關於 lost sanctuary ，我們在網路上蒐集到這些相關的討論、資訊與評價

ยอมรับเลยครับว่าปีนี้ประมาท Summer Game Fest มาก เพราะปีที่แล้วพยายามปั่นกระแสให้ใหญ่โต ผมนี่ตั้งตี้ชวนคนมาดูไลฟ์สดกัน ปรากฎพอถึงเวลาจริงไม่มีอะไรมาโชว์เท่าไร หนำซ้ำตัวเองยังเกือบจะหลับคาไลฟ์ ทีนี้พอจะตัดสินใจว่าจะไลฟ์ดีไหม ด้วยความที่งานยุ่ง ก็เลยคิดว่าปีนี้นั่งดูเงียบ ๆ ไปละกัน
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ที่ไหนได้ปล่อยของซะหนักเลย เอาที่เตะตาผมมีดังนี้ครับ
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Tiny Tina's Wonderlands ถึงจะใช้มุขเดิมจาก DLC สมัย Borderlands 2 และภาค 3 ก็ผิดมาตรฐานจาก 2 อยู่พอประมาณ แต่ด้วยความเป็นซีรีส์ที่รัก และนักแสดงที่ชอบ ก็คงต้องขอให้โอกาสดูอีกที เพราะแอชลีย์ เบิร์ช คนให้เสียงไทนี่ ทีน่า(และเอลอย) นอกจากจะแสดงเก่งแล้วยังเป็นมือเขียนบทตลกที่คมมากด้วย
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Metal Slug Tactic น่าเล่นมาก ซื้อ!
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Death Stranding Director's Cut นี่แหม่ ยังกับ Metal Gear เลยนะ ...ว่าแต่ไอ้เกมที่ขายไปเมื่อปีก่อนนี่ใครเป็นคน cut ให้เหรอครับ?
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Jurassic World Revolution 2 ไปสร้างสวนสนุกกันอีกรอบ
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Sable เพลงเพราะ ภาพสวย น่าสนใจดี ขาย 23 กันยานี้
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Lost Ark เกมจากเกาหลีแนว Diablo ดีไซน์ตัวละครเท่ดี น่าลอง
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Salt & Sacrifice ภาคต่อของ Salt & Sanctuary น่าเล่นมาก Co-op ได้ด้วย
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Chivalry 2 กับ Tarkov ของโคตรดีทั้งคู่แค่คนละแนว ใครชอบแนวไหนไปตำเลยเพราะขายแล้วทั้งสองเกม ไม่ผิดหวังรับรอง
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เปิดตัวค่ายใหม่ที่ใส่เกมหน้าเก่าขนาดกลางซึ่งค่อนข้างไฮโปร์ไฟล์มารวมกัน เกมที่ผมชอบในค่ายนี้เพียบเลยต้องติดตามผลงาน สำหรับ Prime Matter
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Planet of Lana งานอาร์ทสวยทะลุจักรวาล รอสอยเลย
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Nier + Fall Guy = ฮา
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Deviation Games สตูดิโอใหม่ที่นำโดยอดีตทีมสร้าง Black Ops ซึ่งโซนี่ไปสอยมาเป็นพาร์ทเนอร์ ไม่รู้จะทำเกมอะไร แต่เดาว่าเป็นมัลติเพลเยอร์ คงได้เห็นกันเร็ว ๆ นี้
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Tunic เอ็นดูน้อนนนน เล่นได้บน Xbox Game Pass อังคารนี้
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Back 4 Blood ซื้อ!
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Tribes of Midgard น่าเล่นนะ เกมแอคชัน Hack&Slash RPG มุมมองจากด้านบน
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Evil Dead เกมเหมือน เจสันศุกร์ 13 เลย แต่ก็น่าจะโดนอีกนั่นแหละ
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และระเบิดก็ลงกับเกมที่พวกผมเองเชื่อว่าคงไม่มีอยู่จริงแล้ว ...Elden Ring... หลังจากเห็นตัวอย่างก็ต้องบอกว่าสมการรอคอย ถึงแม้จะให้ความรู้สึกแบบ Souls จ๋ามากกกกก แต่ก็คงไม่พลาดแหละ
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หลังจากดูจบก็รู้สึกว่างานนี้เป็นสัญญาณอันดีที่เป็นการประกาศว่า #E32021 กลับมาแล้ว! นี่แค่เริ่มต้นยังมีประกาศว้าว ๆ พอสมควร ถ้าเวทีของค่ายใหญ่ น่าจะมีอะไรตื่นตาตื่นใจอีกมาก อดหลับอดนอนกันสนุกแน่ปีนี้ ...ขอต้อนรับสู่ช่วงเทศกาลอันยิ่งใหญ่ที่สุดของชาวเกมเมอร์ครับ...
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ปล. สมาชิก Discord บนเอาไว้ว่าถ้าบนเวทีมี Elden Ring จะอัปคลิปหยิกหัวนมตัวเองให้ดู อยากดูกันไหม??

Bless my Sales Advisor Fathimah Mul Dz! She took her thermomix to bring some yummy cheer to the frontliners whilst her husband gets his dialysis done and will be doing it again this weekend.

I met Fatz thru Anis. When she found out I was an advisor with Thermomix , she had lots of questions and that was when I found out about her husband’s health.

From being first, a customer; she decided to enroll as an advisor under me with hopes of getting more folks onboard cooking and preparing healthier meals for the family.

I have another customer who has lost her sense of taste and smell no thanks to the Cancer that she is fighting. She has whipped up so many delicious recipes - including some she would have never tried even prior to being diagnosed with Cancer!

Truth be told. I never intended to start a business with Thermomix. I was quite content just being a user. But the more I shared my love for it over my socials, the more queries and stories that opened up and I decided best I learn about he business, in hope that others would be able to earn their way to a free unit if finances was a concern in owning one.

I’m so glad I decided to pursue this career with Azmi’s blessings (finally!) Having already a lot on my plate (literally and figuratively), I hesitated embarking on this journey as I’m one who does not do things half way. So doing this seriously , would cramp my schedule even more.

But when I read stories like hers, and remember my conversations with her (and some others too), I find joy that I am able to help them get their unit and some sanity in their lives as the All-in-One-Smart kitchen is truly a life, money and time saviour.

In HIS time. I waited for the right moment to get into this. Now that I’ve had a few months using …cooking and prepping meals for the family, I’m more confident sharing my knowledge about it to others and am steadily growing a team to emulate and help others.

It is not JUST a business model to me. It’s also my sanctuary to grow not just as a more reliable cook, but as a place for me to learn about human connections, managing a team and finding solutions to the 101 issues I receive on a daily basis.

God bless you Fatz. If it weren’t for the MCO, I’d be there with my Moe to help you too.

I think #Davaromas will do something like this on a bigger scale once we have the means and travel restrictions are lifted.

Amen.

#PonCooks
#thermomixadvisormalaysia
#thermomixadvisor

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

【酷狗音乐已经上线： 杨家成 以父之名】
原唱Original: Jay Chou周杰倫
英語填詞English Lyrics: MrYang楊家成
翻唱Singer: MrYang楊家成，Cami陳晨溢
Re-arrangement編曲: 李鳴曦

MV拍攝團隊： MrYang's Team
导演: Joker Lin
攝影主機位：謝偉賢
攝影副機位: Joker Lin，羅盛旭，陳皖輝
剪輯: Joker Lin
編劇: Summer
道具: Summer, 番茄, Harry

Lyrics 歌詞:
The cool morning dew
微凉的晨露
moistened the black clothes
沾湿黑礼服
Fog on the stone road
石板路有雾
Priest just praying
父在低诉
Helpless consciousness
无奈的觉悟
only be more cruel
只能更残酷
Its all about the way to sanctuary road
一切都为了通往圣堂的路
The fog can't be blown
吹不散的雾
hiding all the truth
隐没了意图
Who gently walk to, Stop to
谁轻柔踱步 停住
There's no time to cry,through bullet hole
还来不及哭 穿过的子弹
body heat gone fool
就带走温度
We all sinners everybody
我们每个人都有罪
All have different sin hey
犯著不同的罪
I choose who is ok
我能决定谁对
Who should sleep for today
谁又该要沉睡
arguments can’t be solved
争论不能解决
The night is forever young
在永无止境的夜
Shut your big mouth
关掉你的嘴
The only thing is you pay
唯一的恩惠
The one who stand in front are guilty
挡在前面的人都有罪
There ain’t no way back to regret
后悔也无路可退
Judgment in the name of father
以父之名判决
That feeling doesnt fit in
那感觉没有适合字汇
Its like I’m laughing to cry
就像边笑边掉泪
looking at nothing tonight
凝视著完全的黑
The tragedy stops the pain untill the day I die
阻挡悲剧蔓延的悲剧会让我沉醉
Bow and kiss my left hand
低头亲吻我的左手
exchange for help if I you can
换取被宽恕的承诺
Bridge:
old organ in the corner
老旧管风琴在角落
like an instrumental
一直一直一直伴奏
The black curtain was blown by wind
黑色帘幕被风吹动
The sun lights through wordlessly
阳光无言的穿透
The tamed crazy animal came back to me suddenly
洒向那群被我驯服后的兽
To shout in silence, shout in silence
沉默的喊叫 沉默的喊叫
Loneliness begins to cry
孤单开始发酵
laughing at me from the sky
不停对著我嘲笑
Memories begins to play
回忆逐渐延烧
Innocence of me replay
曾经纯真的画面
Cruelty becomes name of game
残忍的温柔出现
Time for us to pray
脆弱时间到
I only pray for one more day
我们一起来祷告
Chorus副歌:
Oh Kind father, I have fallen into this world with no truth
仁慈的父 我已坠入看不见罪的国度
Forgive me please don’t be cruel
请原谅我的自负
Ah ya ya check it check it ah ya
哎呀呀听着听着哎呀
No one can say, no one will say
没人能说 没人可说
so hard to cope
好难承受
With glory it comes with baggages too
荣耀的背后刻著一道孤独
Ah ya ya check it check it ah ya
哎呀呀听着听着哎呀
Close my eyes and I see again
闭上双眼 我又看见
the dream that made me came to
当年那梦的画面
The night is pretty so smooth
天空是濛濛的雾
Ah ya ya check it check it ah ya
哎呀呀听着听着哎呀
oh father took my hands
父亲牵著我的双手
and gently came about
轻轻走过
Morning skies came to wake me up with the truth
清晨那安安静静的石板路
Ah ya ya check it check it ah ya
哎呀呀听着听着哎呀
Bridge：
Oh hey father
仁慈的父
The love we know
我已坠入
The kind of love we had
看不见罪的国度
We lost it all
请原谅我
We don’t know oh
我的自负
But we will move forward
刻着一道孤独

#クリスタルソフトが発売した、オリジナル版となる88用RPG作品であり、シリーズ2作目。TRPGを意識し、多岐に渡るパラメーターを導入、能力12種、スキル20種、エレメントが27種があり、種族は5種類。レベルが存在せず各スキルを訓練したり、魔法のエレメントを覚える事で能力の向上を行う。
特徴的なのは、基本的に敵との戦闘で得られる物はなにもない点。経験値や賞金はミッション達成後に得るわけである。

BGMは藤岡氏、佐竹さん、笹井氏による共同作曲であり、収録したopna版でもopn同様のfm x3, ssg x3の構成で演奏される。

作曲：藤岡千尋氏、佐竹由美さん、笹井隆司氏

Manufacturer: 1988.12 XTAL SOFT
computer: pc-8801mkIISR series
Hardware: YM2608
Composer: Yumi Satake (as Yumi Kinoshita), Ryuji Sasai, Chihiro Fujioka
------------------------------------------------------
00:00 01.OPENING EFFECT
00:30 02.HOLY LEGEND (OPENING version)
03:09 03.ENDING
06:06 04.CHASER
08:14 05.ENCOUNTER
11:14 06.HOLY LEGEND
13:44 07.QUEST
16:54 08.DIRTY CAVE
19:48 09.VALIANT MARCH
22:20 10.PURE PRINCESS
24:53 11.VAGUE TOWER
27:09 12.OMENS
29:40 13.RUN DOWN
31:48 14.BLACK KNIGHT
34:07 15.WEIRD PALACE
36:54 16.RUIN
39:24 17.CURST VALLEY
41:52 18.BAD SIGH
44:22 19.CONQUEST
46:34 20.FINALE
48:30 21.WISDOM
-----------------------------------------------------

#クリスタルソフトが発売した、88用RPG('88年)からのX-1turbo移植版であり、シリーズ2作目。

3Dビューのダンジョンとトップビューで展開され、ひたすらダンジョンを探索していく。多彩なパラメーターが搭載されており、キャラクターを育成していく事も十分楽しめるようにできている。
当時は新しいタイプのRPGが台頭し始めていた頃だが、本作のみに宿る独特な雰囲気は、プレイヤーを先祖返りしたような世界へと誘い込んでいく。

BGMはボルフェスと五人の悪魔(MSX/'87年)や、夢幻の心臓III(88/'90年)等の藤岡氏をはじめ、3名のコンポーザーによる編曲、opm6音のみでアレンジされている。

編曲：藤岡千尋氏、佐竹由美さん、笹井隆司氏

Manufacturer: 1989.05 XTAL SOFT
Hardware: YM2151
computer: X-1turbo series
Arranger: Yumi Satake (as Yumi Kinoshita), Ryuji Sasai, Chihiro Fujioka
------------------------------------------------------
00:00 01.Chaser (チェイサー)
01:41 02.Encounter (敵遭遇)
04:51 03.Holy Legend (聖なる伝説)
06:40 04.Quest (クエスト)
09:00 05.Dirty Cave (汚れた洞窟)
11:08 06.Valiant March (勇敢な行進)
13:01 07.Pure Princess (清らかな王女)
14:40 08.Vague Tower (不明瞭な塔)
17:01 09.Omens (前兆)
19:29 10.Run Down (駆け下りる)
21:03 11.Black Knight (ブラックナイト)
23:28 12.Weird Palace (奇妙な場所)
25:28 13.Ruin (破滅)
27:03 14.Curst Valley (甲殻の谷)
29:29 15.Bad Sigh (バッドサイン)
32:07 16.Conquest (征服)
34:00 17.Finale (フィナーレ)
36:02 18.Wisdom (知恵)
-----------------------------------------------------