【🎹鋼琴的大千世界】♩. ♪ 已82歲高齡的俄國莫斯科音樂院資深鋼琴教授Vladimir Tropp於這週的獨奏會,在下半場演奏柴可夫斯基的鋼琴作品。
P. I. Tchaikovsky :
影片時間 / 曲目
00:40 Nocturne Op. 10 No. 1
06:34 Meditation Op. 72 No. 5
12:48 Aveu passionné
16:50 Feuillet d’album Op. 19 No. 3
19:29 Waltz Op. 40 No. 9
24:39 Tendres reproches Op. 72 No. 3
29:33 Rêverie du soir Op. 19 No. 1
34:22 Dialogue Op. 72 No. 8
39:32 Chant élégiaque Op. 72 No. 14
47:40 Nocturne Op. 19 No. 4
https://m.youtube.com/watch?v=6wfuPDiTbSg&fbclid=IwAR2F4kISq0hdVYRV8IUfnA63atVeP52crj3WCLUZTDw8VqC9N5kFgsChyO0
Vladimir Tropp
Honoured Artist of Russia
Born in 1939 in Moscow. Studied at several of the Gnessin music educational institutions, where he completed his education. Studied under Sofia Devenishskaya, Moisei Feigin and Teodor Gutman.
Since 1963 he has worked at the faculty of special piano of the Russian Gnessin Academy of Music in Moscow, while since 1997 he has been head of the faculty. Since 2002 he has taught at the faculty of special piano at the Moscow Conservatoire.
Tropp’s students include numerous concert pianists and winners at prestigious international competitions (among them Konstantin Lifschitz, Yulianna Avdeeva, Konstantin Shamray, Mikhail Mordvidov, Valery Kuleshov and Yevgenia Rubinova). Some of them now teach at the Moscow onservatoire, the Russian Gnessin Academy of Music and other music institutions in Moscow.
While still a student he began to give recitals and to appear with orchestras. In 1970 he was a prize-winner at the International Enescu Competition in Bucharest. Since then he has frequently performed in recitals and with ensembles in addition to giving master-classes throughout the world. On numerous occasions he has appeared at international festivals and been a jury member at several international competitions.
Regularly gives concerts in Moscow (the Small and Rachmaninoff Halls of the Conservatoire and the Russian Gnessin Academy of Music) and in other Russian towns and cities.
Has frequently recorded on radio, records and CDs with music by Schumann, Chopin, Brahms, Tchaikovsky, Rachmaninoff, Scriabin, Medtner, Shostakovich and other composers. Has released more than ten discs together with the Japanese company Denon. Tropp’s disc from the series Russian Piano Miniature received the Japanese Academy of Recording Award. He has also recorded for the Japanese TV and radio company NHK.
There have been programmes about Tropp’s performances made by Kultura TV, Radio Orfei and Radio Russia.
For many years he has been involved in researching the legacy of Rachmaninoff. He has studied all of the accessible archives of the composer in Russia and internationally as well as publishing a series of articles about his music. He has taken part in films about Rachmaninoff made for TV in Great Britain and Russia. In November 2009 he performed a programme of works by Rachmaninoff in the auditorium where the composer gave his first appearance as a soloist.
同時也有1部Youtube影片,追蹤數超過8萬的網紅Top movie picks,也在其Youtube影片中提到,#吉爾特伯格 #伊莉莎白國際鋼琴大賽 #李斯特 享「當代李斯特」美譽的吉爾特伯格,1984年出生莫斯科的以色列鋼琴家,師承知名鋼琴家暨教育家阿里.瓦迪(Arie Vardi)。榮獲多項國際比賽,包括榮獲2011年魯賓斯坦國際鋼琴大賽大獎及最佳協奏曲獎,2013年伊莉莎白國際鋼琴大賽冠軍。2015年...
medtner 在 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Facebook 的精選貼文
這個週末 11/15(日)下午,在 藝集生活 以貝多芬五首鋼琴協奏曲為主軸,遍歷「鋼琴家貝多芬」與「交響樂作曲家貝多芬」的靈感交會之旅,就要來到第四號G大調鋼琴協奏曲。
這首真是所有「G調」—G大調或G小調—鋼琴協奏曲的巔峰!
在我心目中,這首鋼琴協奏曲是綠色的,深深淺淺的綠;鋼琴的G大調破題就像樹梢在料峭春寒中冒出的新芽,而樂團在B大調的回答就像綻融雪地裡迅速挺起的雪鈴花那般,大膽的調性對話跳脫了習以為常的溫良恭儉讓、也不是非黑即白的對比,而是對於「新」的嚮往與好奇⋯⋯
不過,1808年在寒冷的十二月中躬逢其盛,在長達四個半小時的貝多芬專場音樂會中聆聽公開首演的維也納人們怎麼看待這個顯然打算「另類定義」鋼琴獨奏與樂團關係的協奏曲呢?
令後代作曲家、鋼琴家們紛紛貢獻自己的巧思打造裝飾奏(cadenza)到了這眾多的「裝飾奏們」可以被集結成一本譜的協奏曲——連Medtner都加入這個行列,為第一與第三樂章都寫了cadenza!
這首協奏曲的第二樂章被稱為貝多芬的「地獄中的奧菲斯」("Orpheus in Hades"),
這首鋼琴協奏曲以及相關的鋼琴奏鳴曲們,又如何預告了足以影響整個十九世紀鋼琴音樂方向的貝多芬音樂思維、鋼琴聲響遠見與創新呢?
在走向「浪漫」的築夢踏實路途中,貝多芬給獨奏與樂團、給調性給和聲、給樂器音色與個性、給⋯⋯各種新意—貝多芬的「第四號G大調」以娓娓道來啟幕,卻預示了貝多芬「晚期」的不平凡身影!
圖一:1804-1805年左右的貝多芬肖像(感覺是很有個性的網美照)來源:網路圖片
圖二:以承繼貝多芬火炬為榮的李斯特為第四號鋼琴協奏曲改寫的雙鋼琴版手稿。來源:圖書館數位典藏
2020藝集講堂 I 顏華容: 燃起鋼琴熊熊火炬的貝多芬—鋼琴奏鳴曲與協奏曲
medtner 在 鋼琴家顏華容 Artemis Yen - Pianist/Author/Dreamer Facebook 的精選貼文
11月1日下午就是「童話綺想」的衛武營場了。
在這次的曲目中,俄國作曲家梅特納 Medtner的「故事曲」佔了很重的份量。這位被學長拉赫瑪尼諾夫讚為「我們這輩最傑出」的天才作曲家實在是個頭腦「轉速過快」的人,也是個不避諱以「不偉大的角色」作為靈感的人—大家可以聽聽他如何在短短幾分鐘內將一個可愛素樸的主題旋律的「語氣」和場景變化多端,而這樣大費周章的作曲技巧,不是為了偉大的英雄,卻是為了費心寫故事中經常出現的「傻子」和歹命好女孩⋯⋯
2020這一年好像比許多奇幻故事更離奇呢!
或許,將人間的各種光怪陸離說成了「故事」也因此可以坦然帶著挫折留下的疤痕繼續努力呢!
邀請您在週日下午衛武營表演廳,一起聽音樂與故事!
medtner 在 Top movie picks Youtube 的精選貼文
#吉爾特伯格 #伊莉莎白國際鋼琴大賽 #李斯特
享「當代李斯特」美譽的吉爾特伯格,1984年出生莫斯科的以色列鋼琴家,師承知名鋼琴家暨教育家阿里.瓦迪(Arie Vardi)。榮獲多項國際比賽,包括榮獲2011年魯賓斯坦國際鋼琴大賽大獎及最佳協奏曲獎,2013年伊莉莎白國際鋼琴大賽冠軍。2015年起,成為Naxos唱片旗下長約的鋼琴家。英國雜誌《留聲機》稱讚:「極具感染力的演奏令許多大師前輩黯然失色!」是新一代大師級鋼琴家。
現場演奏:
當代李斯特展技制霸《超技練習曲》
梅特納:奏鳴曲《回憶》,作品編號38,第一首
舒曼:狂歡節,作品編號9
訂閱【電癮好選喆Top movie picks】https://goo.gl/3S03OY
簡立喆主播臉書 https://goo.gl/cUWJx7
按個讚,更多幕後和第一手趣事不漏接😘