快來看看有比賽,送機票啦!
【 東京盆踊 2020 健力士世界紀錄挑戰! 】
感謝您收看 <東京盆踊 2020> MV!
這首歌曲由大馬鬼才黃明志,與日本最大網路新媒體 - Cool Japan TV 共同製作,由日本新生代女演員二宮芽生合演,日本傳統舞蹈權威 - 孝藤右近老師排舞。
舞蹈風格為日本傳統舞蹈 - 盆舞。
盆舞,是日本一種一家大小圍圓圈一起跳的舞蹈。「圓圈」在日語稱「輪」(讀音:Wa),剛好與「和平」的「和」(讀音:Wa)諧音。這支舞蹈,孝藤老師以「手牽手」為理念,希望全世界的人們,不分國籍,不分膚色,不分文化,不分語言,一同手牽手跳這支盆舞。我們希望一起跳這支盆舞的人數,能多到將整個地球圍起來!
於是,我們開始了「東京盆踊 2020 - 世界紀錄挑戰大會!」
■ 參加方法:
1. 拍攝自己跳「東京盆踊り2020」,公開上傳到 YouTube, Facebook, Instagram 等等社交媒體平台。
2. 將您的舞蹈影片標籤 Cool Japan TV 臉書專頁通知我們 https://www.facebook.com/cooljapantv
■ 獎品:
・每個月 Cool Japan TV 將會抽選最棒的舞蹈影片,贈送日本旅遊來回機票。
我們也會向健力士申請世界紀錄,讓這支舞蹈成為全世界最多人一起跳的盆舞!
期待大家的踴躍參與!
【 Tokyo Bon 2020 Guinness Record Campaign! 】
Thank you very much for watching “Tokyo Bon 2020” MV!
Full version MV : https://www.youtube.com/watch?v=zhGnuWwpNxI
This is a collaboration song of Namewee with the largest web media of Japan - Cool Japan TV, featuring the new star Japanese actress - Meu Ninomiya, and choreographed by the top Japanese traditional dancer - Ukon Takafuji.
The dance adopted the Japanese traditional dance culture - Bon Odori - a dance that involves people lining up in a circle to share the happiness through dancing. "Circle" is pronounced "Wa" in Japanese language, which is as same as "Peace" (Wa). We hope to hold everyone's hands and spread the love and peace to all over the world through this song, regardless of nationalities, skins, cultures, languages.
Therefore, we have started this project - “Tokyo Bon 2020 - Guinness Record Campaign!”.
■ How to join?
1. Film yourself dancing this song, upload onto YouTube, Facebook, Instagram or other SNS.
2. Tag Cool Japan TV Facebook Page to inform your video. https://www.facebook.com/cooljapantv
■ Prizes
・Each month, Cool Japan TV will select the best dance cover and give out return flight tickets to Japan.
Also, we will register to Guinness record, to make this song the most danced Bon Dance in history.
Looking forward to dancing with you!
同時也有119部Youtube影片,追蹤數超過1,790的網紅寶船 TAKARABUNE,也在其Youtube影片中提到,Mark Ronson - Uptown Funk (Official Video) ft. Bruno Mars https://youtu.be/OPf0YbXqDm0 Hilty & Bosch @Hilty & Bosch https://twitter.com/HiltyBosch1?...
「japanese dance history」的推薦目錄:
- 關於japanese dance history 在 Namewee 黃明志 Facebook 的最佳解答
- 關於japanese dance history 在 BboyChoco Facebook 的精選貼文
- 關於japanese dance history 在 VOP Facebook 的最佳貼文
- 關於japanese dance history 在 寶船 TAKARABUNE Youtube 的精選貼文
- 關於japanese dance history 在 三東瑠璃 Youtube 的最佳解答
- 關於japanese dance history 在 寶船 TAKARABUNE Youtube 的精選貼文
- 關於japanese dance history 在 Japanese dances and music, the traditional types - Pinterest 的評價
japanese dance history 在 BboyChoco Facebook 的精選貼文
Crazy !!
MARIO (Imperial JB's) @ Dance Koshien Highlight. | Early 1990s.
Some Highlight of Mario (Imperial JB's) at Legendary Japanese TV show " Dance Koshie " Mario is one of the best powermove innovator in the history. Also He is one of the first generation in japan. Check it his power!!
#BboyMario #ImperalJbs #Japan #legend
japanese dance history 在 VOP Facebook 的最佳貼文
【新刊發行 NEW RELEASE】
▒ Voices of Photography 攝影之聲 ▒
Issue 14 : 謎途 Journey Into Mystery
在這期開始之前,我們追思藝術家陳順築。
生於1963年的陳順築,其濃烈的家族記憶與原鄉羈愁所轉印建構的複合影像及攝影裝置作品,是當代台灣藝壇重要的標誌與代表。在台北市立美術館正為陳順築舉辦首次個人大型回顧展之際,他卻於2014年10月和我們告別遠行……。為了紀念他,我們重新刊載三年前在《攝影之聲》和陳順築的對話,並再收錄藝術家陳界仁與姚瑞中寫給順築的信,以及我們從他1989年至近期的個人札記中,節錄出的隨筆、塗鴉與奇想。他說,藝術就是心裡的事,而我們試著跟隨他的喃喃私語,想像他這一生創作總念念不忘的家。
本期我們特別介紹藝術家赤鹿麻耶、宇田川直寬和付羽,他們的作品令人陷入當代攝影看不清的謎霧中——赤鹿奇異佈局的詭祕時刻、宇田川在家庭照片上綿密塗畫的燥灼抒發,以及付羽冷峻枯寂的形骸景象,我們嘗試前往他們自身也難以剖解的影像謎團中尋路。專欄中,張世倫則以攝影家張乾琦的錄像新作《Side Chain》切入析論攝影的毀壞與創生 ; 顧錚書寫捷克攝影家斯沃博達的攝影生涯,追尋他的自傳性內心影像 ; 黃翰荻帶我們重返1940年代,細數台灣前輩攝影家張才在上海留下的鏡頭足跡。而這期夾帶的《SHOUT》第六輯,是台灣新一代攝影創作者鄭弘敬的獨白詩篇,他遊移於日常卻捉摸不定的破格視線,則是另一個謎題。
新的一年準備開始,我們也回顧2014年的攝影出版。在VOP編輯室被愈來愈多來自世界各地的攝影書淹沒的情況下,我們特別增加頁數、一口氣邀集了五位不同國家的攝影評論人與攝影書收藏者——陣容包括獨立攝影書庫創辦人Larissa Leclair、亞太攝影書資料庫創辦人Daniel Boetker-Smith、法國Le Bal藝術總監Sebastian Arthur Hau、德國卡塞爾攝影書節創辦人Dieter Neubert,以及日本資深藝評家大竹昭子——在2014年的攝影書海中,評選出他們最喜歡的攝影書單推薦給大家。如果你和我們一樣是攝影書迷,那麼絕對不能錯過這些精彩的書。
蕭永盛的「台灣攝影史」連載五,此次回望甲午戰爭時期日人龜井茲明與其寫真班在台灣留下的戰爭影像紀錄 ; Q單元,我們則專訪中國《老照片》主編馮克力,這份18年來由讀者投稿、蒐集整理民間照片資料的叢刊,是庶民影像史觀的珍貴報告。
然而在埋首編務的同時,我們接獲中國海關查禁《攝影之聲》並出動「文化市場執法總隊」接連查抄書店據點、全面下架雜誌的消息,其中更特別針對了《攝影之聲》上期的「抗議、行動與影像」專題,試圖以非法進口的理由在中國進行打壓淨化。此舉非但證實了中國政府對於出版與表意自由已更加限縮,同時也說明了即使是一份小小的刊物也足以讓強權畏怕。我們在這裡要再次聲明,《攝影之聲》將堅持獨立刊物的精神,寧做異音,也不會配合任何掌權者的和諧曲調。在此特別感謝關心及支持我們的讀者。
---
關於本期 ABOUT :
http://www.vopmagazine.com/vop014/
購買本期 ORDER:
www.vopmagazine.com/vop014shop/
訂閱SUBSCRIBE:
www.vopmagazine.com/subscribe/
---
This issue of VOP pays tribute to artist Chen Shun-Chu.
Born in 1963, Chen’s composite images and photographic installation art pieces, which capture the vivid memories of his family and longing for his ancestral home, are iconic pieces in Taiwanese contemporary art. Chen passed away in 2014 just as his major retrospective exhibition was being held in the Taipei Fine Arts Museum. We interviewed him in 2011, and published the interview in the now out-of-print third issue of VOP. We decided to re-publish the interview in this issue, alongside letters to Chen Shun-Chu from artists Chen Chieh-Jen and Yao Jui-Chung, as well as some drawings, words and musings from his personal notebooks. He once said that art is something that comes from deep in his heart, and we try to imagine the home and family that were always on his mind from his murmurings.
Also in this issue, we introduce artists Akashika Maya, Utagawa Naohiro and Fu Yu, seeking a path through their mysterious images that perhaps even they themselves would find difficult to decipher—Akashika’s eccentric layouts, Utagawa’s frustrated graffiti on his family photos and Fu Yu’s indifferent images of animal remains. In their columns, Chang Shih-Lun analyses the deconstruction and creation of photography through Side Chain, a new film by photographer Chang Chian-Chi; Gu Zheng writes about the life and works of Czech photographer Jan Svoboda in search of the autobiographic images in his photographs; Huang Han-Di brings us back to the 1940s and shows us footprints of Taiwanese photographer Chang Tsai in Shanghai through his pictures. The 6th issue of the bonus zine SHOUT is a soliloquy by teikoukei, one of the new generation of Taiwanese photographers. Through his lenses, we enter yet another mysterious journey and break free of normal points of view.
At the start of 2015, we look back at the publications of 2014. The VOP team has been —gladly—overwhelmed by recommendations from all over the world. We decided to increase the number of pages for this issue and invited 5 photography critics and photobook collectors from 5 different countries to submit a list of their favorite photobook lists of 2014. The panel includes the founder of Indie Photobook Library Larissa Leclair, Director and founder of Asia-Pacific Photobook Archive Daniel Boetker-Smith, Creative Director of Le Bal Books Sebastian Arthur Hau from France, founder of Kassel Photobook Award Dieter Neubert from Germany and renowned critic Akiko Otake. If you, too, love photobooks, then these titles are definitely worth your time.
In “History of Photography in Taiwan” Part V, Hsiao Yong-Seng looks back at the wartime images left by Japanese photographer Kamei Koreaki and his Photography Unit in the army; Q features a special interview with Feng Keli, editor-in-chief for Old Photographs, a publication that has become a valuable archive of photography from the historical perspective of the common people through 18 years of collecting, organizing and publishing photographs sent in by its readers.
As we were busy working on this issue of VOP, we received word that VOP has been banned from import by China customs. In addition, the authorities have also sent the “Integrated Law Enforcement in Cultural Market Team” to VOP retailers in China to remove and confiscate issues of VOP from the stores, especially our recent issue on “Protests, Activism and Images”. This act confirms that the Chinese government is still oppressing freedom of speech and publishing, and also proves that even a small magazine like ours can cause great fear to a totalitarian regime. Although we are concerned about the impact of such a policy on cultural and ideological dialogue, as an independent magazine, VOP will continue on its path and risk being different, rather than dance to the tune of the oppressor. We sincerely thank our readers for your concern and support.
---
Voices of Photography 攝影之聲
Issue 14 : 謎途 Journey Into Mystery
www.vopmagazine.com
japanese dance history 在 寶船 TAKARABUNE Youtube 的精選貼文
Mark Ronson - Uptown Funk (Official Video) ft. Bruno Mars
https://youtu.be/OPf0YbXqDm0
Hilty & Bosch @Hilty & Bosch
https://twitter.com/HiltyBosch1?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor
―――――
Twitter→ https://twitter.com/takarabune_info
Instagram→ https://www.instagram.com/takarabune_official/
Facebook→ https://www.facebook.com/Takarabune.official
TikTok→ https://www.tiktok.com/@takarabune_official
An Awa Odori entertainment troupe, pushing the boundaries of Japanese dance traditions.
Takarabune is a creative dance company of Awa Odori, one of the most well-known Japanese traditional dances with a 450 years of history.
They push the limits of this venerable traditional art: their signature dance style is so aggressive and vigorous that it has been characterized as ‘dance beyond Awa Odori’. Their performance at a number of Awa Odori events held in Tokyo has generated growing interest among a variety of media, and the group has gained a reputation as the hottest Awa Odori group (ren) in Japan.
#UptownFunk #hiltyandbosch #TAKARABUNE

japanese dance history 在 三東瑠璃 Youtube 的最佳解答
fragment
Dance:Ruri Mito
Instagram https://www.instagram.com/ruri310/
Matou / Session Online Theater / Saturday 23 May 2020 /
Title: Matou
Choreography / Dance : Ruri Mito
Music: Yuta Kumachi
Lighting: Akiyo Kushida
Costume: Tomoko Inamura
Premiere: October, 2015 (Session House, Tokyo, Japan)
Supported by EU-Japan Fest Japan Committee,
The Saison Foundation, Session House
🔒https://youtu.be/Xqge8S3y6aQ
-Matou’s Review-
▶︎Review(Dance House / AsiaTOPA 2019)
https://www.smh.com.au/culture/dance/dancer-shows-the-flexibility-to-astonish-20200216-p5418q.html
▶︎Review(Taiwan Dance Platform 2018)
https://taiwandanceplatform.tw/en/writings/ruri-mito-matou/
▶︎Review(Gdansk Solo Dance Contest 2017)
https://www.gdansk.pl/wiadomosci/japonka-ruri-mito-wygrala-konkurs-solo-dance-contest-konczy-sie-gft-w-zaku,a,80459
-History-
2019/02 Asia TOPA in Melbourne, Australia
2018/11 Taiwan Dance Platform in Kaohsiung, Taiwan
2018/10 Kuandu Arts Festival in Taipei, Taiwan
2018/09 d-souko, Tokyo, Japan
2018/07 M1 CONTACT Contemporary Dance Festival in Singapore. Won the MASDANZA prize.
2018/05 HOKURIKU DANCE FESTIVAL III in 21st Century Museum of Contemporary Art, Kanazawa
2017/11 Odoru.Akita International Dance Festival 2017, Akita, Japan. Won the first Tatsumi Hijikata Memorial Award.
2017/10 ONE DANCE WEEK in Plovdiv, Bulgaria
2017/10 AURA international dance festival in Kaunas, Lithuania
2017/06 SOLO DANCE CONTEST in Gdansk Dance Festival 2017 held in Gdansk, Poland. Won the first prize.
2017/05 Rencontres Choreographiques International de Seine Saint - Denis in Paris, France
2017/05 Gaala performances in Pori, Finland.
2016/10 L1 danceFest 2016 in Budapest, Hungary
2016/05 CÁDIZ EN DANZA in Cadiz, Spain
2015/10 Premiere at Session House, Tokyo, Japan
#セッションオンライン劇場 #keepgoingTOGETHER #Contemporarydance
MATOU
It has direct meanings like “to wear, put on, tangle, roll up,” and it is often used figuratively.
I put on my body.
I can not see all of my body for a lifetime.
Tissues make up my body are kept being renewed, and they will vanish someday.
The body without contents will not remain, and where the contents without the body go?
Will they keep remaining?
Like Snakes and cicadas, most parts of their outer layer of the skin slough off at once and become new.
Although what is left is not a dead body, it still has a perfect shape of the animal and it has no life. Is it an evidence of its life? Is there an evidence of my life?
‘Matou’ also sounds like “willing to wait” in Japanese.
I’m waiting for my death.
‘Tsukimatou’ means “to haunt.”
It always haunt me and don’t go. My body haunt me until the day I die.
‘Soumatou’ revolving lantern
An expression describes an occurrence that many visions appear in one’s mind as shadow cast by a revolving lantern. It happens when people have a brush with death and past memories come and go randomly and quickly.
‘Mattou’ means “to complete.”
I completed my life.

japanese dance history 在 寶船 TAKARABUNE Youtube 的精選貼文
■寶船(たからぶね)TAKARABUNE
1995年、阿波踊りの本場・徳島県出身の連長が主宰となり、東京都で発足。2012年に法人化し、日本唯一のプロ阿波踊りグループとなる。これまでに、世界20ヵ国61都市、年間約300ステージを行うまでに活動を展開。
↳ https://takarabune.org/
現在は、世界最大級のフェスティバルへ招致を受けるなど、全世界から数多くのオファーが後を絶たず、毎年10カ国以上の海外公演と国内公演の両立を果たしている。2014年には、日本PRのCM『日本の若さが世界を変える』に出演し、「my Japan Award 2014」にて《箭内道彦賞》を受賞。
近年ではメディアにも数多く取り上げられ、フジテレビ「にじいろジーン」や、日本テレビ「ネプ&イモトの世界番付」、テレビ東京「YOUは何しに日本へ」、テレビ朝日「スーパーJチャンネル」などに多数出演。また、アサヒ飲料『三ツ矢サイダー』のCMに抜擢され、長澤まさみ、ビートたけし、ディーン・フジオカと並び出演。国内でも、「ダボス会議アフターパーティー」、「もしもしにっぽん FESTIVAL」「泡フェス」「TEDxUTokyo」など話題のイベントに出演し、会場を熱狂させた。近年では、日本を代表するDJであるDAISHI DANCEとスペシャルステージを行うなど、他分野とのコラボレーションも精力的に行っている。
2018年、アメリカ大陸を車で横断し、全米各地でパフォーマンスを披露する異例のプロジェクトを決行。走行距離1万キロを越える大規模なツアーを成功させた。
An Awa Odori entertainment troupe, pushing the boundaries of Japanese dance traditions.
Takarabune is a creative dance company of Awa Odori, one of the most well-known Japanese traditional dances with a 450 years of history. They push the limits of this venerable traditional art: their signature dance style is so aggressive and vigorous that it has been characterized as ‘dance beyond Awa Odori’. Their performance at a number of Awa Odori events held in Tokyo has generated growing interest among a variety of media, and the group has gained a reputation as the hottest Awa Odori group (ren) in Japan.
■ご依頼はこちらから!パフォーマンス・講演会・取材・執筆・コラボなど、大歓迎!
↳ https://takarabune.org/contact/
■LINEでぜひ友だちになってください!
↳ https://line.me/R/ti/p/%40lhe7303n
■チャンネル登録お願いします!
↳ https://www.youtube.com/user/takarabune0?sub_confirmation=1
■SNS、随時更新中!
Instagram→ https://www.instagram.com/takarabune_official/
Twitter→ https://twitter.com/takarabune_info
Facebook→ https://www.facebook.com/Takarabune.official
TikTok→ https://www.tiktok.com/@takarabune_official
#寶船 #TAKARABUNE

japanese dance history 在 Japanese dances and music, the traditional types - Pinterest 的推薦與評價
Dec 31, 2015 - Japan is a country with a rich and interesting history devoted to music and dance. It has managed to salvage and re-ignite traditional dances ... ... <看更多>