構え!
Major throwback to #2019, I grow up with these boys since 2015 and we’d dance to Sōran Bushi (ソーラン節) every year it’s like a Tradition of our Schools Japanese Club, I missed this so much. This was one of the highlights during my senior year in high school, we choreographed the intro together, we were not the best but this was really fun 🫂❤️ to all of you guys who don’t know what is “Soran Bushi ソランブシ”
「Sōran Bushi (ソーラン節)」
is one of the most famous traditional songs and dance (min'yō) in Japan. It is a sea shanty that is said to have been first sung by the fishermen of Hokkaido.
「Sōran Bushi」The commonly known version of the song and dance is called Nanchū Sōran (南中ソーラン) and was created in 1991 at the Wakkanai Minami Junior High School.
The choreography was developed by the Butoh dancer Jushō Kasuga, which includes acting ocean waves, fishermen dragging nets, pulling ropes and lifting luggage over their shoulders. 🌊🇯🇵
#Soranbushi
同時也有141部Youtube影片,追蹤數超過1,790的網紅寶船 TAKARABUNE,也在其Youtube影片中提到,Mark Ronson - Uptown Funk (Official Video) ft. Bruno Mars https://youtu.be/OPf0YbXqDm0 Hilty & Bosch @Hilty & Bosch https://twitter.com/HiltyBosch1?...
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japanese traditional dance 在 Sonic Deadhorse Facebook 的最佳貼文
【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架,附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
japanese traditional dance 在 CleverMunkey.com Facebook 的最讚貼文
I love Japanese food, what about you? 🍱🍙🍣🍜
You can now enjoy the Japanese culture in food, arts and crafts, dance and traditional garment at Japan Fiesta.
Organized by BTP Rawang from 28-29 Sept 2019 with plenty of fun-filled activities suitable for young and old such as Yukata Photo Op, Japanese Arts & Crafts, Bento Making Workshop, Sushi Making Workshop, Japanese Fusion Dance and many more! ⛩🗻🎏
🎎Don’t forget to head over to BTP Sales Gallery Rawang for Japan Fiesta with your family and friends. More info at: http://bit.ly/2kDU2tc
Bandar Tasik Puteri #btprawang #bandartasikputeri #japanfiesta
japanese traditional dance 在 寶船 TAKARABUNE Youtube 的最佳貼文
Mark Ronson - Uptown Funk (Official Video) ft. Bruno Mars
https://youtu.be/OPf0YbXqDm0
Hilty & Bosch @Hilty & Bosch
https://twitter.com/HiltyBosch1?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor
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An Awa Odori entertainment troupe, pushing the boundaries of Japanese dance traditions.
Takarabune is a creative dance company of Awa Odori, one of the most well-known Japanese traditional dances with a 450 years of history.
They push the limits of this venerable traditional art: their signature dance style is so aggressive and vigorous that it has been characterized as ‘dance beyond Awa Odori’. Their performance at a number of Awa Odori events held in Tokyo has generated growing interest among a variety of media, and the group has gained a reputation as the hottest Awa Odori group (ren) in Japan.
#UptownFunk #hiltyandbosch #TAKARABUNE

japanese traditional dance 在 shamisen player Masakatsu Youtube 的最佳貼文
#オリンピック #Olympic #五輪閉会式
東京五輪閉会式でも演奏された東京音頭です。2019年の懐かしいやつです。

japanese traditional dance 在 寶船 TAKARABUNE Youtube 的最佳解答
■寶船(たからぶね)TAKARABUNE
1995年、阿波踊りの本場・徳島県出身の連長が主宰となり、東京都で発足。2012年に法人化し、日本唯一のプロ阿波踊りグループとなる。これまでに、世界20ヵ国61都市、年間約300ステージを行うまでに活動を展開。
↳ https://takarabune.org/
現在は、世界最大級のフェスティバルへ招致を受けるなど、全世界から数多くのオファーが後を絶たず、毎年10カ国以上の海外公演と国内公演の両立を果たしている。2014年には、日本PRのCM『日本の若さが世界を変える』に出演し、「my Japan Award 2014」にて《箭内道彦賞》を受賞。
近年ではメディアにも数多く取り上げられ、フジテレビ「にじいろジーン」や、日本テレビ「ネプ&イモトの世界番付」、テレビ東京「YOUは何しに日本へ」、テレビ朝日「スーパーJチャンネル」などに多数出演。また、アサヒ飲料『三ツ矢サイダー』のCMに抜擢され、長澤まさみ、ビートたけし、ディーン・フジオカと並び出演。国内でも、「ダボス会議アフターパーティー」、「もしもしにっぽん FESTIVAL」「泡フェス」「TEDxUTokyo」など話題のイベントに出演し、会場を熱狂させた。近年では、日本を代表するDJであるDAISHI DANCEとスペシャルステージを行うなど、他分野とのコラボレーションも精力的に行っている。
2018年、アメリカ大陸を車で横断し、全米各地でパフォーマンスを披露する異例のプロジェクトを決行。走行距離1万キロを越える大規模なツアーを成功させた。
An Awa Odori entertainment troupe, pushing the boundaries of Japanese dance traditions.
Takarabune is a creative dance company of Awa Odori, one of the most well-known Japanese traditional dances with a 450 years of history. They push the limits of this venerable traditional art: their signature dance style is so aggressive and vigorous that it has been characterized as ‘dance beyond Awa Odori’. Their performance at a number of Awa Odori events held in Tokyo has generated growing interest among a variety of media, and the group has gained a reputation as the hottest Awa Odori group (ren) in Japan.
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