筆墨見真章—故宮書法導賞(現正展出中)
書法是漢文化圈特有的藝術,和前面的宋代不同,元代繼起轉而提倡復古,於是晉唐書法傳統得以延續。今天看的這一件是當時的領導人物「趙孟頫」的作品。
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【元 趙孟頫 柔毛帖】趙孟頫(1254-1322)是元代文人畫書的領導人物,其藝術復古理論影響深遠。
〈柔毛帖〉原是一通隨禮品附上的尺牘。「#柔毛」指羊,「#牟粉」泛指麥粉。通篇行書,摻雜章草。字體大小、線條粗細有豐富的變化,行氣端莊,章法錯落有致。書風源自王羲之(303-361),但常用果斷重壓、鋒芒畢露的筆法,讓線條中的銳角和圓轉、輕快的牽絲映帶互相襯托,更增流利嫵媚之感。
【Roumao Modelbook】Zhao Mengfu, Yuan dynasty
Zhao Mengfu (1254-1322) was a leader in Yuan dynasty literati painting and calligraphy. The artistic principles he espoused, which called for a return to ancient ways, had a far-reaching influence.
The contents "Roumao Modelbook" were originally a formal letter included along with a gift. "Roumao" is a reference to sheep. The letter was written in running script (xingshu), with the occasional appearance of draft cursive (zhangcao). There are rich permutations in the sizes of the characters and the thicknesses of the lines. The columns of writing present dignified straightness, while the overall composition is one of delightfully elegant disorder. This calligraphy is Wang Xizhi's (303-361) stylistic descendant, but it includes frequent use of decisive, heavy downward pressure on the brush and full exposure of the brush's tip. These techniques set off the interactions between the angular and rounded turns in the characters' lines, as well as the quick traces of the brush's movements and the relationship between dots and lines, increasing the work's charming sense of fluency.
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筆墨見真章—故宮書法導賞(展期:2020/12/26~03/29)
陳列室:北部院區 第一展覽區 204,206
https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
https://www.npm.gov.tw/en/Article.aspx?sNo=04011536
Gallery: 204, 206 (Northern Branch) Exhibition Area I
日本語:https://theme.npm.edu.tw/exh109/calligraphy10912/jp/page-1.html
同時也有4部Youtube影片,追蹤數超過312的網紅Shioh’s ASMR for writing materials lover,也在其Youtube影片中提到,【ASMR】fountain pen cursive script 万年筆 草書 Fountain pen ; PILOT CUSTOM742 ■Shioh■ Japanese calligrapher 20 years of calligraphy. There have been a fe...
「of in cursive」的推薦目錄:
- 關於of in cursive 在 國立故宮博物院 National Palace Museum Facebook 的最讚貼文
- 關於of in cursive 在 國立故宮博物院 National Palace Museum Facebook 的精選貼文
- 關於of in cursive 在 政變後的寧靜夏午 Facebook 的最佳解答
- 關於of in cursive 在 Shioh’s ASMR for writing materials lover Youtube 的最佳貼文
- 關於of in cursive 在 Japanese Calligrapher Takumi Youtube 的最讚貼文
- 關於of in cursive 在 Japanese Calligrapher Takumi Youtube 的精選貼文
of in cursive 在 國立故宮博物院 National Palace Museum Facebook 的精選貼文
這件【明 湯煥 遊西山詩 Poems on Traveling to the Western Mountains, Tang Huan, Ming dynasty (1368-1644)】混合了楷書、行書和草書,不但沒有違和感,還讓人覺得獨樹一格!
🔽釋文:(附圖為全件局部)
秋日宿西山臥佛寺。西日猶在山。暮烟已生樹。馬首緣岡迴。僕夫指前路。側逕遙解鞍。空林散狐兔。衲子慣逢迎。惜茲煩禮數。方丈花木深。供張混妍素。坐覺萬籟虛。月采波光注。蟲鳴露下莎。蔬剪霜前瓠。幾年塵鞅間。觸此烟霞痼。中夜魂夢清。心地欣如故。胡不聞琅璫。車音乃驚寤。因思出世難。山靈亦成誤。 遊香山寺。秋晴山暖野花發。小雨石徑無塵埃。果園槭槭響墮葉。香澗泠泠漱古苔。危磴千盤但佛閣。藏舟一壑為玄臺。漫言人世與茲絕。上方金碧令心哀。鄰初道人。
🔽書法賞析:
本幅書寫〈秋日宿西山臥佛寺〉、〈遊香山寺〉自作詩兩首,書法受元代「雜體書」影響,混雜楷、行、草和章草四體,唯筆法更加自由奔放,獨樹一幟。
🔽關於湯煥:
湯煥(生卒年不詳),字堯文,號鄰初。浙江杭縣人,隆慶四年(1570)舉人。善書法、精篆刻,高士奇(1644-1703)謂其「以書法稱於時,蓋從晉人蹊徑而入者。」
🔽 Tang Huan (dates of birth and death unknown), had the style name Yaowen and the sobriquet Linchu. A native of Hang County in present day Zhejiang, he passed the imperial examinations at the provincial level in the fourth year of Ming dynasty emperor Longqing's reign (1570). Tang was both a talented painter as well as an expert carver of seals. Gao Shiqi (1644-1703) once said of Tang, "renowned in his own lifetime for his calligraphy, he embarked upon his path by studying the Jin dynasty masters."
🔽 This work contains two poems, entitled "Taking Lodging at Lying Buddha Temple in the Western Mountains in Autumn" and "A Trip to Fragrant Hills Temple." Revealing the influence of Yuan dynasty "mixed script," its calligraphy contains a blend of kaishu, xingshu, caoshu, and zhangshu (regular script, cursive script, grass script, and draft script, respectively). However, clearly marching to the beat of his own drummer, Tang writes in a manner freer, bolder, and more untrammeled than his influences.
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
of in cursive 在 政變後的寧靜夏午 Facebook 的最佳解答
本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
of in cursive 在 Shioh’s ASMR for writing materials lover Youtube 的最佳貼文
【ASMR】fountain pen cursive script 万年筆 草書
Fountain pen ; PILOT CUSTOM742
■Shioh■
Japanese calligrapher
20 years of calligraphy.
There have been a few times when I've wanted to quit in the middle of a project.( ̄▽ ̄)
There are many writing instruments used in calligraphy.
I love to write more when I pay attention to the writing instruments and paper. And as I wrote, the sound of the writing instruments and paper became very pleasant. I'm posting this video to share my experience.
I hope you will be interested in calligraphy and take up calligraphy.\\\\٩( 'ω' )و ////

of in cursive 在 Japanese Calligrapher Takumi Youtube 的最讚貼文
ペンによる「様」の書き方(楷書・行書)のポイントを紹介しています。
動画で紹介している「行書」のくずし方はあくまで一例です。
One of the honorific title is 様(Sama), which is Japanese in the most used.
A even in women with men use.
Write after the name, such as "山田様".
”様”, there is a prestigious than ”さん”.
※動画で使用しているペンはこちら↓
パイロット ゲルインキボールペン G-3 0.5mm ブラック LG-10EF-B
http://urx.nu/hqEf

of in cursive 在 Japanese Calligrapher Takumi Youtube 的精選貼文
「動画を見て皆さんも書いてね!」というのはちょっとハードルが高いと思うので、とりあえずは動画を見て書道を身近に感じてもらえれば嬉しいです。
書道・お習字・美文字(ボールペン字&筆ペン)の手本はこちらをご覧ください。
季節に合わせたお手本や、偉人の名言を題材にしたお手本など4000以上を掲載しています。
http://osyuzi.blog.fc2.com/
手本執筆者が主宰する「東宮たくみ書道教室」の公式サイトはこちらです。書道初心者の方でも楽しく気軽に始めることができます。
http://homepage2.nifty.com/tohgutakumi/
東京都中央区銀座4-13-18 医療ビル6F
(東京メトロ日比谷線・都営浅草線「東銀座」駅下車徒歩3分)
TEL: 03-6672-8572
E-mail: east_palace@nifty.com
東宮たくみ書道教室の詳しい周辺地図はこちら
http://yahoo.jp/uLOPxk
※一人でも多くの方に書道(習字)・美文字の楽しさをお伝えしたいと思っています。ぜひこちらの【書道チャンネル】のご登録をお願いします!\(^▽^)/
I think that I would like to also tell foreigners the fun of SYODO(Japanese calligraphy), and wonderfulness of Japanese culture.
Please give me registration of this calligraphy channel!
