<脫口秀小訣竅中英翻譯-靈感篇>
文長注意!
之前小歐在脫口秀社團po了外國佛心大神脫口秀演員Gary Gulman,在twitter上連載的366個脫口秀小訣竅。
小妹就認領了靈感篇來翻譯。以下為22個小訣竅的中英文對照,若有翻的不盡理想的地方,請留言詳述,我會再看怎麼修改。原文和網誌版會放在留言處,方便大家查看。
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Ideas
靈感
Tip No. 41: You know those quirky little things you do and think? Collect them in a file or on paper. Even if you’re a storyteller, you can use these as details to add depth and distinction to your jokes.
你了解自己做或想的古怪小事嗎? 把他們記錄在紙上或檔案夾裡。即使你是講故事的人,也可以將這些內容作為細節,以增加笑話的深度和特色。
GARY'S FAVORITES
Gary(原作者)的最愛
Tip No. 45: Don’t Hoard Jokes
Don’t worry about “burning” material on a special or album. Hoarding jokes may signal to your brain that you’re out of ideas. “You can’t use up creativity. The more you use, the more you have.” — Maya Angelou.
不要囤積笑話。不要怕在演出或專場用光自己累積的材料。囤積笑話會對你的大腦發出信號,暗示你已經沒有想法。如同Maya Angelou所說:”你無法耗盡創意。 你使用的越多,你擁有的就越多。”
Gary’s thoughts on Tip No. 45: This attitude has been crucial to an unprecedented streak of creativity over the last two years. I’ve written four hours of material, which is almost as much as I wrote in my first 23 years of comedy. Most important has been my health, this idea may be second.
Gary對此建議的想法: 在過去兩年中,這種態度對我的前所未有的創造力,有著至關重要的影響。我已經寫了四個小時的素材,這幾乎與我前23年的喜劇寫作一樣多。最重要的是我的健康,這個想法則排名第二位。
Tip No. 62: Look for inspiration everywhere. Paintings, music, poetry, rap, novels, nonfiction, short stories, theater, philosophy, etc. can all provide a spark for creativity. Cross-pollinate your work with broad influences and watch your creativity grow.
在各處尋找靈感。繪畫、音樂、詩歌、饒舌、小說、非小說、短篇故事、戲劇、哲學..等,都可以為創造力提供火花。以廣泛的影響力對你的工作進行異花授粉(原文:cross pollination,藉由風或昆蟲從別的花獲得繁衍的花粉),並觀察你的創造力增長。
Tip No. 63: Write it all down while the coffee is still telling you you’re mighty. Reread after you’ve turned back into Dr. Banner (yes he’s a genius, but not as self-confident in that condition). That buzz is so valuable but needs editing.
在咖啡發揮效果告訴你”你超棒”的時期,把所有想法寫下來。當你回復成原本的自我 (原文: Dr. Banner,也就是尚未變身成綠巨人浩克的班納博士,是個缺乏自信的天才)時,重讀一次剛才的寫作。思緒激昂(原文:buzz,也有微醺、很鏘的意思)很珍貴,但需要編輯。
GARY'S FAVORITES
Gary(原作者)的最愛
Tip No. 90: After a Good Set, Brainstorm
You just had a great set. Instead of celebrating, use that hour or so after when the synapses are still firing and your confidence is soaring to voice record or write down the ideas that pop up during that especially fertile creative time.
如果你剛完成一場精采的表演,不用太早慶祝,要在大腦突觸仍在觸發、信心爆發、靈感特別豐腴的創作時間裡,把突然出現的想法錄音或寫下,再多花一個小時左右的時間繼續創作吧。
Gary’s thoughts on Tip No. 90: Huge help in making jokes that work longer and coming up with tangents and inspired ideas.
Gary對此建議的想法: 這建議在創作笑話的過程中提供巨大幫助,並提供變化和啟發性的想法。
Tip No. 92: Notice where you do your best thinking. The shower? Running? Listening to music? Not listening to music? Driving? Walking? Make sure to put yourself in the places where you’re doing your best thinking as frequently as possible.
你有注意過你在哪個’場景最能好好思考嗎。沐浴時?跑步時?聽音樂時?不聽音樂時?開車時?走路時?請盡量把自己放在最適合思考的場域。
Tip No. 132: I think you can limit frustration and discouragement by writing just a page on a new premise before trying it out onstage. See if there’s anything there before you spend a day on a new joke. But if you’re truly excited by the new idea, keep going!
我認為你可以在上台試笑話之前,先寫一頁的新前提,這可以限制你的挫敗感和沮喪感。在你花一整天開發新笑話之前,先研究前提是否可挖掘。但是,如果你真心對這個新點子感到興奮,那就放手去做吧!
Tip No. 143: Listen to strangers’ conversations. (I tell myself it’s not impolite if they’re being super-loud.) I got “How Dottie is that?” when a supercilious woman named Jodi bragged “How Jodi is that?” “So Jodi,” her friend replied.
偷聽陌生人的對談(我都告訴自己偷聽並不是沒禮貌的行徑,是他們講話太大聲了)。我有一次聽到一個名叫Jodi的膚淺女人吹噓"How Jodi is that?",她朋友回覆:"So Jodi",我因此想出了我的 “How Dottie is that?” 笑話。
Tip No. 157: Need new joke ideas? Be sensitive. If you’re uncomfortable with that word, use “irritable” (or grow up). A lot of good comedy comes from reaction to injustice or discomfort large and small, which requires being hypersensitive to those feelings.
需要新的笑話創意嗎?保持敏感。如果你對這個詞不滿意,請使用“煩躁”(或成長)。 許多優秀喜劇源自於對不平等或不適的大大小小的反應,產生這些感覺都需要保持敏感。
Tip No. 217: “All art is autobiographical. The pearl is the oyster’s autobiography.” — Federico Fellini. Purposefully mine your personal history for your act. Your life is a wellspring. Dig deep.
Federico Fellini說過:“所有藝術都是自傳。珍珠是牡蠣的自傳。”有目的得挖掘你的個人經歷,以作為你的演出。你的生活是靈感之源。請深入挖掘。
Tip No. 241: Many of your favorite writers include the same themes/subjects/objects/interests repeatedly in their work. Don’t be afraid to return again and again to your passions and obsessions to explore and expound.
你最愛的許多作家,都會在他們的作品裡重複探討相同的主題/目標/對象/興趣。不要害怕在你的熱情和沉迷之處,一次又一次得重複探索和闡述。
Tip No. 285: Explore unusual angles in a joke. Example: Examine things from the POV of a child or an Expert. My man Jimmy P and I still laugh over his “Martian response to high school football practice: Why are the hard-heads (players) taking orders from the small soft-heads (coach)?”
在笑話中探索不尋常的觀點。例如:從孩子或專家的視角觀看事物。我和我的兄弟Jimmy P仍會為他的笑話大笑:“火星人對高中足球訓練的反應:為什麼硬頭(球員)會從小型軟頭(教練)那裡得到命令?”
Tip No. 297: One of the miracles of comedy is that you can get redemption for suffering, small and large, by making something funny with it. When you are ready, try to write something funny about your mistakes, setbacks, or even tragedies.
喜劇的奇蹟之一是,藉由使事情變得有趣,你可以從大大小小的苦難中得到救贖。 當你準備就緒時,請嘗試寫一些有關你的錯誤、挫折甚至悲劇的有趣訊息。
Tip No. 298: Skim your life for the unusual events and activities that you can’t believe you were a part of or that people can’t believe you were a part of. Then write about it! Back row No. 93 MULLET:
No. 93後衛MULLET: “瀏覽你一生經歷過的、你或別人不敢相信你參與其中的奇特事件和活動。然後把它寫下來吧!“
Tip No. 310: When it comes to solving the puzzles that are our jokes, draw on every area of knowledge, expertise, and talent. It’s so gratifying to use a fact, a lesson, or a memory from elementary school, high school, or elsewhere to fill in the joke.
在解決我們玩笑的難關時,請利用各個領域的常識、專業知識和才能。用小學、高中或其他地方的事實、課業或回憶來充實笑話,會非常令人滿足。
Tip No. 311: Some of your best ideas will come to you in the shower. There’s science behind why it happens. Get a shower notepad if you have trouble remembering your ideas. Don’t listen to music. Listen to your thoughts. Ruminate on tonight’s set or a new joke.
洗澡時,你可能想到一些最好的點子。這現象的發生原因有科學依據。如果你難以記住自己的想法,請準備淋浴記事本。不要聽音樂。聽你的想法。用今晚的場景或一個新的笑話來反思。
Tip No. 313: Try teaching or informing the audience about something through some of your jokes. We love to learn while being entertained and vice versa. You have knowledge? Put it in your act! Just make sure it’s funny.
試試看通過講笑話來教導或告知聽眾新知識吧。我們喜歡在娛樂的同時學習,反之亦然。你有新知識嗎?把它放在你的演出!只要確保它很有趣就行。
Tip No. 327: Going home for Thanksgiving? Take copious notes! Your family is unique. Being reminded of the dynamics and adding new memories will be great resources for your act. “Family isn’t a word. It’s a sentence.”
逢年過節你會回家和家人團聚嗎?做大量筆記!你的家人是獨一無二的。記住動態場景並添加新的記憶,這會是你表演的寶貴資源。“家庭不是一個詞。 而是一個句子。”
Tip No. 331: There are great stories from our lives that we’re not able to translate into stand-up. Don’t throw them out. Collect those stories in a file for radio and TV and other interview situations.
我們生活中有許多很棒的故事,但我們無法將其轉化為脫口秀。可是不要把它們丟掉。要將這些故事收集在資料夾裡,以後在進行廣播和電視或採訪時可能用的到。
Tip No. 340: Volunteer! Especially if you don’t have a day job. There are so many opportunities to help. You will do good and have something new to write about. In NYC we have New York Cares. One year we decorated an elementary school for Halloween.
如果你沒有正職工作,當志工吧!你會有很多機會能幫助別人。你會做得很好,並有新的事情能寫。在紐約,我們設有紐約關懷中心。今年我們為萬聖節裝飾了一所小學。
Tip No. 358: I have recently started audio recording all notes sessions (for projects), and next time I pitch jokes with a friend I will record that too. It’s very helpful. You will be surprised at what you forgot when you listen back. Ask permission first.
我最近開始錄製所有筆記會話(用於專案)的錄音檔,並且下次我與朋友開玩笑時,我也會錄音。這非常有幫助。當你回聽時,你會驚訝於你忘記了什麼。但錄音前請先徵得許可。
Tip No. 360: Spending holidays with kids? Pay attention to them. Listen to them. Take note and embrace their curiosity and enthusiasm within your writing. (Also avoid the “kids these days” writing. It’s lazy.) Merry Christmas from your second favorite long-haired Jew.
和孩子一起度假嗎?注意觀察他們。聽他們說話。寫下你觀察到的東西並注意,並在寫作中懷抱孩子們的好奇心和熱情。(不要流水帳的寫“現在的小屁孩都如何如何”。這很懶。)你第二喜歡的長髮猶太叔叔在此祝你聖誕快樂(註,原作Gary是猶太人)。
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用肉身,去感受體驗每一當下,
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是否曾在你的人生中,忽然乍現
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【怎樣讀好英語文學:給中學同學的幾個貼士】
不時也有高小、初中、或大學的同學向芬尼來求助,表示他們第一次接觸到英語文學,無從入手,請教芬尼,如何能培養獨立分析文學作品的能力。讓我簡單分享一下讀英語文學的心得。
📍 第一個貼士:用正確的方法使用坊間出版的筆記(e.g. York Notes, Cliff's Notes等等)
芬尼小時候,也沒有請Eng Lit的補習老師,靠的只是老師的引導和自己的分析和研究。
我用的方法,就是除了細讀文本之外,自己讀哪一本文學作品,我就必定會到圖書館借閱和文本相關的筆記,包括York Notes和Cliff Notes等等。現在的年代比我讀書年代更方便,因為網上冒起了很多分析文學作品的網站,包括Spark Notes和Litcharts等。我認為使用筆記是必須的,因為文學作品(尤其是小說)的篇幅太長了,作者又往往喜歡採用隱晦的表達方式,例如表面似乎在描寫事實,事實是在側面描寫人物和主題。
透過閱讀這些筆記,芬尼漸漸學懂了用什麼用語(terminology)分析文學作品,和怎樣使用一個「居高臨下」的視覺,分析作者的寫作手法和風格。
如果各位同學都希望使用這些筆記,輔助自己的分析,切記兩點:
1)千萬不要把筆記裏面的分析當成標準答案,寫論文時,就搬字過紙地抄襲別人的觀點,看這些書的時候,請保持住學習怎樣分析的心態,而非一個抄襲的心態。你要模仿筆記作者的分析手法,但不要生吞活剝地抄考作者的觀點,要學習怎樣建立自己的觀點,使用證據支持自己的觀點,並有條理地闡述。
2)不要把閱讀筆記當作細讀作品的替代品。細讀作品,自己分析和體味,你的分析才會細緻和獨到,筆記的觀點只是指引你大略分析的方向,和給你做參考而已。
📍 第二個貼士:用盡方法找到適用的筆記
找到適用的筆記真的很重要,老師和你上課的時間有限,不可能go through作品裏的每一個細節,但只要你讀的是經典文學作品,坊間一般都有很多資源,書本裏的每個細節,有可能資源都已經為你條分縷析過了,要記住,就文學這一科來說( 可能就每一科來說也如是),學校老師不會是最好的老師,書本才是最好的老師。
有一次學生找我上課,我在堂上無法覆蓋書裏的每一個小說的chapter,可幸的是我在網上找到了分析書裏每個chapter的筆記。即使不是和我上課時,學生也可閱讀筆記自習。
經此一役,我發覺同學往往不夠毅力找Eng Lit的學習資源,其實只要懂得善用google search和電子圖書館包括scribd等網站,很多文本的筆記都可以找到。不要找一會就放棄,要堅持到找到為止。
📍 第三個貼士:不要把老師當成給予正確答案的權威,而是應該自己多思考和研究
我的中學是設有英語文學科的,所以慶幸我在學習英語文學的道路上,可幸還算比較早起步。
我們學校的教學方式,對我來說也有一定幫助,因為老師從來只會引導我們怎樣思考,着我們就不同的文學主題、文本的不同部份和人物塑造等方面作討論,從來也不會給予我們標準答案,只會給我們線索和提示,叫我們上網和去圖書館找資料,自己閱讀和研究。對於某些同學來說,這樣的教學方式或許很demanding,但對於我來說,這種方式無疑是幫助大大提升獨立思考和研究的能力。
📍 第四個貼士:不要怕在文本上寫筆記
我常常笑說,看看一個同學手上拿着那本書,已經可以大略猜到到這個同學是否有心有力分析文本,如果整本書完全沒有highlight和做筆記的痕跡,十居其九,這個同學根本沒有用心讀過文本!有些同學很怕畫花自己本簿背書,不肯在書上寫筆記,但我認為這樣是非常愚蠢的。書買回來,是用來閱讀,而不是用來擺放的。要深入理解一文本,在書上寫上自己的註解、分析、看法和感受是必須的,我以前在書上寫的筆記多到甚至機會比文本本身更長,因為在閱讀的過程中,我的腦袋處於極度活躍地轉動的狀態,我在閱讀時老中浮現的疑問和假設,通通都會寫在書上。文學分析本應是一個十分intense的過程,你不可能腦海中浮現很多分析和想法時不把這些想法記下,不寫下的分析必然流失於遺忘。
📍 第五個貼士:逐步逐步製作自己的筆記
上一點提到在書裡做筆記,書上做的筆記就是我自家製的筆記的第一個版本。做完第一個版本的筆記之後,我就會著手準備第二版筆記,第二把筆記不但濃縮了第一版筆記的內容,也加入了評論家的觀點,到考試來臨時,我也就會有足夠的觀點回應任何題目。
📍 第六個貼士:不要盲目背長 quotations
引經據典,使用quotations,支持自己的意見,在寫論文的時候是必須的,但各位同學千萬不要無視自己的記憶力極限,硬把水蛇春咁長的quotations塞進腦裡,畢竟準備考試的時間有限,與其花時間背誦極長的quotations,倒不如花時間琢磨自己的觀點和選擇一些短小精悍的quotations來背。即使長的quotations對支持觀點有幫助,你也可以只背和引用其中一部分甚至一句之中的其中一個單字,只要擷取到quotations中的重點即可。
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spark notes 在 鍾翔宇 Xiangyu Youtube 的精選貼文
完整專輯免費收聽 Listen to the Full Album for free:
https://youtu.be/rC1TMm28v6Q
購買實體專輯:已完售,感謝大家的支持!
虾米音乐: https://www.xiami.com/album/5021315036
Follow Xiangyu on Twitter https://instagram.com/notXiangyu
Follow Ransom-Notes on Twitter https://twitter.com/ransom1992
〈延續和決裂〉, beat 的部分非常切題地復刻了 90 年代經典嘻哈,以如 DJ Premier 那樣以刷碟方式,取樣其他歌曲的歌詞來替作曲人或是歌曲本身發聲。這首歌在副歌部份取樣了兩首 90 年代的歌曲: Canibus 的〈Get Retarded〉以及 Mobb Deep 的〈Drop a Gem on 'Em〉。取樣的句子在這首歌中串連起來所表達的意思,或許跟原曲有所差異,但這正是嘻哈取樣有趣、且令眾多愛好者著迷的地方。
在討論歌詞以前,筆者先稍微解釋仕紳化(Gentrification,或譯作縉紳化)的概念:
「仕紳化」比較常運用在城市發展中,意旨中低收入社區因為某些基礎建設或建築的更新改善,使得房價、地價或社區商業模式改變,逐漸被中間或中上階層遷入居民佔據。這些新遷入的中上階層住戶逐漸占主導地位,展開對原住戶的歧視,甚至用直接或間接的方式(例如土地徵收、收購房地產、或是新商業模式帶來不堪負荷的生活開銷等方式)驅離原中低收入戶,使得社區性質改變。
這種過程猶如現今嘻哈文化的發展一樣,70 年代由少數族裔與中下階層在貧民窟發展的簡易藝術創作形式,似乎象徵著人民把發聲工具拿回來了,卻在 90 年代開始跨國唱片公司所展開的「長島大併購」(開始一系列併購嘻哈音樂獨立廠牌,包含 Def Jam 等),以及 2000 年以後,跨國企業帶著商業嘻哈商品全球化發展,嘻哈逐漸仕紳化,成為中上階層的生活寫照,美國少數族裔的生活條件也並未有任何進展。這首歌,以延續與斷裂表達了鍾翔宇對現今嘻哈的態度:延續美國非裔等少數民族的正義鬥爭精神,並與跨國企業全球化帶來閹割過的「嘻哈」決裂。
spark notes 在 鍾翔宇 Xiangyu Youtube 的最佳貼文
購買實體專輯:
已完售,感謝大家的支持!
Follow Xiangyu on Twitter https://instagram.com/notXiangyu
Follow Ransom-Notes on Twitter https://twitter.com/ransom1992
0:00 星星之火 A Single Spark
2:52 延續和決裂 Continuity and Rupture
6:02 流言蜚語 Rumors and Slanders
8:56 夢 Dream
11:26 這不是請客吃飯 This Is Not a Dinner Party
14:50 社會主義還是人類滅絕 Socialism or Human Extinction
Spotify: https://open.spotify.com/album/5LXDWD9UWMinJpuGXfOHF9
Apple Music: https://music.apple.com/album/1475720641
KKBox: https://www.kkbox.com/tw/tc/album/Po-XjuEwvaj3s0F3XnGK009H-index.html
虾米音乐: https://www.xiami.com/album/5021315036
專輯介紹: https://tw.news.yahoo.com/%E5%98%BB%E5%93%88%E5%8F%8D%E5%B8%9D%E5%9C%8B-%E9%8D%BE%E7%BF%94%E5%AE%87%E8%AA%AA%E5%94%B1%E6%98%9F%E6%98%9F%E4%B9%8B%E7%81%AB-063724380.html
繼 2018 年金音獎入圍的《炮打司令部》後,中文嘻哈界絕無僅有的共產主義饒舌歌手鍾翔宇與英國製作人 Ransom-Notes 馬不停蹄地聯手炮製出六首歌的新專輯《星星之火》,相較於上張專輯還有如〈保力達B〉、〈偶像的手冊〉等比較詼諧幽默的歌曲,這張專輯顯得更加嚴肅而深入的闡述自己的意識形態。
即使如此,這張專輯並沒有流於自我重複的說教,而是透過自己在美國成長過程親眼目睹的(台灣媒體跟好萊塢電影不告訴你的)具體事實,鍾翔宇戳破所謂的「美國夢」,一層一層爬梳嘻哈音樂如何失去最初的反抗精神、分析爭取勞動權益的困境甚至環保議題。很難想像這麼龐大的知識量被鍾翔宇精巧的放在一張不到 20 分鐘的專輯當中,這樣大膽的嘗試絕對值得你靜下心搭配歌詞細細玩味。搭配 Ransom-Notes 充滿黃金年代風格的編曲,讓嚴肅的歌詞不再難以下嚥。而鍾翔宇精心設計的多韻和不時的好笑 punchline,也展現他想讓歌曲直面普羅大眾的誠意。
批判美國的霸權和當今的社會經濟制度等於動搖了非常多人的基本信念,鍾翔宇也深知這一點。然而看到不公不義的事實而站出來發聲,這是讓鍾翔宇之所以愛上嘻哈的浪漫初衷。《星星之火》這張專輯就如同他的偶像,英國嘻哈詩人 Lowkey 的 “Soundtrack to the Struggle” 一樣,是貨真價實的革命之聲,所有真心想衝破世界當今所面對的困境的人,肯定能從鍾翔宇的音樂中得到啟發。
Shortly after his 2018 album "Bombard the Headquarters" was nominated best hip hop album by the Golden Indie Music Awards, Xiangyu, one of the few openly communist rappers in the Sinosphere, together with his comrade Ransom-Notes from the UK, began working on "a Single Spark." In comparison to his previous album, which contains comedic songs like "Paolyta B" and "the Idol's Handbook," "a Single Spark" takes on a more serious tone and delves deeper into Xiangyu's ideology.
Despite the comparatively somber tone, this new album avoids repetitive preaching. Through sharing his personal experiences and the things he saw growing up in the United States, Xiangyu debunks the so-called "American Dream." Using materialist dialectics, he tells us how hip hop has lost its rebellious essence, and also analyzes power dynamics and touches on topics such as the environment. It is difficult to imagine how Xiangyu and Ransom-Notes were able to condense such a vast expanse of knowledge into an album less than 20 minutes in length. You will not be disappointed should you decide to sit down and listen to such a bold album while studying the lyrics. Reminiscent of hip hop's golden age, Ransom-Notes' beatmaking provides the listener with the sugar that makes the pill easier to swallow. Xiangyu's carefully constructed rhymes and the occasional humorous punch line demonstrate his sincere attempt to make his agitprop more accessible to the layperson.
Criticizing US hegemony and the socioeconomic order of today is tantamount to shattering the fundamental beliefs of many, and Xiangyu is acutely aware of this. The fact that hip hop can serve as a platform for pointing out injustices is what attracted Xiangyu to the genre in the first place. "A Single Spark" is similar to "Soundtrack to the Struggle" by Lowkey, one of Xiangyu's influences, in the sense that it is truly revolutionary in content. Those who genuinely seek to transform the predicaments plaguing our world today will certainly find inspiration in Xiangyu's music.
作詞:鍾翔宇
編曲:Ransom-Notes
錄音:鍾翔宇
混音:鍾翔宇、Ransom-Notes
母帶後期製作:Glenn Schick
繪圖:Bijan Nader Sharifi
Lyrics by Xiangyu,
Beats by Ransom-Notes,
Recorded by Xiangyu,
Mixed by Xiangyu and Ransom-Notes
Mastered by Glenn Schick,
Artwork by Bijan Nader Sharifi.
#星星之火 #鍾翔宇 #aSingleSpark
spark notes 在 pennyccw Youtube 的最佳貼文
Every time there was a missed shot, the Philadelphia 76ers showed just how desperate they were.
Dominating the rebounding matchup and outscoring Detroit 38-16 on points in the paint, the 76ers got back into their second-round series by defeating Detroit 93-83 Saturday night to cut the Pistons' lead in the series to 2-1. Game 4 is Sunday night.
Led by big men Kenny Thomas, Derrick Coleman and Tyrone Hill, the 76ers outrebounded the Pistons 48-30 and scored 27 second-chance points in a one-sided game that offered little suspense in the second half.
"We played awful. Horribly,'' Detroit's Tayshaun Prince said. "They killed us on the boards -- especially offensive rebounds.''
Thomas had a double-double before halftime and finished with 10 points and 14 rebounds -- five on the offensive end -- before pulling a leg muscle late in the third quarter. He said his injury was not serious.
Hill had nine points and six rebounds in just 22 minutes, but that was still more than Detroit's Ben Wallace managed to contribute in 36 minutes. The NBA's leading rebounder was held to six points and six rebounds.
"His numbers may not look as good as normal, but I don't question his heart or effort,'' Detroit coach Rick Carlisle said. "He'll bounce back tomorrow, and we'll bounce back tomorrow.''
Allen Iverson had 25 points and 11 assists, Keith Van Horn had his best game of the series with 17 points, and Coleman added 15 points and eight rebounds. The 76ers grabbed one-third of their rebounds on the offensive end.
All five Philadelphia starters reached double figures as the Sixers avoided falling behind 3-0 -- a deficit no NBA team has ever overcome.
"This was enormous,'' Sixers coach Larry Brown said.
"It does something for our psyche, the mental aspect,'' Iverson said. "We come into our own crib and are able to win decisively, it gives us a lot of motivation going into the next game.''
The Pistons might have point guard Chauncey Billups available for Game 4. A sprained ankle kept him sidelined for the second straight game, and Billups said afterward he's 50-50 for Sunday.
Richard Hamilton led Detroit with 24 points, Tayshaun Prince had 17 and Chucky Atkins had 13 filling in for Billups. No one else on the team scored more than seven.
Thomas strained his right quadriceps muscle while going for a rebound against Wallace and left for good with 3:50 left in the third quarter.
By then, the Sixers were ahead 64-44, and they never needed Thomas back. Van Horn made a 3-pointer 14 seconds later to give Philadelphia its largest lead -- 22.
Jon Barry hit a 3-pointer with 3:12 left to pull the Pistons to 86-75, but Iverson scored Philadelphia's next five points to keep it from getting any closer.
The 76ers asserted themselves on the boards early. When Hill grabbed the third offensive rebound of a single possession and turned it into a three-point play for a 23-18 lead, it gave Philadelphia a 17-4 edge in rebounding.
"The rebounds were a joke. The second-chance points in the first half was embarrassing,'' Barry said.
The Pistons gave Atkins a rest at the start of the second quarter, and Iverson took advantage of his matchup against slow-footed Barry to spark an 8-3 run that gave the Sixers a 31-22 lead.
Thomas had a double-double -- 10 points and 10 rebounds -- after making a 12-footer to cap a 7-0 run that gave Philadelphia a 44-30 lead. Detroit scored seven of the next eight points, but Snow ended the half with a jumper for a 48-37 lead after Price committed a traveling violation while isolated one-on-one against Hill.
Van Horn's 3-pointer capped a 7-0 run to start the second half, putting Philadelphia ahead by 18. The Sixers led by at least 16 for the rest of the third quarter.
Game notes
Cliff Robinson was only 1-for-6, and Barry was 2-for-6. ... Philadelphia's Aaron McKie also struggled, going 0-for-3 from the field. ... Detroit's Danny Manning had his first playing time of the series, playing the final 4½ minutes and picking up three fouls with no points. ... Van Horn became a father for the fourth time Saturday when his wife gave birth to their third daughter, Haley.
spark notes 在 SPARKNOTES - Home | Facebook 的推薦與評價
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spark notes 在 spark-notes - GitHub Pages 的推薦與評價
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