【Joshua Wong speaking to the Italian Senate】#意大利國會研討會演說 —— 呼籲世界在大學保衛戰一週年後與香港人站在同一陣線
中文、意大利文演說全文:https://www.patreon.com/posts/44167118
感謝開創未來基金會(Fondazione Farefuturo)邀請,讓我透過視像方式在意大利國會裡舉辦的研討會發言,呼籲世界繼續關注香港,與香港人站在同一陣線。
意大利作為絕無僅有參與一帶一路發展的國家,理應對中共打壓有更全面的理解,如今正值大學保衛戰一週年,以致大搜捕的時刻,當打壓更為嚴峻,香港更需要世界與我們同行。
為了讓各地朋友也能更了解香港狀況,我已在Patreon發佈當天演說的中文、英文和意大利文發言稿,盼望在如此困難的時勢裡,繼續讓世界知道我們未曾心息的反抗意志。
【The Value of Freedom: Burning Questions for Hong Kongers】
Good morning. I have the privilege today to share some of my thoughts and reflections about freedom, after taking part in social activism for eight years in Hong Kong. A movement calling for the withdrawal of the extradition law starting from last year had escalated into a demand for democracy and freedom. This city used to be prestigious for being the world’s most liberal economy, but now the infamous authoritarian government took away our freedom to election, freedom of assembly, freedom of expression and ideas.
Sometimes, we cannot avoid questioning the cause we are fighting for, the value of freedom. Despite a rather bleak prospect, why do we have to continue in this struggle? Why do we have to cherish freedom? What can we do to safeguard freedom at home and stay alert to attacks on freedom? In answering these questions, I hope to walk through three episodes in the previous year.
Turning to 2020, protests are not seen as frequently as they used to be on the media lens, partly because of the pandemic, but more importantly for the authoritarian rule. While the world is busy fighting the pandemic, our government took advantage of the virus to exert a tighter grip over our freedom. Putting the emergency laws in place, public assemblies in Hong Kong were banned. Most recently, a rally to support press freedom organized by journalists was also forbidden. While many people may ask if it is the end of street activism, ahead of us in the fight for freedom is another battleground: the court and the prison.
Freedom Fighters in Courtrooms and in Jail
Part of the huge cost incurred in the fight for freedom and democracy in Hong Kong is the increasing judicial casualties. As of today, more than 10 thousand people have been arrested since the movement broke out, more than a hundred of them are already locked up in prison. Among the 2,300 protestors who are prosecuted, 700 of them may be sentenced up to ten years for rioting charges.
Putting these figures into context, I wish to tell you what life is like, as a youngster in today’s Hong Kong. I was humbled by a lot of younger protestors and students whose exceptional maturity are demonstrated in courtrooms and in prison. What is thought to be normal university life is completely out of the question because very likely the neighbour next door or the roommate who cooked you lunch today will be thrown to jail on the next.
I do prison visits a few times a month to talk to activists who are facing criminal charges or serving sentences for their involvement in the movement. It is not just a routine of my political work, but it becomes my life as an activist. Since the movement, prison visits has also become the daily lives of many families.
But it is always an unpleasant experience passing through the iron gates one after one to enter the visitors’ room, speaking to someone who is deprived of liberty, for a selflessly noble cause. As an activist serving three brief jail terms, I understand that the banality of the four walls is not the most difficult to endure in jail. What is more unbearable is the control of thought and ideas in every single part of our daily routine enforced by the prison system. It will diminish your ability to think critically and the worst of it will persuade you to give up on what you are fighting for, if you have not prepared it well. Three years ago when I wrote on the first page of prison letters, which later turned into a publication called the ‘Unfree Speech’, I was alarmed at the environment of the prison cell. Those letters were written in a state in which freedom was deprived of and in which censorship was obvious. It brings us to question ourselves: other than physical constraints like prison bars, what makes us continue in the fight for freedom and democracy?
Mutual Support to activists behind-the-scene
The support for this movement is undiminished over these 17 months. There are many beautiful parts in the movement that continue to revitalise the ways we contribute to this city, instead of making money on our own in the so-called global financial centre. In particular, it is the fraternity, the mutual assistance among protestors that I cherished the most.
As more protestors are arrested, people offer help and assistance wholeheartedly -- we sit in court hearings even if we don’t know each other, and do frequent prison visits and write letters to protesters in detention. In major festivals and holidays, people gathered outside the prison to chant slogans so that they won’t feel alone and disconnected. This is the most touching part to me for I also experienced life in jail.
The cohesion, the connection and bonding among protestors are the cornerstone to the movement. At the same time, these virtues gave so much empowerment to the mass public who might not be able to fight bravely in the escalating protests. These scenes are not able to be captured by cameras, but I’m sure it is some of the most important parts of Hong Kong’s movement that I hope the world will remember.
I believe this mutual support transcends nationality or territory because the value of freedom does not alter in different places. More recently, Twelve Hongkong activists, all involved in the movement last year, were kidnapped by China’s coastal guard when fleeing to Taiwan for political refugee in late-August. All of them are now detained secretly in China, with the youngest aged only 16. We suspect they are under torture during detention and we call for help on the international level, putting up #SAVE12 campaign on twitter. In fact, how surprising it is to see people all over the world standing with the dozen detained protestors for the same cause. I’m moved by activists in Italy, who barely knew these Hong Kong activists, even took part in a hunger strike last month calling for immediate release of them. This form of interconnectivity keeps us in spirit and to continue our struggle to freedom and democracy.
Understanding Value of freedom in the university battle
A year ago on this day, Hong Kong was embroiled in burning clashes as the police besieged the Polytechnic University. It was a day we will not forget and this wound is still bleeding in the hearts of many Hong Kongers. A journalist stationed in the university at that time once told me that being at the scene could only remind him of the Tiananmen Square Massacre 31 years ago in Beijing. There was basically no exit except going for the dangerous sewage drains.
That day, thousands of people, old or young, flocked to districts close to the university before dawn, trying to rescue protestors trapped inside the campus. The reinforcements faced grave danger too, for police raided every corner of the small streets and alleys, arresting a lot of them. Among the 800+ arrested on a single day, 213 people were charged with rioting. For sure these people know there will be repercussions. It is the conscience driving them to take to the streets regardless of the danger, the conscience that we should stand up to brutality and authoritarianism, and ultimately to fight for freedoms that are guaranteed in our constitution. As my dear friend, Brian Leung once said, ‘’Hong Kong Belongs to Everyone Who Shares Its Pain’’. I believe the value of freedom is exemplified through our compassion to whom we love, so much that we are willing to sacrifice the freedom of our own.
Defending freedom behind the bars
No doubt there is a terrible price to pay in standing up to the Beijing and Hong Kong government. But after serving a few brief jail sentences and facing the continuing threat of harassment, I learnt to cherish the freedom I have for now, and I shall devote every bit what I have to strive for the freedom of those who have been ruthlessly denied.
The three episodes I shared with you today -- the courtroom, visiting prisoners and the battle of university continue to remind me of the fact that the fight for freedom has not ended yet. In the coming months, I will be facing a maximum of 5 years in jail for unauthorized assembly and up to one ridiculous year for wearing a mask in protest. But prison bars would never stop me from activism and thinking critically.
I only wish that during my absence, you can continue to stand with the people of Hong Kong, by following closely to the development, no matter the ill-fated election, the large-scale arrest under National Security Law or the twelve activists in China. To defy the greatest human rights abusers is the essential way to restore democracy of our generation, and the generation following us.
.................
💪小額支持我的獨家分析及文章:https://bit.ly/joshuawonghk
╭────────────────╮
╞🌐https://twitter.com/joshuawongcf
╞📷https://www.instagram.com/joshua1013
╞📧joshua@joshuawongcf.com
╞💬https://t.me/joshuawonghk
╰────────────────╯
physical environment中文 在 倒立先生Mr. Candle Facebook 的精選貼文
我發現:中文語境中的「科技」一詞,是英文的科學=Science與技術=Technology(或簡寫為Tech)併用的結果,我們習焉不察,其實二者大不同,引起很多混淆。
拙文,2500字!太長了,感謝「上報」不嫌棄願意刊出,以下節錄重點,有興趣的臉友請至上報點選原文,指教、並點讚,謝謝。
美國對中國打科技戰的遠慮近憂為何?若把「科技」拆成「科學」+「技術」來分析,可能就容易看出端倪了。
諾貝爾獎項,這是科學家們夢寐以求的至高榮譽,它從1901年成立,初設五個獎項:物理、化學、生理學或醫學、文學、與和平獎,1968年加入了經濟學獎。其中物理、化學、生醫屬於本文討論的自然科學。
到今年為止,這三個獎項,美國籍獲獎的約有260人-因為國籍會變動,所以各方算法不同。中國呢,按中共的「大中國」視角,就算把中華民國時代的李政道與楊振寧、日據時代台灣出生的李遠哲-也有把他歸為日本獲獎者的,再加上美國出生的丁肇中、朱棣文、錢永健,中國出生後來歸化美籍的高錕、崔琦,最後是土生土長、本地培養出、2015年獲生醫獎的屠呦呦都算上,也不過只有9位「華人」。
諾貝爾獎的獲獎數,可以視為一國科學實力的「存量」=過往科研成果的累積。
在這項純粹代表一國科學實力的指標上,美國完勝中國。
相對於「存量」,要如何看出一國的科學發現與成果的「增量」呢?隨時都可以發表的學術論文,應該是一個不錯的指標。
世界最早發行、也是最具權威性的學術期刊之一:《自然》(Nature)在2014年提出了「自然指數」(Nature Index),用來計算各國或各科研機構的科學期刊論文產出,為了保證品質,只統計82家頂級學術期刊上的論文。
自然指數統計的領域有:化學(Chemistry)、物理科學(Physical Sciences),與諾貝爾生醫獎類似的生命科學(Life Sciences)、及以諾貝爾獎所沒有的地球與環境科學(Earth and Environment Science)。
Nature網站上公佈了2019年4月1日至2020年3月31號的統計結果,排名前十的國家分別是:1美國、2中國、3德國、4英國、5日本、6法國、7加拿大、8瑞士、9南韓、10澳洲,與2018年的排名相同。台灣也榜上有名:第20,恭喜!
「自然指數」2014年推出以來,前三名一直是美、中、德三國;英、日總在爭奪第四。既然是「增量」,就會好奇這幾年來的「增速」如何呢?自然雜誌網站上存有2015~2019年以來的資料,筆者把中國論文的Share數除以美國論文的 Share數算出,意義是中國論文產量是美國的幾分之幾,以及此一差距的變化,如下:0.37、0.44、0.46、0.56、0.67
這一項衡量一國科學水準的指標,美國也是一直領先,對於中國,自然雜誌評論為「China is closing the gap with remarkable speed」(中國正以顯著的速度拉近差距」)。
科學,寄身於校園與學術機構,主角是科學家,重心在基礎研究。技術則孕育於產業界,重應用,主角是工程師,以增加獲利為目標,所以追求降低成本與提升良率,大量生產則是必經之路,而且總是盯著市場的變化。也有兩個指標可以做為依據,一是專利數,二是製造業的門類與產出量。
世界知識產權組織(WIPO, World Intellectual Property Organization)網頁上有一個長達36秒的動畫,依申請「世界國際專利」(PCT)數量,排出全球前十名國家,從2005年開始,一直到變化到2019年。
2005年,美國排第1,專利數46,879,中國排第10,專利數2,503;然後美國一直獨佔據鰲頭,每年的專利數也略微增加,2014年達到約61,488的高峰後,穩定在58,000附近;中國則逐年趕超瑞典、瑞士、荷蘭、南韓、法、英、德、日等國家,2017年晉升到第二的位置,然後,去年又以58,990 些微領先美國的57,840,暫登王座。
從專利這項指標來看,中國在技術領域,可能已經跟美國不分軒輊。
用馬拉松長跑來比喻吧:在科學與技術的賽道上,美國如果一人保持遙遙領先的局面,在最前方儘管跑即可,反之,如果頻頻回頭伸手阻攔競爭者,是不是有競爭者已經逼進到觸手可及的距離了?至於什麼是「彎道」呢?則是另一個科技演化的議題。
當然,不必急著判斷中、美科技戰誰會勝出,還早,而且科技只是國家權力的要素之一,也會受到其它要素的牽動。我們得繼續觀察。
#中美貿易戰
#科技戰
#國家權力
#彎道超車
physical environment中文 在 漂流出口 Outlet Drift Facebook 的最讚貼文
明天又將毀滅自我,毀滅是終極之美
《當江山成為事實 藝改就是義務》江山藝改所成立一週年派對
《When Jiang Shan is a Fact, Yi Gai is a Duty》Jiang Shan Yi Gai Suo 1st Anniversary Party
時間 Time/
2014/05/17(六) 15:00 ~ 22:00
地點 Venue/
江山藝改所 (新竹市江山街17-4號/城隍廟旁/江山街13.15號巷縫中)
Jiang Shan Yi Gai Suo (No.17-4, Jiang Shan St., Hsinchu City/near Cheng Huang Temple/in the alley between No.13 & 15, Jiang Shan St.)
票價 Admission/
預售票 Advance $300 (發售至5/16 23:59前)
現場票 At Door $400
@ 購票方式 How to buy tickets:
1. 於本所營業時間現場購票 Pay cash at JSYGS during open time.
2. FB傳訊預約 Send a message to our Facebook page.
3. 來電預約 Call 03-5266456 during open time.
交通方式/
●大眾運輸
火車站出口出來,沿著左前方林森路直走約100公尺,於左手邊「台灣銀行」前搭乘大遠百免費接駁車,在第三個停靠站(中山路北門街口)下車,往前直走約50公尺右轉仁德街(地標為貢茶),直走約50公尺左轉江山街,找到13號及15號之間的防火巷,進入巷子約15公尺右手邊即為本空間正門。
●步行
火車站出口出來,沿著左前方林森路直走,看到右手邊的「南門醫院」後右轉復興路並直走東門街,看到城隍廟前廣場往正前方找到仁德街(地標為貢茶),進入仁德街直走約50公尺左轉江山街,找到13號及15號之間的防火巷,進入巷子約15公尺右手邊即為本空間正門。(約15~20分鐘)
●地圖 Map
中文版:
https://www.facebook.com/photo.php?fbid=418695844895096&set=a.418695798228434.1073741838.401184409979573&type=3&theater
English version:
https://www.facebook.com/photo.php?fbid=420338138064200&set=a.418695798228434.1073741838.401184409979573&type=3&theater
///////////////////////////////////////////////////////////////
演出順序 Lineup/
15:00~15:50 Betty Apple 鄭宜蘋
16:00~16:50 再見!奈央! Goodbye Nao
17:00~17:50 理化兄弟 Physical Chemical Brother
18:00~18:50 漂流出口 Outlet Drift
19:00~19:50 黑狼/黃大旺龍捲風 Blackwolf Tornado
20:00~20:50 KbN 凱比鳥
21:00~22:00 Vice City + VJ Carl_Westman
///////////////////////////////////////////////////////////////
表演者簡介 About The Performers/
Betty Apple 鄭宜蘋
1986年生於台灣嘉義,現於台北創作。身上流著聲音藝術家與電子樂創作者的新數位混種基因。受臥室電子樂與次文化影響甚深,往來舞曲與噪音之間毫無阻礙。台北藝術大學戲劇系主修表演,2008年畢業後開始使用個人電腦創作臥房電子樂,2010年進入台北藝術大學新媒體藝術研究所研究媒體藝術;作品內容多半為聲音與行為表演的現場藝術,探究身體操作聲音的新形態,擅長利用自身的身體語彙提出身體政治的精神意識形態。嘗試讓次文化精神與藝術思維混種的實驗。
曾跨界參與聲音藝術,電子樂表演,劇場音樂設計。為2012年電子樂推廣團體「耕聲人」主辦人之一,於當年九月促成台灣第一張以臥室電子樂反核人共同發起的「i love nuclear」的反核電音合輯,為台灣新生代聲音藝術搖籃的「失聲祭」2013年駐祭藝術家。更被國際前衛藝術雜誌「white fungus」多次邀請,與國際知名電子聲響藝術家Merzbow、EVOL、Zbigniew Karkowski、Scott Afford、王福瑞、Samin Son同台演出。
Betty Apple is a composer, DJ, and sound and performance artist. Apple has made an impact in Taipei with visceral noise/performance art pieces using synthesizers, field recordings and amplified vibrators. In 2013, Apple was the artist in residence at Lacking Sound Festival. In addition to her own performances, she curated a series of events exploring notions of sound in relation to femininity. Apple is at the forefront of a new wave of Taiwanese artists who are beginning to fuse their work with political activism. The anti-nuclear movement has grown exponentially in Taiwan over the past few years, in particular, since the meltdown at Fukushima, and Apple is among those who have organized events and produced music to support it.
http://www.bettyapple.com/
再見!奈央! Goodbye Nao
Goodbye!Nao!是一支不需要樂團簡介的樂隊
它在每個人心中都有不同具像 不斷被詮釋 解剖 試圖理解
表演起因 素材 精神或意義 無法歸類
他們所期待重視 僅是他們的姿態 能給觀眾的觸發
觀者 表演者 沉浸渾沌一氣的哲意場景
唯有踏入 才有機會透徹
非搖滾 後搖滾 工業噪音 行動聲響藝術 範籌
如鋼鐵 如流雲 如詩般的善意
全都 全都 回到自身感應衝擊
當然如果 你相信以上全都是放屁
那你大概也向他們靠攏了一點 (by babywhite)
「正如他們所聲明的,他們的音樂不過是無意識的囈語以及突如其來的悲傷」- Taipei Times
「後卡通手槍時代的樂團」-破報
「春天吶喊狀況多 樂手調音不順摔吉他」- 東森新聞
「為什麼你們的現場表演跟CD不一樣?」- 眾多友人
「我從來沒有聽懂再見奈央過,對,一次也沒有。」- freakeels(PTT 後搖滾版版主)
「Roo!」- 德州樂團The Octopus Project
「髒三樂團上海巡演,台灣樂團暖場,吉他手演出脫衣秀」- 東森新聞
「或许"傻逼"才是更合适他们的标签吧」、「我觉得他们实在是太烂了,烂到我搜肠刮肚也找不出任何正面的评论可以奉献给他们。」- 大陸網友
2005年10月 「再見!奈央!」首次在台北地下樂團最重要的舞台 THE WALL LIVE HOUSE 演出並受到PTT後現代搖滾版POST ROCK 版主的讚賞
2006年「再見!奈央!」成立首演之後即受邀參加台北市立美術館 <疆界>藝術展開幕-噪動之夜
Goodbye! Nao! needs no introduction. This band can be dissected and understood in many ways because how and what they play can’t be categorized. The only thing they anticipate is the energy and creativity they bring to the audience during performance.
網站:
http://www.indievox.com/goodbyenao
http://www.myspace.com/goodbyenao
理化兄弟 Physical Chemical Brother
獨立音樂圈版本:
電子皮、搖滾骨、數位魂 - 當8-BIT(8位元音樂)從遊戲中獨立出來,這已經不只是獨立音樂,更是獨立電子 - 翻玩古早任天堂電玩影像以及音樂的理化兄弟,將場景轉移到舞廳,創作風格橫跨Electro,Techno,Drum and bass,甚至到Dubstepush buttons。
狹義藝術圈版本:
當年差點組樂隊的無名氏兄弟,始終遙遙無期,於失散多年後在一場奇異的廟會相遇,各自吞了一顆濟公搓揉的腋下仙丹,各自幻化成DJ與VJ,理化兄弟於是誕生。目前的團員編制為創作型DJ :林昭宇 與半創作型VJ:黃真。目前有點專注於研究 8-bit 樂音,也稱為chiptune或是 Gameboy music。我們試圖運用現代科技來翻玩並探討當時曾經是頂風的影音技術,場域則從個人電玩機台到派對,再轉換進入表演空間進行與不同觀眾的對話。
Physical Chemical Brother sampling 8 bit sounds and graphic from Nintendo games, creating tracks who's style ranges from Electronic, Techno, DNB to Dubstep. Then places the mix on the dancefloor
where it becomes not just indie music but electro indie.
漂流出口 Outlet Drift
三位台東阿美族青年是來自比西里岸部落的碧海兄妹與都蘭部落的林肯。自父母親那一代許多族人為了生存來到了城市打拼,在文明社會的環境成長之下我們早已習慣了現代音樂與前衛音樂。因為興趣結識下我們一起玩音樂,模仿過很多影響自己的偉大藝術家。
對於環境和原住民族群的生活感受之下,尋找著自我的價值;不斷的徬徨、自省、振奮、墮落之下,對喜歡文學的巫尚,初期創作理念甚至出於唐代落魄詩人詩集。像是一句「冠蓋滿京華,斯人獨憔悴」的現象:雖然到我長大才認同自己的身分,但也很慶幸的回到家鄉看到了原住民本身非常特別的文化與音樂,也知道用我的感受來創造音樂的衝擊力。
發展出堅定的鼓聲,跳躍的低音,迷幻的吉他音效,現場像來到陰森的山林,雲霧繚繞,一位小男孩往前跑,在森林裡吶喊。這是朝著結合台灣原住民傳統小調,噪音民謠實驗樂隊,漂流出口。
Three aboriginal Taiwanese youths from Taitung jam together in the big city, united by their shared love of modern and avant-garde music.
Once lost in the value of life under influence of environment and being in a part of aboriginal groups, he’s finally found his identity in his culture through music and hoping to make an impact with his emotions through music.
Firm drums, bouncing bass and psychedelic guitar sound as if a little boy running and screaming in a creepy, foggy woods. This is a band blending traditional aboriginal Taiwanese tunes with experimental noises.
黑狼龍捲風(黃大旺) Blackwolf Tornado (Dawang Yingfan Huang)
「先天性表演者」黑狼(黃大旺)企圖延續表演生命的另一種挑戰。
It is yet another challenging attempt to continue the performing life of congenital artist Blackwolf Dawang Huang.
KbN 凱比鳥
以添加搖滾元素的實驗電子聲響著稱。成軍超過十年的他們,長期以來一直默默地為更多的聲音可能性,實現各種不同的創意發揮與改造。
Adding rock’n’roll elements to experimental electronic sounds in over ten years, they’ve been looking for and creating endless possibility of sounds.
專輯:
KbN - Before 2005 CD&DVD (2006)
19992005 (Orange Disk, 2013)
合輯 :
I Forgot Everything(2002)
蘿蔔一代 (小白兔唱片, 2003)
沈默的約定 (默契音樂, 2003)
2002貢寮海洋音樂季紀念專輯(角頭音樂, 2003)
FC5-118(台北之音, 2005)
Da Party(一瞬之光制作所, 2008)
The Message(Agnes b, 2010)
電擊夜市(Fun Music, 2011)
來做一張地下社會合輯(Underworld, 2012)
電影/短片配樂:
最好的時光(侯孝賢)2005坎城影展入圍
愛莉絲的鏡子(姚宏易)2005南特影展入圍
美人胚子(王梅蓉/駱巧梅)28屆金穗獎最佳劇情動畫
牛奶人(蘇話雅)31屆金穗獎最佳實驗片
漫畫配樂:
音速愛情(夏紹虞)2007
裝置:
Dance Floor@台北關渡美術館 2008
繪畫:
我們終於有一做島嶼(陳敬元)2010
網站:
http://kbn.tw/
http://soundcloud.com/funkbnice
http://k-b-n.blogspot.com/
http://www.myspace.com/funkbnice
Vice City
2009年開始舉辦派對,2010年起陸續與友人成立太初有舞、耕聲人、電音反核陣線等電子音樂文化推廣組織。
Vice City特別喜愛同時具有寬廣時間感、空間感,加上豐富身體感的音樂,有點像冥想、瑜珈,能夠帶來解放與覺知的神奇能量。
喜歡結合看似相互衝突的音樂元素,諸如大自然聲響、傳統部落樂器與吟唱、現代工業城市等都是她的靈感與採樣來源。
Vice City loves music that has broad sense of time and space, and rich physical sense that can bring liberation and magical energy of awareness that often comes with meditation or yoga. Any elements that seem conflicted such as natural sounds, traditional tribal music instruments and singing and modern industrial city are her sources of inspiration.
Soundcloud: https://soundcloud.com/vicecitybeats
FB: https://www.facebook.com/vicecity2013
VJ Carl Westman
長期旅居台灣的南非籍藝術家Carl Westman,創作遍及繪畫、平面設計、VJ影像、電子舞曲、噪音等形式,他的音樂就如同其視覺作品,在幾何線條與大量交疊的色彩中,既繁複又簡單,充滿了一股迷幻中帶著深邃黑暗的氛圍,反映他對生命、宇宙之意義與可能性的探索。
Long term resident of Taiwan, South African artist Carl Westman's type of creation includes painting, graphic design, VJ, electronic music and noise. Similar to his visual work by overlapping geometric shapes and colors, his music is both complex and simple in a deep and dark psychedelic atmosphere, reflecting his exploration in the meaning of life and universe.
網站:http://wooyapa.deviantart.com/prints/
FB: https://www.facebook.com/WooYapa