關於 leave me alone中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

Hi 大家,咻一下時間又來到了星期五. 依照慣例,想提醒還沒提交訂單的朋友們記得抽空下單. 3月份的推薦書目預購會在星期日(2/7,晚上11:59) 結束.

【 訂購單連結和繪本的文字還有影音檔介紹 】:
https://www.facebook.com/funphabet/posts/4311259762223175

-------------

照片裡是這次選入的"好繪本回顧書目". 它們都是很耐讀的故事,但在台灣不太容易買到或借到. 希望每放進書單一次,就能讓更多的朋友們認識並收藏到這些很棒的繪本. 其中幾本有出版了中文版,所以一併附上這個 Q&A 給有相同疑問的朋友們參考:

【Q: "同一本繪本應該買英文版的還是中文版的呢?" 】

A: 這個問題從來沒有標準答案,要看大家想入手某一本繪本的動機是什麼. 例如: 當英文字型/字體的設計和排版也屬於一本繪本的風格呈現時,那入手英文版是肯定要的,因為這樣能直接感受作者/繪者的原創性,也更有收藏的價值,像是 "Mommy,pick me up! " 就是個例子. 另外, 如果一本繪本在英文文字上的編排有它刻意設計的地方(像是運用了很多自然發音的組合;常見字;押韻的句子)那這時也會推薦入手英文版的,因為這樣的一本書不只可以當繪本共讀,之後也可以讓孩子當作練習英文閱讀的選書,像是"Follow Me" 就是一個例子. 最後, 如果一本英文繪本它的故事或是主題非常的吸引孩子,那有中文版出現時也會很值得入手一本 (但是中文字體的大小必須是讓孩子的眼睛讀起來不吃力的,這點非常重要!!!). 有趣的故事會讓孩子想一聽再聽,一讀再讀,這對正在學習拼音和認讀中文字的孩子們來說會是個很棒的選擇,像是"The Cave" 就是. 它的中文書名是: "山洞裡的小不點". 附上這三本繪本的影音檔紀錄:

*Mommy,Pick me up!:
https://youtu.be/4MXSr_DY2vc
*Follow Me:
https://youtu.be/NvRZpFAhjE0
*The Cave:
https://youtu.be/G0cZo8uu9Ac

-------------

中英文版書名對照:

* Leave Me Alone! - 別來煩我!
* Special Delivery - 神奇快遞
* Do Not Lick This Book! - 不要舔這本書
* Arnie, the Doughnut - 偉大的甜甜圈阿尼

1. 再也不喜歡你了！

今天是第一次兩個小孩正式的（用人話）吵架，以前米米會說的話沒那麼多，只會咿咿呀呀的抗議。今天下午他們為了搶奪誰是鼓王而大吵。

波吉：I don’t like you!
米米：don’t like you!
波吉： don’t talk to me. Leave me alone.
米米： don’t talk me.
波吉： shut up, be quiet.
米米： be quiet!

父母在旁邊憋笑，最後還是要一人拉住一個，不然馬上又要打起來了。

#當場情況其實很火爆最後一人出門一人在家才停火

2. 我不要喜歡弟弟三天！

傍晚，米米趁波吉在玩Ringfit時，把他放在旁邊的一碗mini weetabix吃光，只剩屑屑。很珍貴因為吃完了只剩最後一碗，波吉崩潰氣到臉紅。
晚餐時他鄭重宣布：「我再也不要喜歡弟弟了！我不要喜歡他三天，第四天我才會開始喜歡他。」

#媽媽表示支持他的決定但仍憋笑中

3. First language？

前週在homeschool太空及太陽系，我自己覺得困難處在於中英文的名詞轉換。平常我只跟他們說中文，可是在教太空的時候，太陽系八大行星英文名以羅馬皇帝命名，中文則是五行，超難和小孩解釋為什麼Jupiter 叫木星，最後我放棄所有的中文行星名以英文代替。

#狼狽的中英夾雜
#有更好的教學方式麻煩請提供

最後我忍不住問波吉，中文和英文他比較擅長哪一個？
他大聲回答：「中文。」
他表示當要敘述事情和心情的時候，中文還是比較能講清楚他的感受。

#地方媽媽表示驕傲
#你沒看錯他們在搶玉米罐頭剩下的汁

今早為Asian Medical Students Association Hong Kong (AMSAHK)的新一屆執行委員會就職典禮作致詞分享嘉賓，題目為「疫情中的健康不公平」。
感謝他們的熱情款待以及為整段致詞拍了影片。以下我附上致詞的英文原稿：

It's been my honor to be invited to give the closing remarks for the Inauguration Ceremony for the incoming executive committee of the Asian Medical Students' Association Hong Kong (AMSAHK) this morning. A video has been taken for the remarks I made regarding health inequalities during the COVID-19 pandemic (big thanks to the student who withstood the soreness of her arm for holding the camera up for 15 minutes straight), and here's the transcript of the main body of the speech that goes with this video:

//The coronavirus disease 2019 (COVID-19) pandemic, caused by the SARS-CoV-2 virus, continues to be rampant around the world since early 2020, resulting in more than 55 million cases and 1.3 million deaths worldwide as of today. (So no! It’s not a hoax for those conspiracy theorists out there!) A higher rate of incidence and deaths, as well as worse health-related quality of life have been widely observed in the socially disadvantaged groups, including people of lower socioeconomic position, older persons, migrants, ethnic minority and communities of color, etc. While epidemiologists and scientists around the world are dedicated in gathering scientific evidence on the specific causes and determinants of the health inequalities observed in different countries and regions, we can apply the Social Determinants of Health Conceptual Framework developed by the World Health Organization team led by the eminent Prof Sir Michael Marmot, world’s leading social epidemiologist, to understand and delineate these social determinants of health inequalities related to the COVID-19 pandemic.

According to this framework, social determinants of health can be largely categorized into two types – 1) the lower stream, intermediary determinants, and 2) the upper stream, structural and macro-environmental determinants. For the COVID-19 pandemic, we realized that the lower stream factors may include material circumstances, such as people’s living and working conditions. For instance, the nature of the occupations of these people of lower socioeconomic position tends to require them to travel outside to work, i.e., they cannot work from home, which is a luxury for people who can afford to do it. This lack of choice in the location of occupation may expose them to greater risk of infection through more transportation and interactions with strangers. We have also seen infection clusters among crowded places like elderly homes, public housing estates, and boarding houses for foreign domestic helpers. Moreover, these socially disadvantaged people tend to have lower financial and social capital – it can be observed that they were more likely to be deprived of personal protective equipment like face masks and hand sanitizers, especially during the earlier days of the pandemic. On the other hand, the upper stream, structural determinants of health may include policies related to public health, education, macroeconomics, social protection and welfare, as well as our governance… and last, but not least, our culture and values. If the socioeconomic and political contexts are not favorable to the socially disadvantaged, their health and well-being will be disproportionately affected by the pandemic. Therefore, if we, as a society, espouse to address and reduce the problem of health inequalities, social determinants of health cannot be overlooked in devising and designing any public health-related strategies, measures and policies.

Although a higher rate of incidence and deaths have been widely observed in the socially disadvantaged groups, especially in countries with severe COVID-19 outbreaks, this phenomenon seems to be less discussed and less covered by media in Hong Kong, where the disease incidence is relatively low when compared with other countries around the world. Before the resurgence of local cases in early July, local spread of COVID-19 was sporadic and most cases were imported. In the earlier days of the pandemic, most cases were primarily imported by travelers and return-students studying overseas, leading to a minor surge between mid-March and mid-April of 874 new cases. Most of these cases during Spring were people who could afford to travel and study abroad, and thus tended to be more well-off. Therefore, some would say the expected social gradient in health impact did not seem to exist in Hong Kong, but may I remind you that, it is only the case when we focus on COVID-19-specific incidence and mortality alone. But can we really deduce from this that COVID-19-related health inequality does not exist in Hong Kong? According to the Social Determinants of Health Framework mentioned earlier, the obvious answer is “No, of course not.” And here’s why…

In addition to the direct disease burden, the COVID-19 outbreak and its associated containment measures (such as economic lockdown, mandatory social distancing, and change of work arrangements) could have unequal wider socioeconomic impacts on the general population, especially in regions with pervasive existing social inequalities. Given the limited resources and capacity of the socioeconomically disadvantaged to respond to emergency and adverse events, their general health and well-being are likely to be unduly and inordinately affected by the abrupt changes in their daily economic and social conditions, like job loss and insecurity, brought about by the COVID-19 outbreak and the corresponding containment and mitigation measures of which the main purpose was supposedly disease prevention and health protection at the first place. As such, focusing only on COVID-19 incidence or mortality as the outcomes of concern to address health inequalities may leave out important aspects of life that contributes significantly to people’s health. Recently, my research team and I collaborated with Sir Michael Marmot in a Hong Kong study, and found that the poor people in Hong Kong fared worse in every aspects of life than their richer counterparts in terms of economic activity, personal protective equipment, personal hygiene practice, as well as well-being and health after the COVID-19 outbreak. We also found that part of the observed health inequality can be attributed to the pandemic and its related containment measures via people’s concerns over their own and their families’ livelihood and economic activity. In other words, health inequalities were contributed by the pandemic even in a city where incidence is relatively low through other social determinants of health that directly concerned the livelihood and economic activity of the people. So in this study, we confirmed that focusing only on the incident and death cases as the outcomes of concern to address health inequalities is like a story half-told, and would severely truncate and distort the reality.

Truth be told, health inequality does not only appear after the pandemic outbreak of COVID-19, it is a pre-existing condition in countries and regions around the world, including Hong Kong. My research over the years have consistently shown that people in lower socioeconomic position tend to have worse physical and mental health status. Nevertheless, precisely because health inequality is nothing new, there are always voices in our society trying to dismiss the problem, arguing that it is only natural to have wealth inequality in any capitalistic society. However, in reckoning with health inequalities, we need to go beyond just figuring out the disparities or differences in health status between the poor and the rich, and we need to raise an ethically relevant question: are these inequalities, disparities and differences remediable? Can they be fixed? Can we do something about them? If they are remediable, and we can do something about them but we haven’t, then we’d say these inequalities are ultimately unjust and unfair. In other words, a society that prides itself in pursuing justice must, and I say must, strive to address and reduce these unfair health inequalities. Borrowing the words from famed sociologist Judith Butler, “the virus alone does not discriminate,” but “social and economic inequality will make sure that it does.” With COVID-19, we learn that it is not only the individuals who are sick, but our society. And it’s time we do something about it.

Thank you very much!//

Please join me in congratulating the incoming executive committee of AMSAHK and giving them the best wishes for their future endeavor!

Roger Chung, PhD
Assistant Professor, CUHK JC School of Public Health and Primary Care, @CUHK Medicine, The Chinese University of Hong Kong 香港中文大學 - CUHK
Associate Director, CUHK Institute of Health Equity

喜歡的話記得留言讓我知道，也別忘了訂閱我的頻道和開啟通知哦！
Hey all!

Make sure to leave a comment to show love, and don’t forget to LIKE, SHARE, and SUBSCRIBE to my channel and RING THE BELL so you don’t miss anything from me.
-TERI xx

☾ ALSO FOLLOW ME ON 追蹤我
Instagram：@teri.timeout
Facebook：https://www.facebook.com/teri.timeout/
Giva Divas：goo.gl/pVSAiC

☾ INQUIRIES 合作邀約：[email protected]

☾ This is not a sponsored video.

#電氣沙龍 #teri英文秋季班開課中 #百年孤寂

IG:
@waylive
https://www.instagram.com/way.live/

Facebook:
https://www.facebook.com/way.live8

Weibo:
https://weibo.com/u/6413332737

**誠邀中文作詞者合作，請私IG, Facebook 或 微博。**
音樂更新與任何合作查詢請私。
Any music inquiries please PM on IG, Facebook, or Weibo.

關於 About:
Raw01 is the ultimate 1st version of Vince Way's original song, recorded exactly the moment it was born. A demo is a final version in its own way - perfectly raw as it should be. May whatever blossoms from it later on, its essence remains only in version Raw01
Raw01是弘正原創歌曲的終極第一版，準確記錄了它誕生的一刻。這些DEMO以後會不斷的進化，但此版本依然是完的最初。

詞Lyrics:
So I've set you free and said
Bye bye old melody
I am too ashamed
You thought Id never think of

All those blurry nights when
Our legs intertwined
Always self reminding
Press Play No rewind just

Kiss me kiss me
If you're wasted
love me hate me if you need it
Greenlight blinking in a distance
Slowly fading in

Take me take me on the next fight
Leave me give this pain a new light
Wishing after all is said and done
I'll be the last one

How much is enough baby
It kills me for your touch
Do you feel alone when
When whole world is on the phone

Blue as memories
Can't unwind misery
Red as liver bleeds still
Hold onto your tree yea

Kiss me kiss me if you're wasted
Love me hate me if you needed
Green light blinking in a distance
Slowly fading in

Take me take me on the next fight
Leave me give this pain a new light
Wishing after all is said and done
I'll be the last one
The last one

The last one
Meet me meet me on the other side
Hold me hold me if it feels alright
As we slowly
Fade away

Catch me catch me at the next flight
We ll be giving it a new light
Keep me safe in a dream cause I m the last one

The last one
I'm last one yea

Took you by surprise
The world ends, you survive
If one day you come undone
I swear ill be your last one


Music and Lyrics By Vince Way 弘正

陳忻玥 Vicky Chen Playlist: https://www.youtube.com/playlist?list=PL_BJh1Mu7PPesjmDrxXWkBeOs3WKaA4nh
陳忻玥 Vicky Chen IG: https://www.instagram.com/vickychenmusic/
SKRpresents IG: https://www.instagram.com/skrpresents/
Listen: https://www.soundscape.net/a/9989
________________________________________________________
If You're Really Gonna Leave Me
如果你真的離開我

詞曲｜陶山Skot Suyama
編製｜陶山Skot Suyama
導演｜陳昱辰 Chensport

I’m feeling all alone when I’m with you
有你在我身邊 為什麼我還覺得孤單
Cause the feeling’s gone I don’t know
是不是感情隨著時間淡了
what to do to help you through this
我要怎麼幫助你渡過這一切
Cause you used to walk and hold my hand
以前你總是牽著我的手
Now you’re always running off ahead
但現在我只看得到你的背影
And you left me all alone when I’m with you
你已留下我 獨自一人

If you’re really gonna leave me
如果你真的要離開我
And I don’t speak up, and I just let go then
我卻什麼都不說 只是看著你離開
Is there anyone who sees me
那還有人會愛我
Right down to my bones and into my soul?
有人會看見我的狼狽、接受我的不完美嗎？
Cause I used to think this thing between us
我曾以為我們的關係是最特別的
Meant we’d be together forever but
是童話故事、一定可以天長地久
If you’re really gonna leave me
但如果你真的決定離開我
Then I guess this love is just like all the rest
那我想 這份愛可能沒有我想像的那麼特別

Now I know I’m going nowhere when I’m with you
我發現自己被困住了
Cause we’re going round in circles don’t know just how to break us out this loop
我們一起被困在這段關係裡 哪裡都去不了
And we used to laugh and talk for hours
我們以前曾經那麼的開心 無話不聊
now it’s silence mixed with awkward smiles
而現在只是越來越多的尷尬靜默
cause I know I’m going nowhere when I’m with you
因為我知道 我們的關係已走到了盡頭

If I’m really gonna leave ya
如果我真的要離開你
And you don’t speak up, and you just let go then
你卻什麼都不做 只是看著我離開
Is there anyone who sees ya
那還有人會像我一樣愛你
Right down to your bones and into your soul
看見你的狼狽 接受你的不完美
Cause we used to think this thing
between us
你曾也以為我們的關係是最特別的
meant we’d be together forever but..
是童話故事、一定可以天長地久
If I’m really gonna leave ya
但如果我真的決定我要離開你
Then I guess this love is just like all the rest
那我想 這份愛可能從來沒有我們想像的那麼特別
________________________________________________________
導演Director：陳昱辰Chensport
導演助理 Director Assistant：侯妙樺
攝影師DoP：陳哲昀
攝影大助1st AC：蔡豐駿
燈光師Gaffer：劉建成
燈光助理Best Boy：KaoYao 張崇文
移動組Dolly Man：陳領利 徐乾智
場務助理Set Assistant： 陳柏帆
幕後劇照BTS Stills：Dennis Chen 劉蕓綺
幕後側拍BTS：B.C
剪輯Editor：陳昱辰
調光Colorist：陳哲昀

妝髮make up：平平
執行經紀Executive Manager：陳張 Harris,鄭晴 Phoebe
中文翻譯：庭竹