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快樂是
把熱愛的事情做到了極致💪🏻
感謝Harley-Davidson of Macau邀請
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【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架，附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
今日成就：即興硬放了一段第二回合加班救火set, 過程從80s/ deep house/ 各種house到 dubstep/ grime又再回到house/ deep house /各種house ，之後又差點回到deep house加各種house/ dubstep的輪迴。裡面也趁機幫新專輯打了不少碟，不知道這麼荼蘼的行為有沒讓大家party盡興些，但還是希望能有更多人能帶來欣賞電子音樂活動更大興趣，來見識見識大家日常stuggling以外還想得出來的屌梗
當然也歡迎來多多支持有被準備過的表演，在這般混沌場景中哪天又意外撿到一場extra show 可看也不用感到太離奇啊
Purchase/Stream: https://ophelia.lnk.to/SLJRJO
Here I'll stay
我就停留在此
Waiting for the tide to turn and sail away
等著潮汐轉變然後遠航而去
All these breaking waves of hurt
這些令人心痛破碎的浪花
I'll try to leave
我試圖離開
Behind this savage world
將這殘酷的世界拋至腦後
Maybe someday I'll return
也許某天我會回過頭來
Patiently
妳耐心地
You wait for me on the shore
在彼岸等待著我歸來
Thinking time
細想著時間
Is all I need to give you more
是我唯一需要再給妳更多的事物
But guarantees
但如今只剩下承諾
I can't give you no
我無法給妳我的所有
Cause I'm a shipwreck sinking slowly
因為我就像艘沉船般緩慢地沉沒著
And promises they break
而他們打破的那些承諾
And I'm through making mistakes
還有我過去不斷犯下的那些過錯
Well, love's done nothing but
愛從來沒完成過什麼事情
Cut me up
只有讓我崩潰
And carry me away
並帶著殘缺的我離開
So now I hide my heart
所以我掩蓋了我的內心
It's buried somewhere deep at the bottom of the ocean
將它埋藏在這茫茫大海的最深處
Cause I've been torn apart
因為我的心早已四分五裂
And what I thought was love nearly left me broken
而我所想到的只剩那令我心碎的愛情
So now I hide my heart
所以我隱藏了自己的內心
Far beneath the waves at the bottom of the ocean
藏在這茫茫大海下的幽暗深處
If only I could give to you
若我能將一切奉獻給妳
What's swimming beneath the blue of this ocean
那藏在這蔚藍大海之下的又會是什麼呢
And promises they break
而他們打破的那些承諾
And I'm through making mistakes
還有我過去不斷犯下的那些過錯
Well, love's done nothing but
愛從來沒完成過什麼事情
Cut me up
只有讓我崩潰
And carry me away
並帶著殘缺的我離開
So now I hide my heart
所以我藏匿了我的內心
It's buried somewhere deep at the bottom of the ocean
將它埋藏在這茫茫大海的最深處
Cause I've been torn apart
因為我的心早已四分五裂
And what I thought was love nearly left me broken
而我所想到的只剩那令我心碎的愛情
So now I hide my heart
所以我隱藏了自己的內心
Far beneath the waves at the bottom of the ocean
藏在這茫茫大海下的幽暗深處
If only I could give to you
若我能將一切奉獻給妳
What's swimming beneath the blue of this ocean
那藏在這蔚藍大海之下的又會是什麼呢
At the bottom of this ocean
在這茫茫大海的最深處
歌詞翻譯by Ray
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Director: Powell Robinson (BigBadFilm)
Art Director: Daniel Jung
Actress: Ainsley Ross
Script: Powell Robinson/Daniel Jung
Lyric video design: SOAP Communication
Thấy "deep" quá nên "roll" lại. Mọi người cùng thưởng thức nhé. Chúc buổi tối vui vẻ!
Song: Rolling In The Deep - Adele
Cover by Long.C - Beatbox ver.
#beatbox #loopstation #cover #acoustic #Adele #MV #MUSIC
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Go-Me-N - Shining Light
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Video by Ryusei
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