關於 now you see me劇情 ，我們在網路上蒐集到這些相關的討論、資訊與評價

今天天氣也太熱~~~太適合在家吹冷氣了XD
分享最近的愛歌給大家~~~可以反覆聽好幾遍

前幾天不是分享最近都在追韓劇「出軌的話就死定了」，過程中的劇情都很喜歡，走懸疑搞笑浪漫路線，就是收尾時超快速有點超出我的想像啊！欸，哪會按呢？

目前追的是「上流謊言」，剛好女主也是曹如晶~只是比較痛苦的是還沒完結篇所以每週都要等最新集數出來太難熬啦！

Uh, uh, uh (hey)
I was thinking 'bout her (uh), thinking 'bout me (hey)
Thinking 'bout us (us), what we gon' be (hey)
Opened my eyes, yeah, it was only just a dream (hey)
So I travelled back (uh) down that road
Will she come back? (Back) No one knows
I realize, yeah, it was only just a dream
I was at the top and now it's like I'm in the basement
Number one spot and now she found her a replacement
I swear now I can't take it
Knowing somebody's got my baby
And now you ain't around baby I can't think
I should've put it down, should've got the ring
'Cause I can still feel it in the air
See her pretty face, run my fingers through her hair
My love of my life, my shawty, my wife
She left me, I'm tight
'Cause I knew that it just ain't right
I was thinking 'bout her (uh), thinking 'bout me (hey)
Thinking 'bout us (us), what we gon' be (hey)
Opened my eyes, yeah, it was only just a dream (hey)
So I travelled back (uh) down that road
Will she come back? (Back) No one knows
I realize, yeah, it was only just a dream
When I be ridin', man, I swear I see her face at every turn
Tryna get my Usher on but I can't let it burn
And I just hope she know that she the only one I yearn for
More and more I miss her, when will I learn?
Didn't give her all my love, I guess now I got my payback
Now I'm in the club thinking all about my baby
Hey, she was so easy to love
But wait, I guess that love wasn't enough
I'm going through it every time that I'm alone
And now I'm missing, wishing she'd pick up the phone
But she made the decision that she wanted to move on
'Cause I was wrong
I was thinking 'bout her (uh), thinking 'bout me (hey)
Thinking 'bout us (us), what we gon' be (hey)
Opened my eyes, yeah, it was only just a dream (hey)
So I travelled back (uh) down that road
Will she come back? (Back) No one knows
I realize, yeah, it was only just a dream (uh, uh, hey)
If you ever loved somebody put your hands up (put your hands up)
If you ever loved somebody put your hands up
And now they're gone and you're wishing
You could give them everything (everything, hey)
Said if you ever loved somebody put your hands up (put your hands up)
If you ever loved somebody put your hands up
Now they're gone and you're wishing
You could give them everything (uh, uh, uh)
I was thinking 'bout her (uh), thinking 'bout me (hey)
Thinking 'bout us (us), what we gon' be (hey)
Opened my eyes, yeah, it was only just a dream (hey)
So I travelled back (uh) down that road
Will she come back? (Back) No one knows
I realize, yeah, it was only just a dream (uh, uh, uh)
I was thinking 'bout her (uh), thinking 'bout me (hey)
Thinking 'bout us (us), what we gon' be (hey)
Opened my eyes, yeah, it was only just a dream (hey)
So I travelled back (uh) down that road
Will she come back? (Back) No one knows
I realize, yeah, it was only just a dream

我提自己要睇

《5月35日》(庚子版) 粵語演出，附中英文字幕
網上演出 全球直播
我們就來個光明正大的紀念，衝擊這條不正常的底線。

編劇 莊梅岩 X 導演 陳曙曦
去年一票難求 今年全新班底 創作屬於香港人的「庚子版」

2019年版本好評如潮：
▪ 「上至劇本、導演、演員、下至燈光、佈景、音響、服裝也配合得天衣無縫，而這種感動至今仍然使我回憶起時不禁眼泛淚光。這是一齣香港人應該要看的舞台劇。」 著名演員 葉德嫻

▪ 「我不只是看一個演出，更是在見證歴史。真相要說下去，好好的說下去。」著名演員 蘇玉華

▪ 「這個演出我已經看過兩次了，每次看，都深深觸動，更拷問我的良知，面對不公義，要如何回應，才不至苟活一生。」傳媒人 吳志森

▪ 「活像套預言劇，編劇莊梅岩句句人話，下下到肉！」《明報周刊》 陳詠恩

▪ 「優異的本港創作劇，簡練感人，有笑有淚而不落俗套，亦有激情火花……劇中處理老夫老妻和絕症，特別是喪兒之母的哀痛，真實感人，遠勝一般煽情俗品。」劇評人 石琪

▪ 「以實在的劇情觸及高層次的理念，道德人性，政治到哲學思考，正是莊梅岩的功力所在。」劇評人 江祈穎


一年伊始，雙雙步入八十歲的小林和阿大就迎來滿身病痛。兩個老人等待死亡，是再自然不過的事。
只是，兩夫婦唯一的兒子哲哲三十年前死於不自然，許多事情到今日還沒有問出個明白來。
小林期待從苦苦問責的歲月中解脫，相反一直膽小的阿大越想越不忿，以前顧著二人的晚年才不去抗爭，現在連老伴也快將離去，他還有什麼要害怕的？
如是，他倆定下偉大的目標：在5月35日當天，要堂堂正正去拜祭兒子。
在不正常國家的陽光底下做正常的事也是不合法的。
「我們就去衝擊，這條不正常的底線。」阿大說。
「老伴，我終於覺得你愛我了。」小林說。
相約在5月35日，來個光明正大的紀念。

編劇：莊梅岩
導演：陳曙曦
演員：區嘉雯、喬寶忠、黎濟銘、郭小杰
現場演奏：Celloman

佈景及服裝設計：賴妙芝
燈光設計：馮國基
音響設計：陳偉發
聯合監製：列明慧、張家弘、黃懿雯
製作經理及舞台監督：劉漢華​

"May 35th" Gengzi Edition
Global Live Online Performance
In Cantonese, with Chinese & English surtitles

- Synopsis:
Another year has just passed. Octogenarians Siu Lum and Ah Dai are afflicted with the usual ailments of old age. They await death—a natural occurrence that is a part of life.

But 30 years ago, their son Chit met an unnatural death. Even today, many unanswered questions still surround the incident.

Siu Lum looks forward to being released from those bitter years lost searching for accountability. On the other hand, Ah Dai, who had been cowardly for years, grows all the more impetuous. Decades ago, he avoided such conflicts, concerned only about preparing for their future. With his spouse now staring death in the face, what is left to fear?

The two set an ambitious goal: On May 35th, they’ll hold a proper gravesite ritual for their son.

A normal activity that takes place in broad daylight in an abnormal country is still against the law.

“Let’s challenge this abnormal bottom line,” said Ah Dai.
“Spouse, finally, I believe you love me,” Siu Lum replied.

It’s a date: to commemorate May 35th openly, in broad daylight.


Great acclaims from 2019 version:

● "The script, direction, acting, as well as the light, set, sound and costumes are perfectly interwoven. The sentiments still move me to tears from time to time. A must-see performance for Hong Kongers." Renowned actress, Deanie Ip

● "I'm not only an audience, but the witness of history. The truth deserves to be told, precisely and continuously." Renowned actress, Louisa So

● "Just like a prophecy. Playwright Candance Chong wrote every word with conscience and insights." Chan Wing-yan of Ming Pao Weekly

● "This original Hong Kong production is brilliant, concise and touching. The sophisticated mix of humour and sorrow sparks with passion. When it depicts the old couple fighting against the fatal illness, and above all the mourning grief of losing their son, the emotions are so genuine which makes it no ordinary tearjerker." Theatre critic, Shek Ki

● "Down to earth plot projecting high principles such as morality, humanity, politics and philosophy. That's what makes Candance Chong so outstanding." Theatre critic, Kong Yan-wing

Production Team:
Playwright：Candace Chong Mui-ngam
Director：Chan Chu-hei
Actor：Patra Au Ka-man, Kiu Po-chung, Lai Chai-ming, Kwok Siu-kit
Live Musician：Celloman

Set & Costume Designer: Yoki Lai Miu-chi
Lighting Designer：Gabriel Fung kwok-kee
Sound Designer：Chan Wai-fat
Producer：Lit Ming-wai、Cheung Ka-wang、Gladys Wong Yee-mun
Production Manager：Lau Hon-wah

#6431truth #六四 ＃5月35日 ＃六四舞台

去年在劇院觀賞，深深感動，難得有機會，可以在網上再看一次。有關 8964 的情感、質感，可以在這裡找到。

《5月35日》(庚子版) 粵語演出，附中英文字幕
網上演出 全球直播
我們就來個光明正大的紀念，衝擊這條不正常的底線。

編劇 莊梅岩 X 導演 陳曙曦
去年一票難求 今年全新班底 創作屬於香港人的「庚子版」

2019年版本好評如潮：
▪ 「上至劇本、導演、演員、下至燈光、佈景、音響、服裝也配合得天衣無縫，而這種感動至今仍然使我回憶起時不禁眼泛淚光。這是一齣香港人應該要看的舞台劇。」 著名演員 葉德嫻

▪ 「我不只是看一個演出，更是在見證歴史。真相要說下去，好好的說下去。」著名演員 蘇玉華

▪ 「這個演出我已經看過兩次了，每次看，都深深觸動，更拷問我的良知，面對不公義，要如何回應，才不至苟活一生。」傳媒人 吳志森

▪ 「活像套預言劇，編劇莊梅岩句句人話，下下到肉！」《明報周刊》 陳詠恩

▪ 「優異的本港創作劇，簡練感人，有笑有淚而不落俗套，亦有激情火花……劇中處理老夫老妻和絕症，特別是喪兒之母的哀痛，真實感人，遠勝一般煽情俗品。」劇評人 石琪

▪ 「以實在的劇情觸及高層次的理念，道德人性，政治到哲學思考，正是莊梅岩的功力所在。」劇評人 江祈穎


一年伊始，雙雙步入八十歲的小林和阿大就迎來滿身病痛。兩個老人等待死亡，是再自然不過的事。
只是，兩夫婦唯一的兒子哲哲三十年前死於不自然，許多事情到今日還沒有問出個明白來。
小林期待從苦苦問責的歲月中解脫，相反一直膽小的阿大越想越不忿，以前顧著二人的晚年才不去抗爭，現在連老伴也快將離去，他還有什麼要害怕的？
如是，他倆定下偉大的目標：在5月35日當天，要堂堂正正去拜祭兒子。
在不正常國家的陽光底下做正常的事也是不合法的。
「我們就去衝擊，這條不正常的底線。」阿大說。
「老伴，我終於覺得你愛我了。」小林說。
相約在5月35日，來個光明正大的紀念。

編劇：莊梅岩
導演：陳曙曦
演員：區嘉雯、喬寶忠、黎濟銘、郭小杰
現場演奏：Celloman

佈景及服裝設計：賴妙芝
燈光設計：馮國基
音響設計：陳偉發
聯合監製：列明慧、張家弘、黃懿雯
製作經理及舞台監督：劉漢華​

"May 35th" Gengzi Edition
Global Live Online Performance
In Cantonese, with Chinese & English surtitles

- Synopsis:
Another year has just passed. Octogenarians Siu Lum and Ah Dai are afflicted with the usual ailments of old age. They await death—a natural occurrence that is a part of life.

But 30 years ago, their son Chit met an unnatural death. Even today, many unanswered questions still surround the incident.

Siu Lum looks forward to being released from those bitter years lost searching for accountability. On the other hand, Ah Dai, who had been cowardly for years, grows all the more impetuous. Decades ago, he avoided such conflicts, concerned only about preparing for their future. With his spouse now staring death in the face, what is left to fear?

The two set an ambitious goal: On May 35th, they’ll hold a proper gravesite ritual for their son.

A normal activity that takes place in broad daylight in an abnormal country is still against the law.

“Let’s challenge this abnormal bottom line,” said Ah Dai.
“Spouse, finally, I believe you love me,” Siu Lum replied.

It’s a date: to commemorate May 35th openly, in broad daylight.


Great acclaims from 2019 version:

● "The script, direction, acting, as well as the light, set, sound and costumes are perfectly interwoven. The sentiments still move me to tears from time to time. A must-see performance for Hong Kongers." Renowned actress, Deanie Ip

● "I'm not only an audience, but the witness of history. The truth deserves to be told, precisely and continuously." Renowned actress, Louisa So

● "Just like a prophecy. Playwright Candance Chong wrote every word with conscience and insights." Chan Wing-yan of Ming Pao Weekly

● "This original Hong Kong production is brilliant, concise and touching. The sophisticated mix of humour and sorrow sparks with passion. When it depicts the old couple fighting against the fatal illness, and above all the mourning grief of losing their son, the emotions are so genuine which makes it no ordinary tearjerker." Theatre critic, Shek Ki

● "Down to earth plot projecting high principles such as morality, humanity, politics and philosophy. That's what makes Candance Chong so outstanding." Theatre critic, Kong Yan-wing

Production Team:
Playwright：Candace Chong Mui-ngam
Director：Chan Chu-hei
Actor：Patra Au Ka-man, Kiu Po-chung, Lai Chai-ming, Kwok Siu-kit
Live Musician：Celloman

Set & Costume Designer: Yoki Lai Miu-chi
Lighting Designer：Gabriel Fung kwok-kee
Sound Designer：Chan Wai-fat
Producer：Lit Ming-wai、Cheung Ka-wang、Gladys Wong Yee-mun
Production Manager：Lau Hon-wah

#6431truth #六四 ＃5月35日 ＃六四舞台

Listen to the single "NOT A CYPHER". Out now!
Stream: https://music.empi.re/notacypher.oyd


NOT A CYPHER

-----------------------------------------------------------

MV PRESENTED BY:
Mercy Creatives 美杰創意影像工作室
Spotlight X
SHFT
theLOOP
Murphy

Directors | Drew Cheng / Kelvin Lee
Producer | Greg Cheng
Editor | Richard Yang

—Taipei Unit—
Director | Drew Cheng / Kelvin Lee
Producer | Greg Cheng
Director of Photography | Richard Yang
First AC | Ashley Yang
Associate Producer | Keen Chen / Megan Peng
Production Assistant | Christine Lin / Kendra Ing / Cavin Fang / Adrian Town / Francis Yu / Jessica Yu
Art Director | Megan Peng
Associate Art Producer | Richard Yang
Stylist | Meishin
Stylist Assistant | Cindy Chao
Hair | Martha Wu
Makeup Artist | Albee Hsieh / Backstage
Makeup Artist Assistant | Doris Zheng / Backstage
A&R Managers | DJ bo / WL46

—Shanghai Unit—
Director | Dill
Producer | SK
Director of Photography | Vann Lee
Production Assistant | Qiuyang Guo / Yao Yan / Chengqiang Wu / Psr

—Special Thanks—
Charlene Yang, Chunplace / Hotel Indigo Taipei North
Alchelight
Laticia Fan, f/Lash Productions
Bar Rouge Shanghai


-----------------------------------------------------------

LYRICS:
《INTRO》
BLOW:
yeh bless it
i dont wanna fuck unless she nasty
yeh bring her bestie
ima hit em both if she let me enh
太热需要pepsi enh
不能说太多thats it enh
cant test me enh

《Verse 1》
SHADOW PROJECT:
[Ye!!ow]
(What’s your color)
聽到我的聲音腦袋快開機
四面楚歌快點充滿你的 Energy
看到影子低空掠過正在飆的戰鬥機
要我飛的更高需要看到更多 Enemy
(that’s cool)
不停的轟炸雷達warning
下一個舞台我把眼光放在國際
SP we gang gang繼續追我倒影
飆高速列車 Skrr Skrr Skrr Skrr
Ya u Better go get em

[Paper Jim]
(Counting Papers)
Go get them
風格唯一我們前面沒有別人
說一就是一 二就是二
付錢看表演我是主人你們是客
Shut your mouth 不說閒話沒人嫌你吵
我有我的心魔在音樂不講禮貌
槍口一致朝外Pow we gone
Sp we gone bust it down

[Bu$Y]
你無法猜透的劇情
踏上更大的場面 No limit
不斷攀升身價不用你評比
Want me to show up 之前得要先 Pay me
Overheat and blow it up
Used to talking shit around me now we growin up
別在我兄弟面前表現得不禮貌
You can see me on the stage and we gon pull it up

BLOW:
(Can’t test me!)

《Verse 2》
XZT of 直火幫:
Verse 2, XZT玩弄你肾上腺素
直火帮名字在逐渐遍布
保守点说 中文说唱前五

他让我follow the wave
让我为资本低头 我偏不
垃圾们组成的队伍
废物到最后也只会是废物

今年是直火年 丰收的果园 我们经历过火焰般 严苛的磨炼
我进度不拖延 目光从不会放在昨天 你不懂 我看得有多远
hater们咽下了唾液
失败的对手像落叶
wordplay and flow like toys
new chiggas不停地落泪

注视King XZT不会退缩的眼睛
Get shit done 无关对错的原因
看着我兄弟们就像在点兵
SFG a dragon 我就像在点睛

Life’s a battle 我拳头在变硬
没去过ghetto 但我一字千金
做你的idol 我拍我的电影
当我开口 你问我要签名

BLOW:
当我开口你问我要签名
风格鲜明
下雨天晴 当我工作你喝到天明
slow down i got my style i got my shit
花招 thats not shit
拔我插销我对你发泄
像花椒加上hot suace
让你流汗或者pass out
我看灯光都是线条
still link the the gang像链条⛓️
不是儿童歌 heheh
不是儿童歌这是rap yo
那些坏料总是带笑
listen up 为你害臊
我需要一些good friends不在背后talk shit
需要一些mula像十月份的落叶
需要一些real one不用一直攻受
还需要个bad chick 但我已经拥有

《Outro》
BLOW:
weird 电闪
im black like batman
看上海City慢慢变暗
让我干掉他们就像吃便饭
switch switch 看我一直变换
mfk 2 face that one
riding around the city my shiton top
cuz im walk 看他们只是talk

-----------------------------------------------------------

Follow KING CHAIN
http://facebook.com/kingchainmusic
http://instagram.com/kingchainmusic
http://soundcloud.com/kingchainmusic
http://twitter.com/kingchainmusic

Follow 影子計畫 Shadow Project
http://facebook.com/shadowunlock
http://instagram.com/shadow__project__/

Follow Blow Fever
http://facebook.com/blowfever
https://www.instagram.com/blowfever/
https://www.youtube.com/channel/UCAHzdOH5p7kh9FYnR-xXbiA

Follow 直火幫 XZT
http://instagram.com/sfgxzt
https://www.youtube.com/channel/UCpavtVoUxKSOg7C7HYc6A2A
https://weibo.com/u/2140141403

Follow Mercy Creatives
http://facebook.com/mercycreatives
http://instagram.com/mercycreatives

#KINGCHAIN #BlowFever #ShadowProject #XZT

Official video by KING CHAIN ft. Blow Fever, Shadow Project & XZT - NOT A CYPHER © 2021 NIGHT SHFT / EMPIRE / KINGCHAIN

【TOPick】《非常盜2》(Now You See Me 2)票房不俗，可是觀眾覺得娛樂性豐富卻劇情頗犯駁。《講戲fun》主持單志民（Thomas）與鄧龍傑（Sunny）便分析大家為何有此感受，並指此片漸似《職業特工隊》(Mission: Impossible)系列，何出此言？同時還推薦兩齣有關魔術的電影，當中有否你的心水選？

主持簡介：
單志民（Thomas）︰講戲吹水，無所不談，有時客觀有時好唔客觀。總之，電影係大眾娛樂，最緊要樂在其中。
鄧龍傑（Sunny）︰喜歡看電影，特別是勵志片及武打片，不懂得客觀深入評論，只會主觀發表感受的小影迷。