翻,未貼近原始讀音的轉換湊巧的給予撲朔的中文命名,同時也象徵Risograph的參數轉換,不可完全預料的視覺呈現。
本書由十種墨色印製組成,以花的姿態展現孔版印刷技術。墨色各在白紙、飽和色紙張、深色紙張上附著展現出不同的顯色效果,彼此交疊混合展現出新的色彩。並以漸層、襯線體、無襯線體、粗細線、向量圖以及點陣圖經由孔版印刷機的參數轉換表現為基礎,設計出不同視覺。
The “Riso Garden” is composed with ten varieties of ink-colored prints to demonstrate the Risograph technique in a floral design.The ink colors are printed on white paper, saturated color paper, and dark paper to exhibit different development effects of the pigmentation and overlapping each other to reveal new colors simultaneously. Different visuals can be designed based on the parameter conversion performance of Gradient layer, Serif, Sans-serif, Thick/Thin lines, Vector format, and Bitmap format via Risograph .
╯
Design ╱ Ivory Ho
Photography ╱ Ivory Ho
Print ╱ 艾印 / 精緻印刷所
聯美紙業 Inter-States Paper
采憶紙品有限公司 - Cherry Paper
恆成紙業 / Auspic Paper
長瑩紙業-Ever Prosperous
巨圓紙業 Pimex
1 采憶 描圖紙 112g ╱ 2 長瑩 英國新百代紙 純白 01 120g blazing yellow / poppy red / magenta lacquer / forest green / purple iris / reflex blue / gold / black / silver ╱ 3 巨圓 大地之戀 dd100zh 中灰 blazing yellow / poppy red / magenta lacquer / neon pink / forest green / purple iris / reflex blue / gold / black / silver ╱ 4 聯美 高級馬卡龍 f5024 176g gold / black / silver ╱ 5 巨圓 再生彩意 cy270kq 孔雀藍 neon pink / silver ╱ 6 恆成 高白象牙 150g neon pink / forest green / gold / silver ╱ 7 巨圓 再生彩意 cy270lh 御亮黃 neon pink / forest green / silver ╱ 8 長瑩 英國新百代紙 珊瑚藍 40 120g reflex blue / gold / silver ╱ 9 采憶 美國 雅古紙 104g blazing yellow / purple iris / silver ╱ 10 巨圓 晶鑽彩烙 cn100hh 黃褐 magenta lacquer / reflex blue / silver ╱ 11 巨圓 晶鑽彩烙 cn200ht 碳黑 purple iris / gold / silver ╱ 12 巨圓 古典綑彩 yc125py 飄銀 poppy red / reflex blue / silver ╱ 13 聯美 高級馬卡龍 f5018 176g blazing yellow / reflex blue / silver ╱ 14 聯美 馬諦斯紙 f6116 100g poppy red / forest green / black / silver ╱ 15 恆成 細紋紙 150g blazing yellow / magenta lacquer / neon pink ╱ 16 聯美 高級馬卡龍 f5011 176g poppy red / purple iris ╱ 17 采憶 元素 110A 116g magenta lacquer / forest green / silver
color gradient中文 在 KARMAN Youtube 的精選貼文
Super easy method to get korean gradient lips with 2 or less products! You can get it with even 1 lipstick, no fingers required! 中文字幕請開CC選擇繁體中文.
v v MORE INFO v v
check out my blog entry for more supplementary information!
http://madokeki.blogspot.com/2014/03/get-korean-gradient-lips-1-product-2.html
here i showed you 5 different ways - depending on what product you have on hand, one of the ways should work for you!
ok, i admit the title is the scenario for the easiest method! if you're using 2 products, there is an additional step to apply the 2nd product, but that doesn't count, right? :P
for those of you who have too much time to blend out the lips using your finger, and for those of you who are plain lazy (like me) or running out of time, you can still get the gradient lips without your finger!!!
HOPE YOU FOUND THIS USEFUL! thumbs up if you like this video, this will help me know what kind of videos you all like so i can make more videos like this in the future!
xoxo
karman
PRODUCTS USED =============
(base makeup)
dr jart+ : black label bb cream
kanebo kate : stick concealer light beige
kanebo kate : mineral powder foundation in OC-B
(lipcolour/lipsticks)
nature republic : by flower triple volume tint 05 peony
revlon : super lustrous matte lipstick 010 wine not
loreal : colour riche lipstick P511 touch of amaranth
revlon : just bitten balm stain 045 romantic, 050 precious
revlon : color burst matte balm 210 unapologetic
CONNECT WITH ME ================
I BLOG: http://madokeki.blogspot.com
I INSTAGRAM: http://instagram.com/madokeki
I TWEET: http://twitter.com/madokeki
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